From traffic signs to the very letters that comprise these words, symbols are woven into every aspect of daily life. Since prehistoric times humans have used symbolic representation to communicate with each other and with the divine.In Signs, Symbols & Omens, leading occult authority Ray Buckland describes the form and meaning of over 800 symbols from ancient and modern religions, magical traditions, and indigenous cultures around the world:Alchemy Ancient Egypt Astrology Australian Aborigines Aztec and Mayan Buddhist Celtic Ceremonial Magic Chinese Christian Freemasonry Gnostic Greek and Roman Hindu Islamic Judaic Magical Alphabets Native American Norse Rosicrucian Runic Shinto Sikh Travelers Voudoun Witchcraft Omens Understand the symbols used throughout human history and gain a deeper appreciation for the depth of the human experience and the vast uncharted realm of the collective unconscious.

    While interest in devotional and experiential work within these traditions has been growing rapidly over the past few years, this is the first book to offer an inclusive look at the diverse scope and breadth of such practices as a living, modern-day religion. It features an in-depth exploration of altar work, prayer, prayer beads, ritual work, sacred images, lore, and a thorough examination of the common core cosmology that forms the foundation of belief for the vast expanse of Northern Tradition communities.

    When the locals burn down the taxidermist's house, young Alfanhui sets off to travel around Castille seeking knowledge rather than his fortune.This is the first English translation of The Adventures of the Ingenious Alfanhui, a picaresque novel in which the hero, a magical little boy, goes in search not of his fortune but of knowledge, growing both wiser and possibly sadder in the process. 'In his dedication, Ferlosio describes this exquisite fantasy novel, first published in 1952 and now beautifully translated into English as a 'story full of true lies.' Much honored in his native Spain, Ferlosio is a fabulist comparable to Jorge Borges and Italo Calvino, as well as Joan Miro and Salvador Dali. Cervantes comes to mind. Ferlosio's prose is effortlessly evocative. A chair puts down roots and sprouts 'a few green branches and some cherries, ' while a paint-absorbing tree becomes a 'marvelous botanical harlequin.' Later, Alfanhui sets off on a tour of Castile, meeting his aged grandmother 'who incubated chicks in her lap and had a vine trellis of muscatel grapes and who never died.' This is a haunting adult reverie on life and beauty and as such will appeal to discriminating readers.'