In 1972 the Hamburg State Court acquitted Walter Becker, the German chief of police in the Polish city of Starachowice, of war crimes committed against Jews. Thirty years before, Becker had been responsible for liquidating the nearby Jewish ghetto, sending nearly 4,000 Jews to their deaths at Treblinka and 1,600 to slave-labor factories. The shocking acquittal, delivered despite the incriminating eyewitness testimony of survivors, drives this author’s inquiry. Drawing on the rich testimony of survivors of the Starachowice slave-labor camps, Christopher R. Browning examines the experiences and survival strategies of the Jewish prisoners and the policies and personnel of the Nazi guard. From the killings in the market square in 1942 through the succession of brutal camp regimes, there are stories of heroism, of corruption and retribution, of desperate choices forced on husbands and wives, parents and children. In the end, the ties of family and neighbor are the sinews of survival. 10 photos.

    Many assume there is a profile of a serial killer, that serial killers always go for the same victim type or always use the same MO, that they are more clever than ordinary people, and that they are inevitably charming and attractive. The truth is not as simple as that. There are different types of serial killers, and while there are many books that discuss the serial killer phenomenon especially in relationship to victim types or context, researchers have not yet been able to come up with a definition, or type, that covers the broad spectrum of serial killers and their complex psychological dynamics. Ramsland looks at the variety of serial killer types, illustrating that it is difficult to accurately depict these elusive, intriguing, and dangerous killers.There are many cultural myths about serial killers, often propagated even by mental health professionals. Many assume there is a profile of a serial killer, that serial killers always go for the same victim type or always use the same MO, that they are more clever than ordinary people, and that they are inevitably charming and attractive. The truth is not as simple as that. There are different types of serial killers and while there are many books that discuss the serial killer phenomenon especially in relationship to victim types or context, researchers have not yet been able to come up with a definition, or type, that covers the broad spectrum of serial killers and their complex psychological dynamics. Ramsland looks at serial killer types, illustrating that it is difficult to accurately depict these elusive, intriguing, and dangerous killers.This book examines a variety of serial killers, from sexual predators to psychotic killers, from murder teams to odd eccentric stalkers, in order to present the distinct psychological dynamics that set serial killers apart from other violent murderers. Among the motives addressed are lust, control, glory, profit, thrill, delusions, rage, the desire for company, the need to please a partner, and even murder as an intellectual exercise. Serial killers live double lives, hiding their violence even from those who live with them, so along with a study of motives are chapters devoted to how close associates have described killers, including parents, siblings, co-workers, lovers, and survivors. There is no profile of a serial killer, and this book establishes that in vivid and frightening detail.

    Using a wide variety of sources, including drama and mythological-literary texts as well as demographics, Boswell examines the evidence that parents of all classes gave up unwanted children, "exposing" them in public places, donating them to the church, or delivering them in later centuries to foundling hospitals. The Kindness of Strangers presents a startling history of the abandoned child that helps to illustrate the changing meaning of family.

    Minois begins his survey with classical Greece and Rome, where suicide was acceptable—even heroic—under some circumstances. With the rise of Christianity, however, suicide was unequivocally condemned as self-murder and an insult to God. With the Renaissance and its renewed interest in classical culture, suicide reemerged as a philosophical issue. Minois finds examples of changing attitudes in key Renaissance texts by Bacon, Montaigne, Sidney, Donne, and Shakespeare.By 1700, the term suicide had replaced self-murder and the subject began to interest the emerging scientific disciplines. Minois follows the ongoing evaluation of suicide through the Enlightenment and the Romantic periods, and he examines attitudes that emerge in nineteenth- and twentieth-century science, law, philosophy, and literature. Minois concludes with comments on the most recent turn in this long and complex history—the emotional debate over euthanasia, assisted suicide, and the right to die.

    As oil boom money poured into Anchorage, the city quickly became a prime destination for the seedier elements of society: prostitutes, pimps, con men, and criminals of all breeds looking to cash in. However, something even worse lurked in their midst.   To all who knew him, Robert Hansen was a typical hardworking businessman, husband, and father. But hidden beneath the veneer of mild respectability was a monster whose depraved appetites could not be sated. From 1971 to 1983, Hansen was a human predator, stalking women on the edges of Anchorage society—women whose disappearances would cause scant outcry, but whose gruesome fates would shock the nation. After his arrest, Hansen confessed to seventeen brutal murders, though authorities suspect there were more than thirty victims.   Alaska State Trooper Walter Gilmour and writer Leland E. Hale tell the story of Hansen’s twisted depredations—from the dark urges that drove his madness to the women who died at his hand and finally to the authorities who captured and convicted the killer who came to be known as the “Butcher Baker.”

    When Raffield's cover became suspect, word spread through a small circle of friends that the young officer would pay with his life. No one stopped it. On a rainy fall evening in 1987, Raffield was lured to an isolated field. Three bullets were fired-one unloaded into his skull. The baby-faced killer, Greg Knighten, stole eighteen dollars from Raffield's wallet, divided it among his two young accomplices, and calmly said, "it's done."With chilling detail, Carlton Stowers illuminates a dark corner of America's heartland and the children who hide there. What he found was an alienated subculture of drug abuse, the occult, and an unfathomable teenage rage that exploded at point blank range on a shocking night of lost innocence...

    John Wayne Gacy, the “Killer Clown,” was a suburban Chicago businessman sentenced to death in 1980 for a string of horrific murders after the bodies of his victims were found hidden in a crawl space beneath his Des Plaines, Illinois, home. The serial killer had preyed on teenagers and young men—at the same time entertaining at children’s parties and charitable events dressed as “Pogo the Clown.” Drawing on exclusive interviews and previously unreported material, journalist Tim Cahill “offers the stuff of wrenching nightmares” (The Wall Street Journal): a harrowing journey inside the mind of a serial killer. Meticulously researched and graphically recounted, Buried Dreams brings to vivid life the real John Wayne Gacy—his complex personality, compulsions, inadequacies, and torments—often in the murderer’s own words.

    Freedman travels back to a Paris night in 1990 when she was twenty-two and, in one violent hour, her life was changed forever by a brutal rape. One Hour in Paris takes the reader on a harrowing yet inspirational journey through suffering and recovery both personal and global. We follow Freedman from an apartment in Paris to a French courtroom, then from a trauma center in Toronto to a rape clinic in Africa. At a time when as many as one in three women in the world have been victims of sexual assault and when many women are still ashamed to come forward, Freedman’s book is a moving and essential look at how survivors cope and persevere.At once deeply intimate and terrifyingly universal, One Hour in Paris weaves together Freedman’s personal experience with the latest philosophical, neuroscientific, and psychological insights on what it means to live in a body that has been traumatized. Using her background as a philosopher, she looks at the history of psychological trauma and draws on recent theories of posttraumatic stress disorder and neuroplasticity to show how recovery from horrific experiences is possible. Through frank discussions of sex and intimacy, she explores the consequences of sexual violence for love and relationships, and she illustrates the steep personal cost of sexual violence and the obstacles faced by individual survivors in its aftermath. Freedman’s book is an urgent call to face this fundamental social problem head-on, arguing that we cannot continue to ignore the fact that sexual violence against women is rooted in gender inequalities that exist worldwide—and must be addressed.One Hour in Paris is essential reading for survivors of sexual violence; an invaluable resource for therapists, mental health professionals, and family members and friends of victims; and a powerful book for anyone interested in issues of gender and social justice.

    Along with his fascinating debut book, BLOODY LIES, Mr. Ferak is making an indelible mark in the true crime genre.”— Jim Hollock, author of the award-winning crime story, BORN TO LOSE When they met, Jessica O'Grady was a tall, starry-eyed Omaha, Nebraska co-ed in search of Mr. Right, Christopher Edwards was a deceitful and darkened soul. In May of 2006, Jessica's mystifying disappearance and a blood-soaked mattress turned into Nebraska's biggest news story. Enter Douglas County Sheriff's CSI stalwart Dave Kofoed, driven to solve high-profile murders and in this case would lead to questions surrounding the forensic evidence used against Edwards. "The case of Jessica O'Grady's disappearance remains controversial. ... A compelling account of a strange case." - Peter Vronsky, bestselling author of Serial Killers: The Method and Madness of Monsters "Compelling ... a memorable true story." - RJ Parker, bestselling true crime author and publisher

    The Industrial Revolution brought not simply misery and poverty. On the contrary, Griffin shows how it raised incomes, improved literacy, and offered exciting opportunities for political action. For many, this was a period of new, and much valued, sexual and cultural freedom. This rich personal account focuses on the social impact of the Industrial Revolution, rather than its economic and political histories. In the tradition of best-selling books by Liza Picard, Judith Flanders, and Jerry White, Griffin gets under the skin of the period and creates a cast of colorful characters, including factory workers, miners, shoemakers, carpenters, servants, and farm laborers.

    Almost two hundred years later, a charismatic preacher founded a utopian community in Oneida, New York, that practiced socialism and free love. In the 1960s and ’70s, a new generation of seekers gathered in vegetarian restaurants in Los Angeles, Satanic coffee shops in New Orleans, and fortified communes in Philadelphia. And in the twenty-first century, gurus use self-help seminars and get-rich-quick schemes to evangelize to their flocks.Across the decades, Americans in search of divine truths have turned to unconventional prophets for the answers. Some of these prophets have demanded their faith, fortunes, and even their very lives. In American Cult, over twenty cartoonists explore the history of these groups with clarity and empathy—looking beyond the scandalous headlines to find the human stories within.Featuring the talents of Lara Antal, Brian “Box” Brown, Ryan Carey, Rosa Colón Guerra, Mike Dawson, Lisa Rosalie Eisenberg, Mike Freiheit, Emi Gennis, Andrew Greenstone, Janet Harvey, Josh Kramer, Jesse Lambert, Ellen Lindner, Lonnie Mann, Ben Passmore, Jim Rugg, Robert Sergel, Vreni Stollberger, Steve Teare, and J.T. Yost.

    I wanted to keep those legs."One by one, investigators found the women's bodies. Each one carefully posed. Each one brutally mutilated. An arm here. A leg there. A breast, nipples, a tattoo. The killer was cutting his victims to pieces. . ."At that point, I pretty much went for the head."For ten years in Baton Rouge, Louisiana, the killings went on. Women of slight stature were hunted down, bludgeoned and strangled. And what the killer did with their bodies in the privacy of his car, his home, his kitchen, and his shower was beyond anything police could imagine."I was pure evil."When investigators finally caught mild-mannered, Star Trek fan Sean Vincent Gillis, he couldn't wait to tell his story. In the presence of shocked veteran detectives, Sean told them every detail of his killings, everything he did with the bodies. . . And he smiled the whole time. . .Includes 16 pages of shocking photographs. Warning: Contains graphic details.

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    The shocking true story of Barbara Opel, a woman who convinced a group of teenagers, including her 13-year-old daughter, to savagely kill her boss.

    Each chapter provides a biography of one killer, describing the formative experiences that turned them into monsters, their hidden lives and gruesome crimes. It explains how each was caught, including descriptions of psychological profiles and crime investigation procedures, and their ultimate fate. Timelines and victim panels detail their atrocities and horrific death tolls. Dramatic black and white photography shows each killer at their sinister worst.