In his castle keep, she serves his 13 wives, wraiths whose souls he stole. She must kill him before his next marriage and comes into full power, but is captivated by his magnificent beauty and inner spark of goodness. Will she choose to save humanity or his soul?

    But now a new evil walks among the living. . . . When nineteen-year-old John Shaw returns from the trenches of World War I, he is haunted by nightmares—not only of the battlefield, but of the strange, cruel and impossible feats of his regiment's commander, Quincey Harker. Harker's ferocity knows no limits, and his strength is superhuman. At first John blames his bloody nightmares on trench fever. But when Harker appears in England and begins wooing John's sister, John must confront the truth—and stop Harker from continuing Dracula's bloodline.

    But for many years the family have been unable to keep their side of the bargain and have fallen into decline. Miren's grandmother is determined to restore their glory, even at the price of Miren's freedom.A spellbinding tale of dark family secrets, magic and witches, and creatures of myth and the sea; of strong women and the men who seek to control them.

    Justice Harbottle, The Room in the Dragon Volant, and Carmilla. The five stories are purported to be cases by Dr. Hesselius, a 'metaphysical' doctor, who is willing to consider the ghosts both as real and as hallucinatory obsessions. The reader's doubtful anxiety mimics that of the protagonist, and each story thus creates that atmosphere of mystery which is the supernatural experience. This new annotated edition includes an introduction, notes on the text, and explanatory notes.NB: The Familiar is a revision of The Watcher; Mr. Justice Harbottle is a revision of An Account of Some Strange Disturbances in Aungier Street.

    First crushes and last rites; dark spells and bright magic; forbidden lovers and enchanted beings -- and always, always the hungry games of desire. Pucker up for a darkly sweet collection of ghosts, shape shifters, fairies, unicorns, vampires, and demons in tales from today's biggest writers of the paranormal persuasion.

    This collection of classic and newly reprinted stories provides readers with more of her unsettling, dark tales, including the "The Possibility of Evil" and "The Summer People." In these deliciously dark stories, the daily commute turns into a nightmarish game of hide and seek, the loving wife hides homicidal thoughts and the concerned citizen might just be an infamous serial killer. In the haunting world of Shirley Jackson, nothing is as it seems and nowhere is safe, from the city streets to the crumbling country pile, and from the small-town apartment to the dark, dark woods. There's something sinister in suburbia.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    But not for long... The intriguing and rumored-to-be haunted mansion on top of Benson Hill has stood vacant and boarded-up for years. That is, until its mysteriously strange new occupants move in. Who are these creepy people — especially the handsome, dark, and elusive Alexander Sterling? Or rather, what are they? Could the town prattle actually ring true? Are they vampires? Raven, who secretly covets a vampire kiss, both at the risk of her own mortality and Alexander's loving trust, is dying to uncover the truth. Ellen Schreiber's spooky and stirring romance tells the story of two outsiders who fall in love in a town where conformity reigns, and ends with a shocking surprise.

    . . ? Find them all here in Holly Black’s amazing first collection.In her debut collection, New York Times best-selling author Holly Black returns to the world of Tithe in two darkly exquisite new tales. Then Black takes readers on a tour of a faerie market and introduces a girl poisonous to the touch and another who challenges the devil to a competitive eating match. Some of these stories have been published in anthologies such as 21 Proms, The Faery Reel, and The Restless Dead, and many have been reprinted in many “Best of ” anthologies.The Poison Eaters is Holly Black’s much-anticipated first collection, and her ability to stare into the void—and to find humanity and humor there—will speak to young adult and adult readers alike.A Junior Library Guild Pick. Illustrated by Theo Black.Holly Black is the author of Tithe: A Modern Faerie Tale (an ALA Best Book for Young Adults) and two related novels, Valiant (Norton Award winner) and New York Times bestseller Ironside. Her latest novel, Black Heart is the third of a new series, The Curseworkers. She and Tony DiTerlizzi created the best-selling Spiderwick Chronicles. Holly lives in Massachusetts with her husband, Theo, in a house with a secret library.

    Ever since Rovan’s father died trying to keep her from this fate, she’s hidden her magic. But when she accidentally reveals her powers, she’s bound to a spirit and thrust into a world of palace intrigue and deception.Desperate to escape, Rovan finds herself falling for two people she can’t fully trust: Lydea, a beguiling, rebellious princess; and Ivrilos, the handsome spirit with the ability to control Rovan, body and soul.Together, they uncover a secret that will destroy Thanopolis. To save them all, Rovan will have to start a rebellion in both the mortal world and the underworld, and find a way to trust the princess and spirit battling for her heart—if she doesn’t betray them first.

    In the midst of the excitement, true terror raises its head when Steve recognizes that one of the performers-- Mr. Crepsley-- is a vampire! Steve remains after the show finishes to confront the vampire-- but his motives are surprising! In the shadows of a crumbling theater, a horrified Darren eavesdrops on his friend and the vampire, and is witness to a monstrous, disturbing plea. As if by destiny, Darren is pulled to Mr. Crepsley and what follows is his horrifying descent into the dark and bloody world of vampires. This is Darren's story.

    Demons, monsters, psychopaths, undead, mad experiments and paranormal - no matter what makes your heart race, you're guaranteed to face your fear with these terrifying tales. Excerpt: I felt her arms around me, but she wasn’t trying to choke me or restrain me. She was… hugging me. It was such an alien sensation that I immediately opened my eyes. That’s when I saw them. Hundreds – no thousands of gossamer spider webs holding up her body like a marionette doll. I recoiled immediately, and she let me without the slightest resistance. The spiders were everywhere. Crawling across her face, through her hair. When she opened her mouth, I saw more of them inside her, pulling the threads to work her jaw. Her throat pulsed, and I knew more must be further down to vibrate her vocal chords. “But he’s never going to hurt you again. You have our word.” I was too shocked to fully understand what was happening. The alarm in my mind wouldn’t stop, and I still felt like I was about to pay for my rebellion. I didn’t want to stare, but couldn’t look away. I didn’t want to go and see, but my feet carried me there anyway. I opened Jeff’s room and found him on his bed. His hands and feet were bound with countless loops of spiderweb. More of it was across his face, tying his tongue securely to the roof of his mouth. His skin was perforated with a thousand holes, and spiders were crawling in and out of them as they carefully partitioned and wrapped each piece for consumption. His eyes blinked at me, although I don’t know if that was a sign of life or simply the successful attachment of yet another internal strand. I quietly closed the door and let them finish their work. -My Mother the Spider Queen

    Louis recounts how he became a vampire at the hands of the radiant and sinister Lestat and how he became indoctrinated, unwillingly, into the vampire way of life. His story ebbs and flows through the streets of New Orleans, defining crucial moments such as his discovery of the exquisite lost young child Claudia, wanting not to hurt but to comfort her with the last breaths of humanity he has inside. Yet, he makes Claudia a vampire, trapping her womanly passion, will, and intelligence inside the body of a small child. Louis and Claudia form a seemingly unbreakable alliance and even "settle down" for a while in the opulent French Quarter. Louis remembers Claudia's struggle to understand herself and the hatred they both have for Lestat that sends them halfway across the world to seek others of their kind. Louis and Claudia are desperate to find somewhere they belong, to find others who understand, and someone who knows what and why they are.Louis and Claudia travel Europe, eventually coming to Paris and the ragingly successful Theatre des Vampires--a theatre of vampires pretending to be mortals pretending to be vampires. Here they meet the magnetic and ethereal Armand, who brings them into a whole society of vampires. But Louis and Claudia find that finding others like themselves provides no easy answers and in fact presents dangers they scarcely imagined.Originally begun as a short story, the book took off as Anne wrote it, spinning the tragic and triumphant life experiences of a soul. As well as the struggles of its characters, Interview captures the political and social changes of two continents. The novel also introduces Lestat, Anne's most enduring character, a heady mixture of attraction and revulsion. The book, full of lush description, centers on the themes of immortality, change, loss, sexuality, and power.source: annerice.com

    Comprised of spine-chilling tales published by Stoker’s widow after his death, as well as The Lair of the White Worm, an intensely intriguing novel of myths, legends, and unspeakable evils, this collection demonstrates the full range of Stoker’s horror writing.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    Life before she had a relentless thirst for blood... life before she became a vampire.ALL BREE KNOWS IS THAT LIVING WITH HER fellow newborns has few certainties and even fewer rules: watch your back, don't draw attention to yourself, and above all, make it home by sunrise or die. What she doesn't know: her time as an immortal is quickly running out.THEN BREE FINDS AN UNEXPECTED FRIEND in Diego, a newborn just as curious as Bree about their mysterious creator, whom they only know as her. As they come to realize that the newborns are pawns in a game larger than anything they could have imagined, Bree and Diego must choose sides and decide whom to trust. But when everything you know about vampires is based on a lie, how do you find the truth?IN ANOTHER IRRESISTIBLE COMBINATION of danger, mystery, and romance, Stephenie Meyer tells the devastating story of the newborn army as they prepare to close in on Bella Swan and the Cullens, following their encounter to its unforgettable conclusion.

    For those who already know these tales, the poignant introduction is a window on the creator's mind. Reflecting back after 14 years, Barker writes: I look at these pieces and I don't think the man who wrote them is alive in me anymore.... We are all our own graveyards I believe; we squat amongst the tombs of the people we were. If we're healthy, every day is a celebration, a Day of the Dead, in which we give thanks for the lives that we lived; and if we are neurotic we brood and mourn and wish that the past was still present. Reading these stories over, I feel a little of both. Some of the simple energies that made these words flow through my pen--that made the phrases felicitous and the ideas sing--have gone. I lost their maker a long time ago. These enthusiastic tales are not ashamed of visceral horror, of blood splashing freely across the page: "The Midnight Meat Train," a grisly subway tale that surprises you with one twist after another; "The Yattering and Jack," about a hilarious demon who possesses a Christmas turkey; "In the Hills, the Cities," an unusual example of an original horror premise; "Dread," a harrowing non-supernatural tale about being forced to realize your worst nightmare; "Jacqueline Ess: Her Will and Testament," about a woman who kills men with her mind. Some of the tales are more successful than others, but all are distinguished by strikingly beautiful images of evil and destruction. No horror library is complete without them. --Fiona Webster