side at the top, and shot into the next hollow, twisting in the descent. A huge swell pushed up exactly under her middle, and her bow and stern hung free with nothing to support them. Then one joking wave caught her up at the bow, and another at the stern, while the rest of the water slunk 251 away from under her just to see how she would like it; so she was held up at her two ends only, and the weight of the cargo and the machinery fell on the groaning iron keels and bilge-stringers. "Ease off! Ease off, there!" roared the garboard-strake. "I want one-eighth of an inch fair play. D' you hear me, you rivets!" "Ease off! Ease off!" cried the bilge-stringers. "Don't hold us so tight to the frames!" "Ease off!" grunted the deck-beams, as the Dimbula rolled fearfully. "You've cramped our knees into the stringers, and we can't move. Ease off, you flat-headed little nuisances." Then two converging seas hit the bows, one on each side, and fell away in torrents of streaming thunder. "Ease off!" shouted the forward collision-bulkhead. "I want to crumple up, but I'm stiffened in every direction. Ease off, you dirty little forge-filings. Let me breathe!" All the hundreds of plates that are riveted to the frames, and make the outside skin of every steamer, echoed the call, for each plate wanted to shift and creep a little, and each plate, according to its position, complained against the rivets. "We can't help it! We can't help it!" they murmured in reply. "We're put here to hold you, and we're going to do it; you never pull us twice in the same direction. If you'd say what 252 you were going to do next, we'd try to meet your views." "As far as I could feel," said the upper-deck planking, and that was four inches thick, "every single iron near me was pushing or pulling in opposite directions. Now, what's the sense of that? My friends, let us all pull together." "Pull any way you please," roared the funnel, "so long as you don't try your experiments on me. I...

    Titles in This Set The Inimitable Jeeves Much Obliged, Jeeves Ring for Jeeves Thank You, Jeeves Jeeves in the offing Jeeves and the Feudal Spirit Aunts Aren't Gentlemen Joy in the morning carry on, Jeeves Very Good, Jeeves

    Product DescriptionPublishers Description:A Prohibition-era novel centering around the occurrence of a dust storm in southern Minnesota, Orchard of Dust follows the lives of a boy and his father as their town is invaded by a speakeasy.From the Back Cover:In the quiet born to the soil, the coming of a fresh generation quaked and rumbled as a people, displaced from their land, dreamed of once and tomorrow; they followed promised whispers of abundance through a desolation where men ripped at the land, wrenching what harvest the fields could spit until a protestation came against man, strangling the fields in dust; and this people broke their homes, shattering hearthstones against the collapsed shelter of forgotten desires that had turned to dead leaves.

    Conor Rafferty joins the Confederate army as a young infantry officer against the wishes of his father who, in his Irish anger, is adamantly opposed to a war with the North. Conor soon finds himself in many of the war’s most consequential battles, leading from the front and risking all inside that deadly space. He serves with distinction in General Robert E. Lee’s celebrated Army of Northern Virginia as it seeks the crowning victory that will end the war and stop the carnage. Along the way, Conor becomes a protégé of fellow Georgian John B. Gordon who eventually rises to command a Confederate army corps. At the conclusion of each chapter, the narrative transitions to the now aged Conor who answers the probing questions of his grandson Aaron, himself a captain in the U.S. Army and scheduled for duty in Europe during World War I. The grandfather and grandson thus spend a week together—a week of sharing, learning, and bonding. That Deadly Space is a compelling tale that portrays the drama, heroism, romance, and tragedy of the Civil War.

    Bethesda Barnet is an artist and a teacher. Her village life with an invalid mother is ordered and calm until the sudden vision of a man's face imprints itself on her mind's eye -- and she becomes a woman obsessed. She paints fragmented images of Mathew Pearson, secretly and relentlessly. And then, on the stillest day, in an extreme moment, she performs an act so bold that it shatters lives. Daring to play God, she falls from grace and is sacrificed on the twin altars of convention and vengeance. "The Stillest Day" draws the reader into the darkest corner of a passionate psyche.

    The resulting seven-book series, The Mildred Series, introduces Mildred Keith, their sixteen-year-old daughter. Her father, a lawyer by trade, had moved with his wife and eight children from Ohio to the frontier of Indiana in the 1830s (not unlike Martha Finley's identical journey as a girl with her family).At the end of the first book, Mildred becomes very ill with a fever and is slow to recover. Arthur Dinsmore Sr., Elsie's grandfather, travels from Roselands, his home in the East, to visit the Keiths. While there, he suggests that the southern climate at Roselands may be beneficial to Mildred's health.This is followed by the death of Elsie's guardian in Louisiana. Mildred travels with Arthur Dinsmore to visit Elsie at Viamede. In this way, The Mildred Books fill the reader in on some of the events of Elsie's early childhood before the Elsie series opens.Martha Finley has woven the characters of the two series in and out of her stories to fill in some of the sequential gaps in the plot lines of her early Elsie stories and to provide some further depth to her characters and their relationships with one another. In this way she enriches the Elsie stories that have thrilled girls for more than 130 years.Sixteen-year-old Mildred moves with her father, mother, and seven brothers and sisters from their home in Ohio to the frontier of Indiana, and Mildred's maiden aunt, Wealthy Stanhope, travels west with them. Horace Dinsmore, Elsie's father, pays a visit to his cousin, Marcia Keith, and her family in Indianabefore departing on a long trip to Europe, and sadly, the entire Keith family is stricken with ague.

    The book covers the full range of his work, including verse, essays and reflective prose as well as fiction. Celia Hawkesworth also provides an account of Andric's life, and the cultural history of his native Bosnia.>The story of the vizier's elephant --The bridge on the Žepa --In the guest-house --Death in Sinan's tekke --The climbers --A letter from 1920 --The house on its own : introduction --Alipasha --A story --The damned yard

    While steaming toward Charleston, South Carolina in April 2013, the ship encounters a time warp or wormhole. Suddenly, Captain Patterson and her 930 crew members find themselves in the year 1861, two days before the start of the Civil War. They were to participate in a ceremony to commemorate the 152nd anniversary of the Battle of Fort Sumter.Abraham Lincoln wants to win the war, and he sees this ship as a key to victory.But Captain Patterson and her crew want to return home to the 21st Century. For them, the Civil War was history. Now, they find that it has only just begun.Does she risk mutiny, or commit treason.

    The character development is very strong and realistic, and the dialogue of the novel is very powerful.

    The wealthy plantation owners enjoyed an opulent life during this golden age of prosperity. The Vine family owned one of these vast plantations. Hundreds of acres of lush cotton plants covered their property and was home to over three hundred slaves. When Evan Vine's father dies suddenly he is summoned home from France to manage Vine Manor: a task that he does not relish. It is only when he meets Mary Elizabeth Cates that his life changes forever. She returns his love and accepts his proposal of marriage. As a wedding gift he presents her with a magnificent summer home called Magnolia. Mary Elizabeth begins the legacy of women who inhabit Magnolia. In this novel written in a unique style, you will meet and explore the lives of Mary Elizabeth Vine, her daughter; Hallie Vine Simmons, and granddaughters; Mary and Lydia. You will meet the prostitutes who come to Magnolia to seek refuge and the black slave women who have endured the wrath of their masters. Their compelling story will endear itself to you in the detailed profile of the women. Witness the early years when life is good, only to change at a moment's notice by an outbreak of cholera or a slave uprising. There are the middle years when the civil war tears apart the south leaving tragedy and desolation in its path. Finally. the restoration when everyone attempts to find a new life.a new life at Magnolia.

    Funny, sarcastic, touching, and, yes, nostalgic, this is a novel of character to be enjoyed by all ages.--"Library Journal."

    This book contains the complete novels of Jane Austen.- Lady Susan- Sense and Sensibility- Pride and Prejudice- Mansfield Park- Emma- Persuasion- Northanger Abbey- Love And Friendship And Other Early Works

    

    

    Encuentra fotos de sus padres, de la calle donde jugaba de niño, del colegio donde estudiaba, de la playa donde iba de vacaciones... También encuentra algunas fotos antiguas de María, la chica de la que una vez estuvo enamorado y que hace más de veinte años que no ha visto. Son fantasmas del pasado. Y los fantasmas del pasado a veces vuelven. Learn Spanish by Reading FANTASMAS DEL PASADO is a short story specially written for students with an intermediate level of Spanish. It will help you learn, revise and consolidate the vocabulary and grammar of level B1. Reading short stories like FANTASMAS DEL PASADO is one of the most effective and pleasant ways to learn a Foreign Language. By reading, you can learn vocabulary and grammar structures in context, without memorising lists of isolated words or studying endless grammar rules. Hablar del Pasado This story was originally released as a series of short videos for the online Spanish course HABLAR DEL PASADO. The main purpose of the videos, which feature live narration of the story, was to show the use of the past tenses in context. The story appeared in the course with the original title of Juan y María: una historia del pasado.