But when an email falls into the wrong hands, his secret is at risk of being thrust into the spotlight. Now Simon is actually being blackmailed: if he doesn’t play wingman for class clown Martin, his sexual identity will become everyone’s business. Worse, the privacy of Blue, the pen name of the boy he’s been emailing, will be compromised.With some messy dynamics emerging in his once tight-knit group of friends, and his email correspondence with Blue growing more flirtatious every day, Simon’s junior year has suddenly gotten all kinds of complicated. Now, change-averse Simon has to find a way to step out of his comfort zone before he’s pushed out—without alienating his friends, compromising himself, or fumbling a shot at happiness with the most confusing, adorable guy he’s never met.

    His senior year is going exactly as he’s always wanted-- he's admired by his peers, enjoying his classes and getting the kind of grades that his wealthy, immigrant parents expect. There's only one obstacle in Ash's path: Eden Moore—the senior most likely to become class valedictorian. How could this unpopular, sharp-tongued girl from the wrong side of the tracks stand in his way?All Eden's ever wanted was a way out. Her perfect GPA should be enough to guarantee her a free ride to college -- and an exit from her trailer-park existence for good. The last thing she needs is a bitter rivalry with Ash, who wants a prized scholarship for his own selfish reasons. Or so she thinks. . . When Eden ends up working with Ash on a class project, she discovers that the two have more in common than either of them could have imagined. They’re both in pursuit of a dream -- one that feels within reach thanks to their new connection. But what does the future hold for two passionate souls from totally different worlds?

    But when the three girls collide in group counseling, they discover they have something else in common: they've each been triple-timed by the same nefarious charmer, Eric, aka Rico, aka Rick. Talk about eye-opening therapy. Cheerful, diplomatic Zahra is devastated. Rico had been her rock and sole confidant. How could she have missed the signs? Folksy, flirtatious Kali feels almost as bad. She and Rick had only been on a few dates, but they'd felt so promising. Hardened vintage-vixen Syd is beyond tears. She and Eric had real history... Or so she'd thought. Now all three girls have one mission: to show that cheater the folly of his ways. Project Payback is such a success, the girls soon have clients lining up for their consulting services. Is your boyfriend acting shady? Dying to know if your crush is into you? Need match-making expertise? Look no further than Love, Inc.

    Her elegant sisters from her father’s first marriage have lives full of work, love affairs, and travel. Leila doesn’t know either of them very well, but she loves hearing about them—details of Rebecca’s ruined marriage, Clare’s first job, and the strings of unsuitable boyfriends. When Rebecca kills herself, Leila wants to know why. She starts by spending time with Clare and finally comes to know her as a person instead of a story. With Clare’s reluctant help, Leila tracks down Rebecca’s favorite places and tries to find her sister’s friends. Along the way, Leila meets Eamon. Eamon is thirty-one and writes for television. He thinks Leila is beautiful and smart, but he does not, he tells her, date teenagers. And yet, the months go by and Leila turns seventeen and learns that you can love someone you are not dating. Maybe letting Eamon love her back is a mistake. Maybe she’ll never know why Rebecca did what she did. Maybe, Leila, decides, most people have a hard time figuring out which way is left or knowing when to let go and when to stay.

    Noah draws constantly and is falling in love with the charismatic boy next door, while daredevil Jude wears red-red lipstick, cliff-dives, and does all the talking for both of them. Years later, they are barely speaking. Something has happened to change the twins in different yet equally devastating ways... but then Jude meets an intriguing, irresistible boy and a mysterious new mentor. The early years are Noah's to tell; the later years are Jude's. But they each have only half the story, and if they can only find their way back to one another, they'll have a chance to remake their world. This radiant, award-winning novel from the acclaimed author of The Sky Is Everywhere will leave you breathless and teary and laughing—often all at once.Printz Award Winner Stonewall Honor Book.

    John has it all—loyal best friends, a hot guy, and artistic talent. And she’s right on track to win the Miss Scarlet pageant. Her perfect life is possible because of just one thing: her long, wavy, coppery red hair.Having red hair is all that matters in Scarletville. Redheads hold all the power—and everybody knows it. That’s why Felicity is scared down to her roots when she receives an anonymous note:I know your secret.Because Felicity is a big fake. Her hair color comes straight out of a bottle. And if anyone discovered the truth, she’d be a social outcast faster than she could say "strawberry blond." Her mother would disown her, her friends would shun her, and her boyfriend would dump her. And forget about winning that pageant crown and the prize money that comes with it—money that would allow her to fulfill her dream of going to art school.Felicity isn’t about to let someone blackmail her life away. But just how far is she willing to go to protect her red cred?

    Even the most consistent use of condoms won’t prevent pregnancy when your boyfriend secretly pokes holes in them to keep you from going out-of-state for college. Veronica needs an abortion, but the closest place she can legally get one is over nine hundred miles away—and Veronica doesn’t have a car. Too ashamed to ask her friends or family for help, Veronica turns to the one person she believes won’t judge her: Bailey Butler, Jefferson High’s own little black cloud of anger and snark—and Veronica’s ex-best friend. Once on the road, Veronica quickly remembers nothing with Bailey is ever simple and that means two days of stolen cars, shotguns, crazed ex-boyfriends, truck stop strippers with pro-life agendas, and a limo driver named Bob. But the pain and betrayal of their broken friendship can’t be outrun. When their fighting leads to a brutal moment of truth, Bailey abandons Veronica. Now Veronica must risk everything in order to repair the hurt she’s caused

    She talks with him, teases him, but reveals nothing about herself except her phone number. Later they have a perfect day at the London Zoo, and soon Joe is as addicted to Candy as she is to heroin, in spite of the threats of her menacing pimp Iggy. Almost nothing matters except his desire to free her from her terrible life-- not his band's chance for a recording contract, not the song he has written for her that has become a hit without him. But there is something that still matters to him, and when he rescues the young prostitute from her sordid rooming house and takes her into hiding to sweat out her addiction, Iggy finds and uses that one thing that is stronger than Joe's passion for Candy, in a heart-thumping, breathless conclusion.

    Meet Mary: She’s beautiful, and her ski-star boyfriend is cheating on her. Meet Crystal: She’s a townie, and she’s cheating with Mary’s boyfriend. Meet Sylvia: She’s nasty, and she’s got something up her Prada-designed sleeve. Meet Amber: She’s a flake, she’s the barista at the hottest coffee shop in Aspen, and she serves up gossip even hotter than grande skim lattes. Meet Peggy: She’s Mary’s best friend, and she has no idea how to cope with all these girls. A modern retelling of the classic play The Women (which featured not one male in the cast), The Girls is a quick-witted, stylish comedy about friendship, love, and most important, gossip! An elite Aspen prep school sets the stage for jealousy and intrigue as the lives of many girls tangle into a wickedly fun mess (in which no boys ever appear).F&P level: Z+

    Its contents are a complete shock: concert tickets to see Kyra Kelly, her favorite pop star and Finn’s celebrity crush. In his letter, he jokingly charged Honor with the task of telling Kyra Kelly that he was in love with her. Grief-stricken and determined to grant Finn’s last request, she rushes to leave immediately. But she only gets as far as the driveway before running into Rusty, Finn’s best friend since third grade and his polar opposite. She hasn’t seen him in ages, thanks to a falling out between the two guys, but Rusty is much the same as Honor remembers him: arrogant, stubborn . . . and ruggedly good-looking. Neither one is what the other would ever look for in a road trip partner, but the two of them set off together, on a voyage that makes sense only because it doesn’t. Along the way, they find small and sometimes surprising ways to ease their shared loss and honor Finn--but when shocking truths are revealed at the end of the road, will either of them be able to cope with the consequences?

    Lula knows she and Rory have no secrets from each other; after all, he came out to her years ago, and she’s shared with him her “sacred texts”—the acting books her mother left behind after she walked out of Lula’s life. But then Lula discovers that Rory—her Rory, who maybe she’s secretly had feelings for—has not only tried out for the Hawthorne football team without telling her, but has also been having an affair with his middle-aged divorcee boss. With their friendship disrupted, Lula begins to question her identity and her own sexual orientation, and she runs away in the middle of the night on a journey to find her mother, who she hopes will have all the answers. Meagan Brother’s piercing prose in this fresh LGBT YA novel speaks to anyone who has ever felt unwanted and alone, and who struggles to find their place in an isolating world.

    But when she wins a major competition, she inadvertently sets off a firestorm of angry comments from male fans.When Cameron's family moves the summer before her senior year, she hopes to complete her costume portfolio in peace and quiet away from the abuse. Unfortunately, the only comic shop in town--her main destination for character reference--is staffed by a dudebro owner who challenges every woman who comes into the shop. At her twin brother's suggestion, Cameron borrows a set of his clothes and uses her costuming expertise to waltz into the shop as Boy Cameron, where she's shocked at how easily she's accepted into the nerd inner sanctum. Soon, Cameron finds herself drafted into a D&D campaign alongside the jerky shop-owner Brody, friendly (almost flirtatiously so) clerk Wyatt, handsome Lincoln, and her bro Cooper, dragged along for good measure. But as her "secret identity" gets more and more entrenched, Cameron's portfolio falls by the wayside--and her feelings for Lincoln threaten to make a complicated situation even more precarious.

    We knew who our friends were, and were careful what we said. If people thought we were haters, it would only be a matter of time....Lines are clearly marked at South Bay High School. It's mixed territory for the Crips and the Bloods, which means the drama never stops. Julia DiVino wants none of it. No colors, no C-Walks -- it's just not her thing. But when Eric Valiente jumps into her life, everything changes. Lines are redrawn. And then they're crossed.

    HIM is Todd, Evelyn's secret un-boyfriend, who she thought she was just using for sex - until she accidentally fell in love with him. But before Evelyn gets a chance to tell Todd how she feels, something much more important comes up. IT. IT is a fetus. Evelyn is pregnant - and when Todd turns his back on her, Evelyn has no idea who to turn to. Can a cheating father, a stiff, cold mother, a pissed-off BFF, and a (thankfully!) loving aunt with adopted girls of her own help Evelyn make the heart-wrenching decisions that follow?

    He had a 4.0 GPA, friends he could trust, and a girl he loved. Now he spends his days smoked out, not so much living as simply existing.But his herbal endeavors—and personal demons—have lead to a severe lack of motivation. Steve's flunking out, but if he writes a one-hundred-page paper, he can graduate.Steve realizes he must write what he knows. And through telling the story of how he got to where he is, he discovers exactly where he wants to be. . . .