Like the first two, this new thriller combines gripping contemporary suspense with a high-concept mystery rooted in history, philosophy, religion, and science. And like those novels, it is bound for bestseller lists nationwide. In Antarctica, a scientific expedition drops anchor for a live news feed. As the CNN journalist begins her report, a massive, shimmering sphere of light suddenly appears in the sky, enveloping the ship in luminous white light before disappearing as mysteriously as it arrived, the entire event witnessed by an incredulous world audience.Meanwhile in a dusty bar in Egypt, a dozen men are lazily discussing the state of the world when the brilliant, glowing symbol on the television stops them cold. One man breaks out in a sweat, crosses himself repeatedly, and rushes out of the bar muttering the same phrase over and over again: It can't be.Across the Internet and around the globe, a stunning controversy threatens to consume the world: Has God finally decided to reveal himself? Or is something more sinister at hand? Raymond Khoury/Steve Berry interview STEVE BERRY: Your new thriller, THE SIGN. I'm gonna come right out and say it: I think it's your best one yet. What do you think?RAMOND KHOURY: Tough call. It's my new baby, and much as I adore its elder siblings, it does have that newborn magic to it.STEVE: Trust me, it is. It's also a bit of a departure from your first two books, in that it doesn't have the past-and-present storylines. Knowing how stories kind of take on a life of their own, that wasn't a conscious decision from the get-go, was it?RAYMOND KHOURY: No, it wasn't premeditated. It's just the way the story came out. The whole story happens in the present. It takes place over a few manic days, I think you're familiar with that pacing, right? And it deals with the present, it's about a what if situation that's very today and now, there's a mystery, something to figure out, but there's no throwback to the past, no long lost secret to uncover.STEVE BERRY: It's also very topical. Your editors must be pleased.RAYMOND: I guess it happened that way because the story came out of some very strong feelings I had, feelings about what was going on around the world, in the US and abroad.STEVE: Tell me about that process. Where the story came from.RAYMOND: It's where they all come from, isn't it? That kernel, that one thought or one observation you have that just sticks and triggers a book, the one that bugs you late at night and that you can't shake. This one came to me while watching the news one day, and every item, one after another, it was all bad news. Not just bad, but it was like a lot of people were behaving so insanely in so many places around the world, and, sadly, a lot of it was fuelled by the manipulation or distortion of religious faith.STEVE: By intolerance?RAYMOND: Exactly. Intolerance and closed minds. And it got me thinking. About how divided we are, about how so many people all over the world believe in the absolute infallibility of their faith and how it rules every aspect of their lives, you know what I mean, we're right, everyone else is wrong, that medieval mindset and wondering if anything could ever unite the planet under a single faith.STEVE: One global religion. RAYMOND: Well, imagine if something did happen that convinced everyone that what we had until now, all these different religions that have grown over the last few thousand years, what if something new came along that was so overwhelming that it was impossible to ignore? Would we listen? Would we drop our previous faiths and embrace it?STEVE: But your book's about much more than that. Without wanting to give too much away, it's really a political thriller, isn't it?RAYMOND: It's always so hard to talk about a book without giving too much away.STEVE: It's the fine line we walk.RAYMOND: True. But yes, you're right, it's really about the absolute power something like that would bring, and how it could be abused. Cause above all else, it's a thriller. There's got to be a brilliantly dastardly scheme, right?STEVE: Always. And this one certainly is dastardly. One thing I've noticed, though, in all three of your books so far, they're all, essentially, about the big questions that face us: why we believe, whether or not we have to die. Religion, longevity, life and death, science vs. faith ... Big questions. And in this one, you revisit, though in a completely different way, the power of religion, the good it can bring as well as the bad, something that was also central to The Last Templar. Will this always be your signature genre, books that have a big, central theme at their core?RAYMOND: You asked me earlier about where the story came from. For me, in order to get excited about a book, it has to have a big central theme about how we live at its heart, something I'm interested in exploring. It's got to be about something I care about deeply. That's what drives the story and the characters forward for me. That's what I hope makes the books stand out. That they're not just page-turners, which ain't easy in itself, but that they're also about something. I see it in your books too. A point of view about things, a passion for laying out interesting information about a topic that interests you. Michael Crichton used to do that very successfully. Dan Brown, of course, does it brilliantly. That's what makes the books worth writing, I think.STEVE: And in reading the book, it's clear you still had tons of research to do, even though there isn't a historic mystery to unravel?RAYMOND: Absolutely. Some of it was about history, the monasteries in Egypt, for one. Again, part of the story, organically. Had to be done, and we do love our history, don't we?STEVE: Guilty as charged.RAYMOND: But for this book, I didn't need to do that much of it's nothing like what you did for THE CHARLEMAGNE PURSUIT, for instance. Which I loved, by the way. Particularly since you beat me to using the Voynich Manuscript in a story!STEVE: We do seem to be spookily in sync with our writing as further evidenced by THE SIGN's opening in Antarctica?RAYMOND: I know!STEVE: So tell me, Matt and Gracie. Are we going to see them again?RAYMOND: I don't know. On the one hand, I envy your situation with Cotton Malone, you've got a solid anchor for your books, you're building this great world around him, his son and Stephanie and Henrik and Cassiopeia, who I hope we see again real soon, and it's meaty and it's epic and like the rest of your readers, I'm hooked and I want to know what they do next. You've got that, Lee Child has had it since day one with Reacher, Harlan Coben with Myron Bolitar, the list goes on. Great characters. I'd love to do that one day, but it has to feel right. I wasn't in that frame of mind in my first two books, certainly the world after the end of THE SANCTUARY would be a very different place from the world Mia started out in at the beginning of that book. Tess and Reilly, I could maybe bring back. A lot of fans have asked for that. But with THE SIGN, Iinitely think Matt and Gracie are characters that I could bring back. I'd like to put them through another wringer, and it feels like it would come naturally. But before I do that, I'm writing the next book which introduces a new lead character, so they'll be getting a bit of a breather.STEVE: They sure can use it. Good luck with the book.RAYMOND: Thank you.

    Then Victoria, a beautiful English noblewoman, and her hulking manservant, Block, break him out of jail.Victoria’s father, a famed archaeologist from London, disappeared while searching for the lost temple of the bloodthirsty Aztec god Xipe Totec and she needs Ace's help to find him.Follow along as Ace and his new companions blaze a trail across the Old West. Along the way Ace tangles with everyone from Wyatt Earp to Geronimo and finally journeys into the depths of the mighty Sierra Madre Mountains to a temple wreathed in mystery.

    It is must-read on every page.” ----THOMAS FLEMING: Author of A Disease in the Public Mind: A New Understanding of the Civil War“The Forest of Assassins is a great read, a novel as good as the best journalism, with vivid and accurate details driving a tale of danger and deception and betrayal during the Vietnam War. This book doesn't just feel researched, it feels lived. Whether tightening the suspense – our protagonist, Navy Lieutenant Hank Dillon eyeball to eyeball with a VC soldier and watching for the skin to whiten on the man’s finger curled around the trigger of his AK-47 – or describing the oppressive heat of an innocent afternoon on the Mekong Delta, David Forsmark and Timothy Imholt make you believe every word of it. I couldn't recommend it more highly.-ROBERT FERRIGNO, NY Times best-selling novelist, Prayers for the AssassinAs real as fiction gets. A non-stop ride into combat told with perfection.-BOB HAMER, veteran FBI undercover agent and the author of The Last UndercoverThe Forest of Assassins is a historic thriller set in the earliest days of the American involvement in the Vietnam War. It involved the earliest of Navy SEAL teams. It is set in a time when the NAVY still did not admit these men existed, much less had they determined if those units would survive until the next conflict, or if the experiment would be abandoned. The Forest of Assassins tells the story of Navy SEAL Lieutenant Hank Dillon, a squad commander, deep in the jungles of South Vietnam when America’s involvement in the war was still in the “advisor” stage. Dillon’s mission is to wreak havoc among the Viet Cong guerillas who are terrorizing the countryside.Their mission—and even their presence in the region—is top secret. But Hank has a problem even bigger than a deadly and determined enemy; he has a traitor in the ranks.Meanwhile, a suspicious NCIS cop is nosing around Hank’s mysterious operation, certain that it is a front for drug running and other illegal activities.Things are tense for the young Lieutenant who just wants to go home to his wife…intact.

    Only a New York cop can win it.His claim to fame is finding guns on the bad guys, and Detective Second Grade Brian McKenna has just spotted the beard carrying a piece. What he doesn't know is that he's about to shoot his way into a war with a highly disciplined, well-armed enemy so treacherous, not even the NYPD knows they exist.Exiled from the bright lights of Manhattan for breaking one too many rules, pressured by his girlfriend to quit the job, this is McKenna's last chance to win back his reputation and make the coveted rank of Detective First Grade. But if his moves aren't swift and right, a new breed of criminal-- who has found a leader in an exotically beautiful and ruthless woman-- will own his city.From the savvy and experience of a cop who gave over 25 years of his life to the NYPD comes a stunning novel of undeniable authenticity and unrelenting suspense.

    Volume 2. Introduction / by Loren D. Estleman --The hound of the Baskervilles --The valley of fear --His last bow : The adventure of Wisteria Lodge : The singular experience of Mr. John Scott Eccles ; The tiger of San Pedro ; The adventure of the cardboard box ; The adventure of the red circle ; The adventure of the Bruce-Partington plans ; The adventure of the dying detective ; The disappearance of Lady Frances Carfax ; The adventure of the devil's foot ; His last bow --The case-book of Sherlock Holmes : The adventure of the illustrious client ; The adventure of the blanched soldier ; The adventure of the Mazarin stone ; The adventure of the three gables ; The adventure of the Sussex vampire ; The adventure of the three Garridebs ; The problem of Thor Bridge ; The adventure of the creeping man ; The adventure of the lion's mane ; The adventure of the veiled lodger ; The adventure of Shoscombe old place ; The adventure of the retired colourman.

    

    Rangarajan, one of the most popular authors in Tamil literature; his literary career spanned more than four decades. Of his many works, Anita—A Trophy Wife (Ilam Manaivi) was one of the most well-known.Featuring Advocate Ganesh, of the author’s Ganesh–Vasanth duo, the novel describes the strained relationship between a middle-aged man and a beautiful young woman in poignant and simple terms. It brings out the nuances of a power struggle, while retaining the humour and wit that is a trademark of Sujatha’s novels.At one level a detective story and, at another, a psychological humdinger, in Sujatha’s deft telling, this story acquires a timelessness. Ably translated by Meera Ravishankar, the book is quintessential Sujatha—gripping, perceptive and superbly written.

    It was behind me, then it was before me. Then it was over me. I was in the arms of the corpse!’With The House of Strange Stories, celebrated writer Ruskin Bond brings forth a collection of some of the most blood-curdling tales ever written. Featuring Stacy Marie Belloc Lowndes’ ‘The Lodger’, Arthur Conan Doyle’s ‘The Red-Headed League’, Wilkie Collins’ ‘The Duel’, Bram Stoker’s ‘The Sqaw’, Edgar Allan Poe’s ‘The Cask of Amontillado’, and several of Bond’s own, these tales of macabre, suspense, vampires, and haunted houses will leave even horror fans terrified.

    Her captors were affiliated with early al Qaeda partisans. While this book is fiction, Burned captures the spirit of Yvonne’s resistance and ultimate triumph. Librarian's note: See alternate cover edition with this ISBN here.

    In this espionage action thriller, Steele's encounters with blackmail, suicide bombers, double agents, unwelcome romance, rogue military forces, and a full-on tank assault will excite fans of British and American spy thrillers as he incurs the wrath of British, US, and North Korean authorities and a Russian organized-crime boss, all of whom want him dead.As if that wasn't enough, Steele alone holds the key to defeating the twisted and ruthless external reality of international politics, diplomacy, and unexpected evil in the Tumen triangle of Russia, North Korea, and China.From London to Moscow to Vladivostok and into the secret world of Pyong Yang, Steele must continually choose: fight, flight, report … or die?

    ENJOY THIS BRAND NEW THRILLER EARLY – AN EBOOK-ONLY EXCLUSIVE from Sunday Times bestseller Andrew Gross. ‘No Way Back starts at full throttle and stays there till the end’ – Linwood Barclay.A chance encounter with a stranger in a New York hotel ends in a shooting. Wendy Gould was an average mother – now she’s the sole witness to the murder she’s being framed for.YOU CAN RUNWhat she saw makes Wendy the top target for a deadly network of powerful men who want her silence. They will take no prisoners. How can she clear her name?YOU CAN HIDELauritzia Velez is a suburban nanny with a tragic past – and a terrifying future. After another attempt on her life, she once again leaves everything she loves behind to go on the run.THERE IS NO WAY BACKBoth women know too much – except how to escape from this nightmare alive. To survive, they must find each other fast, or there will be no way back…

    Navigating readers through the shadow worlds of international espionage with critical knowledge culled from his years in British Intelligence, le Carré tracks the dark and devastating trail of a document that could profoundly alter the course of world events. In Moscow, a sheaf of military secrets changes hands. If it arrives at its destination, and if its import is understood, the consequences could be cataclysmic. Along the way it has an explosive impact on the lives of three people: a Soviet physicist burdened with secrets; a beautiful young Russian woman to whom the papers are entrusted; and Barley Blair, a bewildered English publisher pressed into service by British Intelligence to ferret out the document's source. A magnificent story of love, betrayal, and courage, The Russia House catches history in the act. For as the Iron Curtain begins to rust and crumble, Blair is left to sound a battle cry that may fall on deaf ears.

    The identities of several Russian agents become known to the West.The chase is on to gather the evidence needed to incriminate them.One of the leaders of the hunt is the brilliant British spycatcher Joe Shapiro, who persuades the Americans into exchanging a notorious and high-ranking KGB spy for the seemingly unimportant American spy-pilot Gary Powers.Joe Shapiro has more than a professional interest in the case, and the intricate web of lies and deception behind the exchange of spies hides secrets that must never be revealed.Inspired by historical events surrounding the infamous 1960 U-2 incident, THE CROSSING is a tense and compelling thriller by one of the genre's master storytellers.

    For over four hundred years the Crown jewels of England have been held safely in the Tower of London, yet in the coming days they are removed, never to be seen in public again. Government receipts confirm the jewels have been sold and melted down for mint value.Only one man knows the truth...Present day: In the heart of London, a famous art gallery is robbed in the dead of night. Two paintings are taken: a newly purchased £10million self-portrait of a famous 17th-century artist and a portrait of a Roundhead soldier of moderate fame. For gallery director Gillian McKevitt, news of the theft is an absolute nightmare. Aside from the theft occurring less than two days before the self-portrait's unveiling, CCTV footage suggests the theft was an inside job.As the news sinks in, a surprise revelation from Gillian's predecessor confirms she is dealing with no ordinary theft. One of the portraits contains an unimaginable secret, one with the potential to reveal the whereabouts of a long-lost treasure. With time running out before the grand unveiling, Gillian realises she has no choice but to take matters into her own hands. Following the clues revealed by earlier x-ray and infrared examination of the painting, Gillian finds herself in a frantic, and dangerous, race across England and through history as she attempts to track down the thieves before they reach their goal. To succeed, she must not only uncover their identity, but also unearth one of England's best-kept secrets...

    Then a cruise ship, stranded with 600 people in the frozen wastes of the Antarctic, could be his chance to fight back. His heroic salvage of the liner sweeps him back to even greater power and even more deadly conflict with the man who has supplanted him as chairman.