Though, one month out of the Kansas Territory, Hank disappears leaving Rebecca and Jace, their older son, responsible for finding the wagon train in his absence. Without Hank, Rebecca is forced to kill an outlaw who threatens her and her children. The courageous act thrusts her on a course of unforeseen danger. Rebecca finds it necessary to make one critical decision after another for the survival of her family. Joining the wagon train, Rebecca begins the long journey west. Two thousand miles of untamed wilderness and overwhelming adversities draw her closer to the group of travelers whom she soon considers family. Their strength overshadows her fears of retaliation by the outlaw’s brothers determined to make good on their promise. Music by the campfires, starlit nights, and God’s constant presence make the unrelenting wind and long, hot days bearable. Along with the unexpected romance which catches Rebecca by surprise. Gentle Courage tells the story of a woman with extraordinary faith and courage to give her children a future. With powerful insight, author of the Tales of Hackett County series, Connie Johnson captures the essences of the historical epic of the Oregon Trail seen through the eyes of Rebecca Quaid.

    As a resolute Bobby, teamed up with with old timer, Diggory, set off after the killers, Ella is placed at the mercy of an unscrupulous priest and soon finds herself aboard one of America's infamous, Orphan Trains. Bobby and Diggory, now accompanied by his reluctant, young schoolteacher, Miss Halfpenny, are faced with the critical dilemma of searching for his sister, or the continued quest of his parents' killer. And so, a desperate pursuit ensues across America's still untamed and perilous Wild West.

    The topics include feminism and the role of women in the drama, the American Dream, business and capitalism, the significance of technology, the legacy that Willy leaves to Biff, and Miller's use of symbolism. The authors of the essays include prominent Arthur Miller scholars such as Terry Otten and the late Steven Centola as well as young, emerging scholars. Some of the essays, particularly the ones written by the emerging scholars, tend to employ literary theory while the ones by the established scholars tend to illustrate the strengths of traditional criticism by interpreting the text closely. It is fascinating to see how scholars at different stages of their academic careers approach a given topic from distinct perspectives and sometimes diverse methodologies. The essays offer insightful and provocative readings of Death of a Salesman in a collection that will prove quite useful to scholars and students of Miller's most famous play.