GOOD GRIEF follows Nkechi, or N- a med-school dropout, a first generation Nigerian, a would-be goddess- as she navigates first loves and losses, and tries to find answers in her parents, the boy next door, and the stars.

    A thriller that actually manages to thrill, and a very dark comedy that twists and spirals towards a completely unexpected ending. This is one play where seeing isn't quite believing and reading the text is the only way to uncover all the clues.

    Her oldest daughter, Kess, is a university professor in Minneapolis, but she has come home at the request of her sister, Jo who is concerned for Evelyn's mental health. Kess, a professed lesbian, wants to cut her family ties once and for all; Jo, an incurable romantic and longtime virgin, has now become pregnant; while Sherry, salty-tongued and amoral, wants only to finish high school so she can leave home for good. In the end, there is no accommodation possible but, instead, only a kind of arbitrary independence for each of the protagonists, as they come to realize that each must find her own heaven or hell in her own way.

    The play is set in a beach bungalow. The young man who lives there has pulled a lost young woman from the ocean. Soon, she finds herself trapped in his life and torn between her need to come to rest somewhere and her certainty that all human relationships turn eventually into nightmares. The struggle between his tolerant and gently ironic approach to life and her strategy of suspicion and attack becomes a kind of war about love and creation which neither can afford to lose. This is an offbeat, wonderful love story. Note: The play contains a wealth of excellent monologue and scene material.

    They sailed far out to sea. The blue one returned to the harbor. The red one sailed home too. But the yellow boat sailed up to the sun." Benjamin always concluded his bedtime ritual by saying, "Mom, you can be the red boat or the blue boat, but I am the yellow boat." This remarkable voyage of Benjamin was extensively developed and widely produced in America for several years, always to ovations. Cast of 4 men and 3 women.THE YELLOW BOAT is based on the true story of David and Sonja Saar's son, Benjamin, who was born with congenital hemophilia, and died in 1987 at the age of 8 of AIDS related complications. A uniquely gifted visual artist, Benjamin's buoyant imagination transformed his physical and emotional pain into a blaze of colors and shapes in his fanciful drawings and paintings. The story of THE YELLOW BOAT Is a glorious affirmation of a child's life, and the strength and courage of all children. Recommended for children of age 8 and older, parents, families and adults.

    With Steffy, his sometime paramour, at his side, Herb decides to take another stab at fatherhood and hopefully this time, get it right.

     Bree is the kind of witch that will throw caution to the wind and try any spell once. Unfortunately, once is enough in this case when she unleashes a spell that brings the wolves to the door - literally. The alpha is going about his business when all hell breaks loose around him. There are witches on pack land, every single male wolf shifter wants a sniff of them, and mating is in the air, but who will be wooing who? Bree and Maxi have no intention to make life easy for the alpha or his pack. Become a mate to a wolf shifter - not likely. The hunt is on for a lovesick wolf that's gone walkabout in town, a sarcastic vampire is stirring the oversized cauldron full of trouble and mischief, and an elder witch shows up to berate the witch that has stolen her spell. Throw in a whole heap of zapping and wooing and you have a laugh out loud romantic comedy to howl about.

    But when one of the guests is stabbed to death, the festivities in this isolated house of tricks and mirrors quickly turn dangerous. Then it's up to Gillette himself, as he assumes the persona of his beloved Holmes, to track down the killer before the next victim appears. The danger

    "By a mile, the best new play of the season>"--John Heilpern, New York Observer.

    Scenery: A bare stageThe six teenage characters communicate only via the internet. Conversations range in subject from Britney Spears to Willy Wonka to - suicide: Jim is depressed and talks of ending his life and Eva and William decide to do their utmost to persuade him to carry out his threat. From this chilling premise is forged a funny, compelling and uplifting play that tackles the issues of teenage life head-on and with great understanding.

    Believe me. I don't know what's happened, but something has. He's changed. He . . . And I'm wondering if . . . To be absolutely honest with you . . . I'm even wondering if . . . Nicolas, just two years ago a smiling boy, is going through a difficult phase after his parents' divorce. He's listless, skipping classes, lying. He believes moving in with his father and his new family may help. And a different school, a fresh start. When he doesn't feel comfortable there, when he senses he isn't wanted, he decides that going back to his mother's may be the answer. But at some point, options are going to dry up. And then what?I'm telling you. I don't understand what's happening to me. Florian Zeller's The Son forms the final part in a trilogy with The Mother and The Father, all of which are translated by Christopher Hampton. The Son premieres at the Kiln Theatre, London, in February 2019.

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    She's just 17, hates her parents, skives college and prefers life in the chatrooms. What she's looking for is someone honest and direct. Instead she finds Tim, a man twice her age, who thinks she is 11 and a boy.What seems at first to be a case of crossed wires, ends up as an unlikely, and unsettling friendship between the two, which culminates in a shocking, and morally challenging revelation.

    With a nod to his mentor, Harold Pinter, Mamet once again employs his signature verbal jousting in this battle of two women over freedom, power, money, religion—and the lack thereof. Broadway premiere, under the direction of the playwright, in fall 2012 starring Patti LuPone and Debra Winger.David Mamet is a playwright, director, author, essayist, screenwriter, and film director. His plays include Glengarry Glen Ross, Speed-the-Plow, American Buffalo, A Life in the Theatre, Oleanna, The Cryptogram, and Race.

    There are those who believe in the coach and his innocence and then there are the victims who despise him, his smile and his crime. He has a dark past- a previous life no one knew about until the not guilty verdict. Only one victim, Rose Canter, has the courage to ask for justice. The others quietly watch as her justice slips away with the verdict. He’s getting away with rape. He goes back to his life wearing his signature smile and Rose is left picking up the pieces of hers. She doesn't know she is not the only victim who has lost the fight to the coach. Coach Jackson's signature smile is an integral accessory of his wardrobe. In fact, he doesn't leave home without it. He has one son-Jonas, a dead wife, and a young, blonde bombshell by his side. He has money and status which he earned on the football field. Now he's giving back to the community by helping high school students afford a college education. One thing he does not have is the contentment of his victims. They want revenge and the setup for his demise begins. A trial takes place at midnight with a jury made up of six victims and one empty chair. The defendant is Coach Terrence Jackson. There’s more than one way to catch a criminal.