Young Arthur de Caldicot practises his tilting and archery, learns to be a dutiful page to his father, and waits impatiently to grow up and become a knight. One day his father's friend Merlin gives him a shining black stone. When Arthur starts to see stories in the stone, his life quickly becomes entwined with that of his namesake, the boy who pulls the sword from the stone.

    From the first page to the last, fans of Edward Rutherford and W. Michael Gear will enjoy this riveting, historically accurate tale of adventure, endurance, and hope. In the second year of an Gorta Mhór--the Great Famine--nineteen-year-old Devin Mahoney lies on the dirt floor of his small, dark cabin. He has not eaten in five days. His only hope of survival is to get to America, the land of milk and honey. After surviving disease and storms at sea that decimate crew and passengers alike, Devin's ship limps into New York Harbor three days before Christmas, 1849. Thus starts an epic journey that will take him and his descendants through one hundred and fourteen years of American history, including the Civil War, the Wild West, and the Great Depression. Mahoney is recommended for fans of Barbara Kingsolve, Herman Wouk, Cormac McCarthy, Ayse Kulin, Frank Delany, James Michener, William Kent Krueger, and Louis L'Amour's The Sacketts series.

    Rhiann is a courageous and beautiful Scottish princess and priestess scarred by her violent past. Of noble blood, she faces what for her is the ultimate sacrifice - a forced marriage - to protect the freedom of her people. Eremon is an enigmatic Irish prince in exile, who must seek an alliance elsewhere to regain his throne. Will he prove himself to be the man who can unite the squabbling Celtic tribes against the more ominous threat of Rome? With war and chaos looming for her people, Rhiann finds herself drawn into an unexpected journey of the spirit and heart, which will reveal the true purpose of her life.

    But Marcellinus and his troops have woefully underestimated the fighting prowess of the Native American inhabitants. When Gaius is caught behind enemy lines and spared, he must reevaluate his allegiances and find a new place in this strange land.

    Too young to die, too tough to care Morgan heads west chasing rumors of the Pikes Peak gold rush and grows up much too early along the way.

    A dazzling heart-shaped gem, the Emerald also bestows its wearer with magical powers.When the Emerald disappears one stormy night, Newt sets off to recover it. Her plan entails dressing up as a man, mustache included, as no well-bred young lady should be seen out and about on her own. While in disguise, Newt encounters the handsome but shrewd Major Harnett, who volunteers to help find the missing Emerald under the assumption that she is a man. Once she and her unsuspecting ally are caught up in a dangerous adventure that includes an evil sorceress, Newt realizes that something else is afoot: the beating of her heart.In Newt’s Emerald, the bestselling author of Sabriel, Garth Nix, takes a waggish approach to the forever popular Regency romance and presents a charmed world where everyone has something to hide.

    Other great kings and paladins are lost in the dim shadows oflong-past centuries, but Arthur still reigns in Camelot and his knightsstill ride forth to seek the Grail. "No little thing shall be The gentle music of the bygone years, Long past to us with all their hopes and fears."So wrote the poet William Morris in _The Earthly Paradise_. And surelyit is no small debt of gratitude we owe the troubadours and chroniclersand poets who through many centuries have sung of Arthur and hischampions, each adding to the song the gifts of his own imagination, sobuilding from simple folk-tales one of the most magnificent and movingstories in all literature.This debt perhaps we owe in greatest measure to three men; to Chrétiende Troies, a Frenchman, who in the twelfth century put many of the oldArthurian legends into verse; to Sir Thomas Malory, who first wrote outmost of the stories in English prose, and whose book, the _MorteDarthur_, was printed by William Caxton, the first English printer, in1485; and to Alfred, Lord Tennyson, who in his series of poems entitledthe _Idylls of the King_ retold the legends in new and beautiful guisein the nineteenth century.The history of Arthur is so shrouded in the mists of early England thatit is difficult to tell exactly who and what he was. There probably wasan actual Arthur, who lived in the island of Britain in the sixthcentury, but probably he was not a king nor even a prince. It seems mostlikely that he was a chieftain who led his countrymen to victory againstthe invading English about the year 500. So proud were his countrymen ofhis victories that they began to invent imaginary stories of his prowessto add to the fame of their hero, just as among all peoples legends soonspring up about the name of a great leader. As each man told the featsof Arthur he contributed those details that appealed most to his ownfancy and each was apt to think of the hero as a man of his own time,dressing and speaking and living as his own kings and princes did, withthe result that when we come to the twelfth century we find Geoffrey ofMonmouth, in his _History of the Kings of Britain_, describing Arthurno longer as a half-barbarous Briton, wearing rude armor, his arms andlegs bare, but instead as a most Christian king, the flower of mediævalchivalry, decked out in all the gorgeous trappings of a knight of theCrusades.As the story of Arthur grew it attracted to itself popular legends ofall kinds. Its roots were in Britain and the chief threads in its fabricremained British-Celtic. The next most important threads were those thatwere added by the Celtic chroniclers of Ireland. Then stories that werenot Celtic at all were woven into the legend, some from Germanicsources, which the Saxons or the descendants of the Franks may havecontributed, and others that came from the Orient, which may have beenbrought back from the East by men returning from the Crusades. And if itwas the Celts who gave us the most of the material for the stories ofArthur it was the French poets who first wrote out the stories and gavethem enduring form.It was the Frenchman, Chrétien de Troies, who lived at the courts ofChampagne and of Flanders, who put the old legends into verse for thepleasure of the noble lords and ladies that were his patrons. Hecomposed six Arthurian poems. The first, which was written about 1160 orearlier, related the story of Tristram. The next was called _Érec etÉnide_, and told some of the adventures that were later used by Tennysonin his _Geraint and Enid_. The third was _Cligès_, a poem that haslittle to do with the stories of Arthur and his knights as we havethem. Next came the _Conte de la Charrette_, or _Le Chevalier de laCharrette_, which set forth the love of Lancelot and Guinevere. Thenfollowed _Yvain_, or _Le Chevalier au Lion_, and finally came_Perceval_, or _Le Conte du Graal_, which gives the first account of theHoly Grail.

    Even under the heel of a brutal English conqueror, James's blood-drenched homeland may still have one hope for freedom, the rightful king of the Scots, Robert the Bruce. James swears fealty to the man he believes can lead the fight against English tyranny. The Bruce is soon a fugitive, king in name and nothing more. Scotland is occupied, the Scottish resistance crushed. The woman James loves is captured and imprisoned. Yet James believes their cause is not lost. With driving determination, he blazes a path in blood and violence, in cunning and ruthlessness as he wages a guerrilla war to restore Scotland's freedom. James knows he risks sharing Wallace's fate, but what he truly fears is that he has become as merciless as the conqueror he fights.

    The details of Arthur's story are mainly composed of folklore and literary invention, and his historical existence is debated and disputed by modern historians. The sparse historical background of Arthur is gleaned from various sources, including the Annales Cambriae, the Historia Brittonum, and the writings of Gildas. Arthur's name also occurs in early poetic sources such as Y Gododdin. The legendary Arthur developed as a figure of international interest largely through the popularity of Geoffrey of Monmouth's fanciful and imaginative 12th-century Historia Regum Britanniae (History of the Kings of Britain). However, some Welsh and Breton tales and poems relating the story of Arthur date from earlier than this work; in these works, Arthur appears either as a great warrior defending Britain from human and supernatural enemies or as a magical figure of folklore, sometimes associated with the Welsh Otherworld, Annwn. How much of Geoffrey's Historia (completed in 1138) was adapted from such earlier sources, rather than invented by Geoffrey himself, is unknown. Although the themes, events and characters of the Arthurian legend varied widely from text to text, and there is no one canonical version, Geoffrey's version of events often served as the starting point for later stories. Geoffrey depicted Arthur as a king of Britain who defeated the Saxons and established an empire over Britain, Ireland, Iceland, Norway and Gaul. In fact, many elements and incidents that are now an integral part of the Arthurian story appear in Geoffrey's Historia, including Arthur's father Uther Pendragon, the wizard Merlin, the sword Excalibur, Arthur's birth at Tintagel, his final battle against Mordred at Camlann and final rest in Avalon. The 12th-century French writer Chretien de Troyes, who added Lancelot and the Holy Grail to the story, began the genre of Arthurian romance that became a significant strand of medieval literature. In these French stories, the narrative focus often shifts from King Arthur himself to other characters, such as various Knights of the Round Table. Arthurian literature thrived during the Middle Ages but waned in the centuries that followed until it experienced a major resurgence in the 19th century. In the 21st century, the legend lives on, not only in literature but also in adaptations for theatre, film, television, comics and other media. The Sir James Knowles version of King Arthur is considered as the most accurate and well known original story of King Arthur and the Knights of the Round Table.

    One dark night, Kit finds his master bleeding from a mortal wound, dons the man's riding cloak to seek help, and changes the course of his life forever. Mistaken for Whistling Jack and on the run from redcoats, Kit is catapulted into a world of magic and wonders he thought the stuff of fairy tales. Bound by magical law, Kit takes up his master's quest to rescue a rebellious fairy princess from an arranged marriage to King George III of England. But his task is not an easy one, for Kit must contend with the feisty Princess Morgana, gobling attacks, and a magical map that portends his destiny: as a hanged man upon the gallows…. Fans of classic fairy-tale fantasies will find much to love in this irresistible YA debut by Ben Tripp, the son of one of America's most beloved illustrators, Wallace Tripp (Amelia Bedelia). Following in his father's footsteps, Ben has woven illustrations throughout the story. "Delightful and charming. A swashbuckling adventure in the vein of Robert Louis Stevenson." —#1 New York Times bestselling author Brandon Sanderson

    Intrigue, ancient secrets, fairy tales, and the glorious scenery of the Scottish borders drive the story of a woman who must find out who she really is.Jesse Marley calls herself a realist; she’s all about the here and now. But in the month before Charles and Diana’s wedding in 1981 all her certainties are blown aside by events she cannot control. First she finds out she’s adopted. Then she’s run down by a motor bike. In a London hospital, unable to speak, she must use her left hand to write. But Jesse’s right-handed. And as if her fingers have a will of their own, she begins to draw places she’s never been, people from another time—a castle, a man in armor. And a woman’s face.Rory Brandon, Jesse’s neurologist, is intrigued. Maybe his patient’s head trauma has brought out latent abilities. But wait. He knows the castle. He’s been there.So begins an extraordinary journey across borders and beyond time, a chase that takes Jesse to Hundredfield, a Scottish stronghold built a thousand years ago by a brutal Norman warlord. What’s more, Jesse Marley holds the key to the castle’s secret and its sacred history. And Hundredfield, with its grim Keep, will help Jesse find her true lineage. But what does the legend of the Lady of the Forest have to do with her? That’s the question at the heart of Wild Wood. There are no accidents. There is only fate.

    Its people are ushering in a new era of technology, dazzled each day by new inventions. Airships soar in the skies over the city, whilst ground trains rumble through the streets and clockwork automatons are programmed to carry out menial tasks in the offices of lawyers, policemen and journalists. But beneath this shiny veneer of progress lurks a sinister side. For this is also a world where ghostly policemen haunt the fog-laden alleyways of Whitechapel, where cadavers can rise from the dead and where Sir Maurice Newbury, Gentleman Investigator for the Crown, works tirelessly to protect the Empire from her foes. When an airship crashes in mysterious circumstances, Sir Maurice and his recently appointed assistant Miss Veronica Hobbes are called in to investigate. Meanwhile, Scotland Yard is baffled by a spate of grisly murders and a terrifying plague is ravaging the slums of the city. So begins an adventure quite unlike any other, a thrilling steampunk mystery and the first in the series of "Newbury & Hobbes" investigations.

    The peaceful and prosperous home that he left a decade earlier is no more. Camelot has fallen, and much of the Pendragon’s kingdom has been subjugated by the evil Morgana and the Norse invaders who once served under her banner. Although the knight desires only to return to his ancestral lands and to live in peace, he vows to pursue one last quest before he rests—to find Guinevere, the Queen of the Britons. This journey will force the knight to travel the length and breadth of Albion, to overcome the most fearsome and cunning of enemies, and to embrace a past that is both painful and magnificent.The Return of Sir Percival is the tale of a knight who seeks peace, but finds only war, of a Queen who has borne sorrow and defeat, but who will not yield, and of a valiant people determined to cast of the yoke of their oppressors. It is also a tale of tragedy and triumph, and of romance lost and then found.  The unique vision of the Arthurian world brought to life in S. Alexander O’Keefe’s The Return of Sir Percival takes readers on a journey that is as enthralling as it is memorable.

    When HMS Reliant captures a French frigate and seizes the precious cargo, an unhatched dragon egg, fate sweeps Captain Will Laurence from his seafaring life into an uncertain future – and an unexpected kinship with a most extraordinary creature. Thrust into the rarified world of the Aerial Corps as master of the dragon Temeraire, he will face a crash course in the daring tactics of airborne battle. For as France’s own dragon-borne forces rally to breach British soil in Bonaparte’s boldest gambit, Laurence and Temeraire must soar into their own baptism of fire.

    A battle for power among Frankish warlords leads to a mass exodus across the Rhine... All the while, Marcus Aurelius' Roman army pushes further north, changing everything. These three events meet in a cataclysm that changes the course of history. In the background, the aging witch Chlotsuintha predicts it all. Or is she the one pulling the strings to shape her people's future?When Sextus escapes Rome with a pocketful of gold and a knife, how could he even have dreamt of what the fates might have in store for him?Pursued by Roman soldiers for the murder of his master, Sextus enlists the help of a retired gladiator, and falls in love with the gladiator's niece. An invading German army drives them further north, where Sextus discovers his true birthright, and his real name - Galdir. He becomes caught up in a bitter feud as one of the heirs of a dead Frankish warlord; but the blood feud must be put aside when the Romans invade and besiege the Frankish capital.'Galdir' is enthralling Roman fiction - a tale of love, brutal battles and conflict, in which a mystical prophecy winds its way through an epic saga of struggle against Rome, and the consequences of resistance by the Frankish people, its Warlord and its witches.