The tiny mountain town of Vesper Falls knows it, but more importantly, his son Kevin knows it. Haunted by soul-ripping guilt and fiercely despised by his son, Jack turns to the bottle while Kevin turns to crime. But three years behind bars does nothing to dull the hate he feels toward his father. Desperate to reconnect, Jack takes Kevin on a hunting trip to Scar Lake, arranged by a preacher with his own emotional scars. But there is something wicked in the woods that doesn’t care about emotions—it only cares about death and torment. The hunters become the hunted as small town secrets are dragged from the darkness and Jack finds himself facing an impossible choice as his son’s life hangs in the balance. Gristle is a brutal, bloody, briskly-paced novel of redemption, sacrifice, and backwoods horror in the classic tradition of The Hills Have Eyes and Wrong Turn.

     Peter Meyer grew up on an African game reserve. His idyllic childhood was spent running wild in the bush with Zulu friends and other free spirits. His adventures in the wilderness honed his character, nurtured by an inspirational father who taught him to believe that everything is possible. Before he had turned eight he had survived Rhino attacks, close encounters with Buffalo and Wildebeest — and the terror of twice being bitten by snakes. His pets were a baby Elephant, Warthogs and an Ostrich that frequented his backyard. He lived in a world where beauty was tempered by daily struggles for survival. He discovered that the reality of the bush is often heart-breaking, such as when an Nyala doe that he had hand-reared was taken by predators. He learned through first-hand experience that the cycle of life on Africa’s feral outbacks can be as unforgiving as it is magnificent. These were the key lessons from the wilds of Africa that he took with him when his family left the continent; from school days in England where his tough upbringing resulted in being a top sportsman, to studying at an exclusive Swiss hotel school and becoming one of the youngest directors in the Hilton group, managing exotic resorts in Jamaica and the Middle East. He was on top of the world when everything came crashing down due to tragedy. Drawing on resilience learned in the African bush, he started to rebuild his life, becoming an actor and model, clawing his way up in one of the most critically demanding industries in the world. This is an inspiring true story of living the dream — a dream nurtured by the freedom and self-reliance of growing up wild in Africa.

    Within months, she is the wife of a French safari guide and the stepmother of an eleven-year-old. The year that follows is a test of courage and resilience as each member of the family struggles to make a place for himself in a tantalizing and dangerous world. Part love story, part adventure saga, Our House in Arusha explores the meaning of second chances.

    Ken Saro-Wiwa, a renowned poet and environmentalist, was campaigning to protect his Ogoni people against the encroachments of Shell Oil and a brutal dictatorship. He was imprisoned, tortured, brought to trial on trumped-up charges, and executed. At the heart of the public campaign to save Ken Saro-Wiwa was another Ken Wiwa—the author's son—who travelled the world lobbying world leaders and mobilizing public opinion, so that his father was recognized as a hero and a symbol of the struggle for environmental justice. The Saro-Wiwa name became global currency for righteousness. Ken Wiwa has embarked on a book that tells the story—from a human, anecdotal perspective—of what it means to grow up as a child in the shadow of such extraordinary men and women. In the end, it's about Ken's attempts to make peace with himself and his father—following his journey as he reaches toward a final rendezvous with the father who was snatched by the hangman.

    A dark tale of fate, revenge and violence in a country where wrong is the new right.When the president of South Africa murders his wife in a fit of drunken rage he charges his most trusted henchman, the bloodthirsty Steve Bungu, with orchestrating a cover-up that pivots on blackmailing Joe Louw, a retired cop of impeccable ethics, to mount a fake investigation that'll clear the crooked head of state.In a seemingly unconnected case, Investigator Disaster Zondi (Mixed Blood, Dust Devils) who, because of his criticism of the corrupt post-apartheid regime, has been banished to the fringes of law enforcement, is given the thankless task of traveling to the remote Kalahari Desert to arrest Magnus Kruger, a notorious white supremacist who rules over an Afrikaner-only enclave, for the slaying of a young black man.As Louw and Zondi peel away layers of lies, hatred and festering secrets they reveal the connections that bind them, connections that reach back deep into the nightmare of South Africa's apartheid past.

    Above all else, Cleopatra was a shrewd strategist and an ingenious negotiator.Though her life spanned fewer than forty years, it reshaped the contours of the ancient world. She was married twice, each time to a brother. She waged a brutal civil war against the first when both were teenagers. She poisoned the second. Ultimately she dispensed with an ambitious sister as well; incest and assassination were family specialties. Cleopatra appears to have had sex with only two men. They happen, however, to have been Julius Caesar and Mark Antony, among the most prominent Romans of the day. Both were married to other women. Cleopatra had a child with Caesar and–after his murder–three more with his protégé. Already she was the wealthiest ruler in the Mediterranean; the relationship with Antony confirmed her status as the most influential woman of the age. The two would together attempt to forge a new empire, in an alliance that spelled their ends. Cleopatra has lodged herself in our imaginations ever since.Famous long before she was notorious, Cleopatra has gone down in history for all the wrong reasons. Shakespeare and Shaw put words in her mouth. Michelangelo, Tiepolo, and Elizabeth Taylor put a face to her name. Along the way, Cleopatra’s supple personality and the drama of her circumstances have been lost. In a masterly return to the classical sources, Stacy Schiff here boldly separates fact from fiction to rescue the magnetic queen whose death ushered in a new world order. Rich in detail, epic in scope, Schiff ‘s is a luminous, deeply original reconstruction of a dazzling life.

    Mokhtar Alkhanshali is twenty-four and working as a doorman when he discovers the astonishing history of coffee and Yemen’s central place in it. He leaves San Francisco and travels deep into his ancestral homeland to tour terraced farms high in the country’s rugged mountains and meet beleagured but determined farmers. But when war engulfs the country and Saudi bombs rain down, Mokhtar has to find a way out of Yemen without sacrificing his dreams or abandoning his people.

    By the age of eleven, Stephen had run away too, preferring life on the streets. As a teenager he was recruited into an urban gang, the Black Shadows, which robbed and mugged with a half-focused dream of revolution. When an evangelist came to town, Stephen was sent to fire bomb the event, but instead he stayed to listen. This powerful, bestselling story has now been revised and updated and is in its fourth printing.

    What she does, with clarity, beauty, and candor, is to document, often in their most extreme moments, the complex lives of others. It’s her work, but it’s much more than that: it’s her singular calling.Lynsey Addario was just finding her way as a young photographer when September 11 changed the world. One of the few photojournalists with experience in Afghanistan, she gets the call to return and cover the American invasion. She makes a decision she would often find herself making—not to stay home, not to lead a quiet or predictable life, but to set out across the world, face the chaos of crisis, and make a name for herself.Addario finds a way to travel with a purpose. She photographs the Afghan people before and after the Taliban reign, the civilian casualties and misunderstood insurgents of the Iraq War, as well as the burned villages and countless dead in Darfur. She exposes a culture of violence against women in the Congo and tells the riveting story of her headline-making kidnapping by pro-Qaddafi forces in the Libyan civil war.Addario takes bravery for granted but she is not fearless. She uses her fear and it creates empathy; it is that feeling, that empathy, that is essential to her work. We see this clearly on display as she interviews rape victims in the Congo, or photographs a fallen soldier with whom she had been embedded in Iraq, or documents the tragic lives of starving Somali children. Lynsey takes us there and we begin to understand how getting to the hard truth trumps fear.As a woman photojournalist determined to be taken as seriously as her male peers, Addario fights her way into a boys’ club of a profession. Rather than choose between her personal life and her career, Addario learns to strike a necessary balance. In the man who will become her husband, she finds at last a real love to complement her work, not take away from it, and as a new mother, she gains an all the more intensely personal understanding of the fragility of life.Watching uprisings unfold and people fight to the death for their freedom, Addario understands she is documenting not only news but also the fate of society. It’s What I Do is more than just a snapshot of life on the front lines; it is witness to the human cost of war.

    Clemantine and her fifteen-year-old sister, Claire, ran and spent the next six years wandering through seven African countries searching for safety--hiding under beds, foraging for food, surviving and fleeing refugee camps, finding unexpected kindness, witnessing unimaginable cruelty. They did not know whether their parents were alive.At age twelve, Clemantine, along with Claire, was granted asylum in the United States--a chance to build a new life. Chicago was disorienting, filled with neon lights, antiseptic smells, endless concrete. Clemantine spoke five languages but almost no English, and had barely gone to school. Many people wanted to help--a family in the North Shore suburbs invited Clemantine to live with them as their daughter. Others saw her only as broken. They thought she needed, and wanted, to be saved. Meanwhile Claire, who had for so long protected and provided for Clemantine, found herself on a very different path, cleaning hotel rooms to support her three children.Raw, urgent, yet disarmingly beautiful, The Girl Who Smiled Beads captures the true costs and aftershocks of war: what is forever lost, what can be repaired, the fragility and importance of memory, the faith that one can learn, again, to love oneself, even with deep scars.

    Forced to follow his father, PAC ‘founding spirit’ A P Mda, into exile in Lesotho (then still Basutoland) at the age of fourteen, Zakes Mda finds freedom from close parental discipline irresistible and becomes a frequenter of shebeens and an exponent of fast living at an early age, although he iseventually drawn back to wanting a good education above all other things. After many twists and turns, and a few false starts, we follow his journey to Athens, Ohio, where he is now professor of creative writing. Forthright almost to a fault, it is a vigorous and colourful story enriched by Mda’s dry humourand his ability to engage with his reader on a very personal level.Always outspoken, Mda has in the past voiced his disappointment in, and been critical of, what he sees as ‘crony capitalism’ and the ‘patronage system’ in the ‘new’ South Africa – a lot of which was highlighted in hislast novel Black Diamond – and finds that he has been side-lined in many aspects of South African culture where he feels he could make a significant contribution. Because he ‘resisted the centre’ and ‘stayed on the periphery’,he regards himself as an outsider’ – hence the book’s subtitle. Admirers of Mda’s fiction will enjoy getting to know more about the man.

    In Africa, she slept in a tent, cooked over a campfire, and lived each day alongside the baboon colony her parents were studying. She could wield a spear as easily as a pencil, and it wasn't unusual to be chased by lions or elephants on any given day. But for the months of the year when her family lived in the United States, this brave kid from the bush was cowed by the far more treacherous landscape of the preppy, private school social hierarchy.Most girls Keena's age didn't spend their days changing truck tires, baking their own bread, or running from elephants as they tried to do their schoolwork. They also didn't carve bird whistles from palm nuts or nearly knock themselves unconscious trying to make homemade palm wine. But Keena's parents were famous primatologists who shuttled her and her sister between Philadelphia and Botswana every six months. Dreamer, reader, and adventurer, she was always far more comfortable avoiding lions and hippopotamuses than she was dealing with spoiled middle-school field hockey players. In Keena's funny, tender memoir, Wild Life, Africa bleeds into America and vice versa, each culture amplifying the other. By turns heartbreaking and hilarious, Wild Life is ultimately the story of a daring but sensitive young girl desperately trying to figure out if there's any place where she truly fits in.

    To the rest of the world, Nelson Mandela was a giant: an anti-apartheid revolutionary, a world-renowned humanitarian, and South Africa's first black president. To Ndaba Mandela, he was simply "Granddad." In Going to the Mountain, Ndaba tells how he came to live with Mandela shortly after he turned eleven--having met each other only once, years before, when Mandela was imprisoned at Victor Verster Prison -- and how the two of them slowly, cautiously built a relationship that would affect both their lives in extraordinary ways. It wasn't an easy transition. Mandela had high expectations for those around him, especially his family, and Ndaba chafed at the strict rules and exacting guidelines in his grandfather's home. But at the same time -- through overheard calls from foreign dignitaries as well as the Xhosa folk wisdom that his grandfather shared with him at every opportunity -- Ndaba was learning how to be a man. On a scale both personal and epic, Ndaba's extraordinary journey mirrors that of South Africa's coming of age -- from the segregated Soweto ghettos into which he was born to the privileged life in which he grew up and the turbulent yet exciting times in which he carries on his grandfather's legacy.Going to the Mountain is, in the end, a story about unlocking the power within each of us. It's a cautionary tale about how a child's life can go one way or the other, depending upon the intervention of a caring soul--and about the awesome power of love to serve as a catalyst for change.

    When Haregwoin Teferra’s husband and daughter died within a few years of each other, her life is shattered and she becomes a recluse. But then a priest delivers an orphan to her door. The another, and another... and together they thrive.The distinguished author of Praying for Sheetrock and two-time National Book award finalist puts a human face on the AIDS crisis in Africa. When Haregwoin Teferra’s husband and 23-year-old daughter died within a few years of each other, her middle-class life in Addis Ababa, Ethiopia, was shattered. Bereft and with little to live for, Haregwoin became a recluse. Her self-imposed exile to a hut near her daughter’s grave was interrupted when a priest delivered first one, then another, orphaned teenager into her care. To everyone’s surprise, the children thrived, and so did Haregwoin. As word spread, children of all ages began to appear at her modest home: an infant brought by a dying mother, an orphaned brother and sister whose grandfather was too poor to feed them, a baby left on her doorstep. Haregwoin’s small compound became known as the rare place where ailing parents and impoverished families could safely leave their children. Soon Haregwoin was caring for sixty children, running an unofficial orphanage and day school, and learning first-hand about her country’s and her continent’s greatest challenge: the AIDS pandemic that is leaving millions of children without parents to care for them. With the flair and grace of a novelist and the reportorial instincts of a seasoned journalist, Melissa Fay Greene gets to the heart of the AIDS crisis, in a story that is nevertheless one of hope. There Is No Me Without You is the story of Haregwoin and her children: a story of struggle and despair, but also of the triumph of saved lives, and the renewed happiness of children welcomed by adoptive parents in Ethiopia, America, and around the world. Haregewoin’s remarkable story convinces us that the crisis in Africa touches every one of us in some fundamental way. At heart, this book is about children and the parents they need to care for them.

    But she is leaving behind some unfinished business in Zimbabwe: a very special elephant targeted for execution. With the help of her new friend Diamond-Rose Tremaine, an eccentric safari operator, Neelie manages to buy some time for the imperiled pachyderm, knowing that when she lands in New York they'll need to raise funds for his rescue.Once they're home, everything becomes a struggle. Neelie and Diamond-Rose now must relearn how to survive in an urban jungle of table manners and real beds while coping with the overbearing affections of Neelie's family. Harder still, Neelie desperately needs the help of her wealthy conservationist ex-boyfriend, Tom, to save the magnificent creature—and swallowing her pride just might be the biggest challenge of all.