Growing up in Brookline, Massachusetts, she took swim lessons at her community pool and captained the local team; in high school, she raced across bays and sprawling North American lakes. Now a sophomore on her university’s nationally ranked team, she struggles under the weight of new expectations but life is otherwise pretty good. Perfect, really.That all changes when Avery’s red-eye home for Thanksgiving makes a ditch landing in a mountain lake in the Colorado Rockies. She is one of only five survivors, which includes three little boys and Colin Shea, who happens to be her teammate. Colin is also the only person in Avery’s college life who challenged her to swim her own events, to be her own person—something she refused to do. Instead she’s avoided him since the first day of freshman year. But now, faced with sub-zero temperatures, minimal supplies, and the dangers of a forbidding nowhere, Avery and Colin must rely on each other in ways they never could’ve imagined.In the wilderness, the concept of survival is clear-cut. Simple. In the real world, it’s anything but.

    Lucy Bloom is broke, freshly dumped by her boyfriend, and forced to sell her house to send her nineteen-year-old son to drug rehab. Although she’s lost it all, she’s determined to start over. So when she’s offered a high-paying gig helping clear the clutter from the home of reclusive and eccentric painter Marva Meier Rios, Lucy grabs it. Armed with the organizing expertise she gained while writing her book, Things Are Not People, and fueled by a burning desire to get her life back on track, Lucy rolls up her sleeves to take on the mess that fills every room of Marva’s huge home. Lucy soon learns that the real challenge may be taking on Marva, who seems to love the objects in her home too much to let go of any of them. While trying to stay on course toward a strict deadline—and with an ex-boyfriend back in the picture, a new romance on the scene, and her son’s rehab not going as planned—Lucy discovers that Marva isn’t just hoarding, she is also hiding a big secret. The two form an unlikely bond, as each learns from the other that there are those things in life we keep, those we need to let go—but it’s not always easy to know the difference.

    Of course it wasn’t. But if she’d just grasped harder, run faster, lunged quicker, she might have saved him. And Edward doesn’t really blame her, though his bitter words at the time still haunt her, and he can no more take them back than she can halt the car that killed their son.Two years on, every day is a tragedy. Edward knows they should take healing steps together, but he’s tired of being shut out. For Zoe, it just seems easier to let grief lead the way.A weekend in Paris might be their last hope for reconciliation, but mischance sees them separated before they’ve even left Gare du Nord. Lost and alone, Edward and Zoe must try to find their way back to each other—and find their way back to the people they were before. But is that even possible?

    Determined to get noticed, Lindsey is finally on the cusp of being named VP creative director of an elite New York advertising agency, after years of eighty-plus-hour weeks, migraines, and profound loneliness. But during the course of one devastating night, Lindsey’s carefully constructed life implodes. Humiliated, she flees the glitter of Manhattan and retreats to the time warp of her parents’ Maryland home. As her sister plans her lavish wedding to her Prince Charming, Lindsey struggles to maintain her identity as the smart, responsible twin while she furtively tries to piece her career back together. But things get more complicated when a long-held family secret is unleashed that forces both sisters to reconsider who they are and who they are meant to be.

    But a fateful misunderstanding gave Vietnam vet Caney the flashiest joke in the entire state. Twelve years later, the once-busy highway is dead and the sign is as worn as Caney, who hasn't ventured outside the diner since it opened. Then one blustery December day, a thirtyish Crow woman blows in with a three-legged dog in her arms and a long-buried secret on her mind. Hiring on as a carhop, Vena Takes Horse is soon shaking up business, the locals, and Caney's heart...as she teaches them all about generosity of spirit, love, and the possibility of promise-just like the sign says.

    A New Yorker living in the wilds of Ireland, he has children he never sees in California, a father he loathes in Brooklyn, and a wife, Claudette, who is a reclusive ex–film star given to pulling a gun on anyone who ventures up their driveway. Claudette was once the most glamorous and infamous woman in cinema before she staged her own disappearance and retreated to blissful seclusion in an Irish farmhouse. But the life Daniel and Claudette have so carefully constructed is about to be disrupted by an unexpected discovery about a woman Daniel lost touch with twenty years ago. This revelation will send him off-course, far away from wife, children and home. Will his love for Claudette be enough to bring him back?This Must be the Place is a novel about family, identity, and true love: an intimately drawn portrait of a marriage, both the forces that hold it together and the pressures that drive it apart. O'Farrell writes with complexity, insight, and laugh-out-loud humor in a narrative that hurtles forward with powerful velocity and emotion. This Must be the Place is a sophisticated, spellbinding summer read from one of the UK's most highly acclaimed and best-loved novelists.

    Because in the end, music can save us all ...1988. Frank owns a music shop. It is jam-packed with records of every speed, size and genre. Classical, jazz, punk – as long as it’s vinyl he sells it. Day after day Frank finds his customers the music they need.Then into his life walks Ilse Brauchmann.Ilse asks Frank to teach her about music. His instinct is to turn and run. And yet he is drawn to this strangely still, mysterious woman with her pea-green coat and her eyes as black as vinyl. But Ilse is not what she seems. And Frank has old wounds that threaten to re-open and a past he will never leave behind ...

    She's 13, wise-mouthed but wounded, having bid her childhood goodbye. Stranded in front of her bedroom TV, she spends the next few years nourishing herself with the Mallomars, potato chips, and Pepsi her anxious mother supplies. When she finally orbits into young womanhood at 257 pounds, Dolores is no stronger and life is no kinder. But this time she's determined to rise to the occasion and give herself one more chance before she really goes under.

    Her husband leaves her for another woman, and her best friend announces an unplanned pregnancy at the age of forty-one. Bernie's behavior goes from acting out to out-of-hand, and she finds herself in trouble at home, out of work and banned from the mall after a confrontation at the cosmetic counter.When her mother discovers her father's book of cryptograms, Bernie realizes his encoded lessons in living might be exactly what she needs to survive. From dealing with her family's grief and bonding with her best friend's thirteen-year-old daughter, to dieting, dating and mindless almost-sex with the landscaper, Bernie discovers what her father always knew.In life, you either choose to sing a rainbow, or you don't.For Bernie, the singing is about to begin.

    But ever since her dad died, she’s been isolating herself from her boyfriend, her best friends—everyone who wants to support her. And when her mom decides to adopt a baby, it feels like she’s somehow trying to replace a lost family member with a new one.Mandy Kalinowski understands what it’s like to grow up unwanted—to be raised by a mother who never intended to have a child. So when Mandy becomes pregnant, one thing she’s sure of is that she wants a better life for her baby. It’s harder to be sure of herself. Will she ever find someone to care for her, too?As their worlds change around them, Jill and Mandy must learn to both let go and hold on, and that nothing is as easy—or as difficult—as it seems.

    Dorothy, whose ruffian sons are a never-ending source of stress. May entertains the group with her outrageous dating stories, while Mitzi finds something political to rant about in every book—including Loretta’s trashy romances. Even Janet, with her mousy shyness and constant blush, has helped Jean rediscover the joy in life.So when Jean’s family starts unraveling again—her daughter forced into rehab and her troubled teen granddaughter, Bailey, coming to live with her in the interim—she turns to the book club for comfort and support. And, together, they all, even Bailey, discover that family is what you make of it, especially the family you choose…

    Her dream was to run the Glass Kitchen restaurant her grandmother built decades ago. But after a string of betrayals and the loss of her legacy, Portia is determined to start a new life with her sisters in Manhattan... and never cook again. But when she moves into a dilapidated brownstone on the Upper West Side, she meets twelve-year-old Ariel and her widowed father Gabriel, a man with his hands full trying to raise two daughters on his own. Soon, a promise made to her sisters forces Portia back into a world of magical food and swirling emotions, where she must confront everything she has been running from. What seems so simple on the surface is anything but when long-held secrets are revealed, rivalries exposed, and the promise of new love stirs to life like chocolate mixing with cream. The Glass Kitchen is a delicious novel, a tempestuous story of a woman washed up on the shores of Manhattan who discovers that a kitchen—like an island—can be a refuge, if only she has the courage to give in to the pull of love, the power of forgiveness, and accept the complications of what it means to be family.

     The Andreas family is one of readers. Their father, a renowned Shakespeare professor who speaks almost entirely in verse, has named his three daughters after famous Shakespearean women. When the sisters return to their childhood home, ostensibly to care for their ailing mother, but really to lick their wounds and bury their secrets, they are horrified to find the others there. See, we love each other. We just don't happen to like each other very much. But the sisters soon discover that everything they've been running from-one another, their small hometown, and themselves-might offer more than they ever expected.

    Every morning she uses 100 strokes to brush her hair, 160 strokes to brush her teeth. She remembers the day she started to count, how she used numbers to organize her adolescence, her career, even the men she dated. But something went wrong. Grace used to be a teacher, but now she's surviving on disability checks. According to the parents of one of her former students, "she's mad."Most people don't understand that numbers rule, not just the world in a macro way but their world, their own world. Their lives. They don't really understand that everything and everybody are connected by a mathematical formula. Counting is what defines us...the only thing that gives our lives meaning is the knowledge that eventually we all will die. That's what makes each minute important. Without the ability to count our days, our hours, our loved ones...there's no meaning. Our lives would have no meaning. Without counting, our lives are unexamined. Not valued. Not precious. This consciousness, this ability to rejoice when we gain something and grieve when we lose something—this is what separates us from other animals. Counting, adding, measuring, timing. It's what makes us human.Grace's father is dead and her mother is a mystery to her. Her sister wants to sympathize but she really doesn't understand. Only Hilary, her favorite niece, connects with her. And Grace can only connect with Nikola Tesla, the turn-of-the-twentieth-century inventor whose portrait sits on her bedside table and who rescues her in her dreams. Then one day all the tables at her regular café are full, and as she hesitates in the doorway a stranger—Seamus Joseph O'Reilly (19 letters in his name, just like Grace's)—invites her to sit with him. Grace is not the least bit sentimental. But she understands that no matter how organized you are, how many systems you put in place, you can't plan for people. They are unpredictable and full of possibilities—like life itself, a series of maybes and what-ifs.And suddenly, Grace may be about to lose count of the number of ways she can fall in love.

    Set in Miami from the late '60s to the 1990s, Stiltsville is a sweeping journey seen through the eyes of one woman as she experiences love, motherhood, friendship, hurricanes, racial tension, and finally, a tragic death in slow motion.In her debut novel, Daniel describes the experiences of three generations in one family whose spiritual heart is centered in a modest bungalow built a few feet above the water. When Frances meets and marries Dennis, she learns to live her life on the water, from bay to ocean to everglade to bayou. She navigates through it all; infidelity, empty-nest syndrome, and debilitating illness; sometimes with grace and humor, sometimes with anger and bitterness, but always with the same people by her side.Daniel excels in capturing the flavor and decadence of Miami as it became a multicultural hotbed. In Stiltsville, she has woven factual events into Frances's life from a tumultuous period that witnessed racial beatings, the cocaine wars, and Hurricane Andrew. The result is a riveting novel filled with pathos.