A “skillfully-told story that engages the emotions as well as the brain,” Golden Child explores the impact of these decisions on each of his great-grandfather’s three wives, and succeeding generations (Entertainment Focus).David Henry Hwang is the author of the Tony Award-winning M. Butterfly, Yellow Face (OBIE Award, 2008 Pulitzer Prize finalist), Golden Child (1997 OBIE Award), FOB (1981 OBIE Award), Family Devotions (Drama Desk nomination), and the books for musicals Aida ( co-author), Flower Drum Song (2002 Broadway revival), and Tarzan, among other works. David Henry Hwang graduated from Stanford University, attended the Yale School of Drama, and holds honorary degrees from Columbia College in Chicago and The American Conservatory Theatre. He lives in New York City with his wife, actress Kathryn Layng, and their children, Noah David and Eva Veanne.

    With descriptions of the traditional Korean kitchen, preparations for special feast days, and the rituals of everyday family meals, author Hi Soo Shin Hepinstall draws an engaging portrait of a seldom glimpsed way of life. Easy-to-follow recipes, largely handed down through oral tradition, cover the wide range of main and side dishes, from the sumptuous elegance of "royal cuisine" to simpler countryside cooking. Korean cuisine has emerged as one of the most exciting and robust tastes of Asia, with great variety and some of the world's most sophisticated techniques for pickling and cooking with garlic and hot pepper. Cooks of all levels, as well as armchair travelers, will welcome this book to their collection.• Includes over 250 authentic recipes, a glossary, and a list of resources for finding uniquely Korean ingredients and utensils.• Illustrated with the author's travel and family photos, depicting the cultural and culinary traditions of Korea.For a list of markets that carry Korean ingredients visit www.koreanfeast.com

    Two sisters share a husband when one fails to produce a child for the longest time. An American diplomat's urgent inquires about the Malaysian treasury’s facilities are hilariously misunderstood. A daring civil servant proposes to a lady in his Ceylonese hometown mere minutes after meeting her, breaking a thousand years of marriage protocol.M. Shanmughalingam's debut collection paints, with gentle wit and humour, the concerns and intrigues of the Jaffna Tamil community in Malaya. Satirical yet deeply empathetic, these fifteen stories explore what happens when we hold on to—and choose to leave behind—our traditions and identities in a changing world.

    The end of his journey turns out to be the beginning of an odyssey in his beloved city where he finds "an insidious lawlessness creeping upon the land."Set in Manila in the last beleaguered months before the politico-military takeover in 1972, Bamboo in the Wind tells of the last desperate efforts of a people fighting to stave off disaster. Amid the escalating madness of a regime gone berserk, an odd assortment of people—a senator, a young nationalist, a dispossessed farmer, a radical activist, a convent school girl, a Jesuit scholastic—make their way along the labyrinthine corridors of greed and power. Each is forced to examine his own commitment in the face of brutality and evil, as the book conjures up scene after scene of devastation: the massacre of the demonstrators, the demolition of Sapang Bato, the murder of the sugar plantation workers, the burning of the Laguardia rice fields. And, as a climax to the mounting violence, that final September day—the arrests, the torture, and finally, the darkness that overtakes the land.

    She begins with the formality and security of the arrangements of life for a Japanese middle-class family, living in a walled compound with their servants, following exactly the tradition inherited from their parents, with marriages arranged for the children, which continued up until World War II. By then her mother was married to an engineer and living in Japanese-occupied Manchuria. That period is marked by her mother's often funny, painful experiences of learning about the Chinese and Russians with whom she now lived with her growing family, and the war seen from her point of view. At the end of the war, the Japanese - women, children, everyone - had to escape, walking hundreds of miles to the coast. The family returned to a Tokyo where the society, the culture, the economy was entirely overturned. The Americans were everywhere, the Japanese were unemployed, and the ways of society that they had all known had vanished. And yet somehow Ruri's indomitable mother survived.

    This novel gives, as no fiction account about Thailand has yet done, insights into Thai life, particularly that of rural Thailand. Foreign writers writing about the Thai people look at Thailand from the - outside", but Pira Sudham writes about his people and country as seen from the - inside," thus giving us a fascinating work.

    That past assumed a new dimension when seen from the people's viewpoint. The present work undertakes to prove that the essence of these past relations has persisted in the present era. The authors have therefore chosen to call this period The Continuing Past in order to emphasize the fact that while there are apparent changes, the new refinements of external control and exploitation merely conceal the persisting subjection. The authors express the hope that their "re-examination of the Philippine neocolonial experience...and the brief focus on evolving American imperialist objectives and the techniques used to attain them may not only reveal this historical period in a new light but may help to provide the basis for new historic initiatives on the part of the people in the attainment of their final liberation."As in the previous volume, events and personalities are subjected to stringent analysis from the point of view of the people's larger interest, thus giving the layman a better grasp of the forces that influence contemporary society. The process of demystification proceeds with greater intensity as sacred cows are re-evaluated in terms of the people's long-range objectives.The Continuing Past is a very relevant work; and also irreverent as the previous writings of Constantino have been.

    She-she, a peasant girl, never wanted to be a concubine. But She-she has caught the eye of Li Hung, the most powerful man in Canton.Torn away from her family, she must serve as a blue dress girl, welcoming men to Hung’s decadent household and into her bed. Her first encounter is with lecherous Trader Courtice.But the night goes horrifically awry, bringing scandal down on She-she’s head. She flees by boat.THEN DISASTER STRIKES AGAIN.British forces open fire on She-she’s ship, leaving her injured. Among her attackers is Second Lieutenant Kernow Keats, a sensitive young Marine who promises to take her to safety.He is unlike any man She-she has ever known. But dare the couple dream of a future together?CAN THEIR LOVE SURVIVE THE VICIOUS WAR RAGING ALL AROUND THEM?Discover a beautifully told saga, majestically woven around the lives of two people, discovering unexpected feelings in unfamiliar territory.PERFECT FOR FANS OF ARTHUR GOLDEN, AMY TAN, LISA SEE, ANCHEE MIN, OR PEARL S. BUCK.

    While drawing on ancient wisdom, Donald Altman embraces twenty-first-century brain science to create practical, everyday strategies for experiencing a less-encumbered, less-entangled state of being. These techniques reactivate natural abilities you already possess.The four keys for unlocking mindfulness are the body, the mind, the spirit, and relationships. Altman presents practices for turning each key toward contentment, confidence, and joy, including shifting our mental and emotional perceptions, inhabiting the body and its “sense-abilities,” exploring spiritual connection, and tapping into the healing powers of community and relationship. Inviting and accessible to those new to mindfulness but comprehensive enough for more experienced practitioners, these powerful tools will help you transform your life from the inside out.

    Its author Gu Hua was brought up in the Wuling Mountains of south Hunan. He presents the ups and downs of some families in a small mountain town there during the hard years in the early sixties, the "cultural revolution," and after the downfall of the "gang of four." He shows the horrifying impact on decent, hard-working people of the gang's ultra-Left line, and retains a sense of humor in describing the most harrowing incidents. In the end wrongs are righted, and readers are left with a deepened understanding of this abnormal period in Chinese history and the sterling qualities of the Chinese people.

    Far from the trendy gaijin neighborhoods of downtown Tokyo, she’s settled in a remote seaside village where she makes ends meet as a bar hostess. Her world appears to open when she meets Yusuke, a savvy and sensitive art gallery owner who believes in her talent. But their love affair, and subsequent marriage, is doomed to a life of domestic hell, for Yusuke is the chonan, the eldest son, who assumes the role of rigid patriarch in his traditional family while Jill’s duty is that of a servile Japanese wife. A daily battle of wills ensues as Jill resists instruction in the proper womanly arts. Even the long-anticipated birth of a son, Kei, fails to unite them. Divorce is the only way out, but in Japan a foreigner has no rights to custody, and Jill must choose between freedom and abandoning her child.Told with tenderness, humor, and an insider’s knowledge of contemporary Japan, Losing Kei is the debut novel of an exceptional expatriate voice.Suzanne Kamata's work has appeared in over one hundred publications. She is the editor of The Broken Bridge: Fiction from Expatriates in Literary Japan and a forthcoming anthology from Beacon Press on parenting children with disabilities. A five-time nominee for the Pushcart Prize, she has twice won the Nippon Airways/Wingspan Fiction Contest.