Summer, 1947. A dame walks into a saloon . . .It’s not every afternoon that an enigmatic, comely blonde named Stilton (like the cheese) walks into the scruffy gin joint where Sammy "Two Toes" Tiffin tends bar. It’s love at first sight, but before Sammy can make his move, an Air Force general named Remy arrives with some urgent business. ’Cause when you need something done, Sammy is the guy to go to; he’s got the connections on the street.Meanwhile, a suspicious flying object has been spotted up the Pacific coast in Washington State near Mount Rainer, followed by a mysterious plane crash in a distant patch of desert in New Mexico that goes by the name Roswell. But the real weirdness is happening on the streets of the City by the Bay.When one of Sammy’s schemes goes south and the Cheese mysteriously vanishes, Sammy is forced to contend with his own dark secrets—and more than a few strange goings on—if he wants to find his girl.

    Incomprehensible horrors from beyond are going to devour our world but that’s no excuse to get all emotional about it. Morag Murray works for the secret government organisation responsible for making sure the apocalypse goes as smoothly and as quietly as possible. In her first week on the job, Morag has to hunt down a man-eating starfish, solve a supernatural murder and, if she’s got time, prevent her own inevitable death. The first book in a new comedy series by the creators of ‘Clovenhoof’, Oddjobs is a sideswipe at the world of work and a fantastical adventure featuring amphibian wannabe gangstas, mad old cat ladies, ancient gods, apocalyptic scrabble, fish porn, telepathic curry and, possibly, the end of the world before the weekend.

    Trouble was, he didn’t ask Rose what she thought of the idea.It’s been more than sixty years since that night, and she’s still sixteen, and she’s still running.They have names for her all over the country: the Girl in the Diner. The Phantom Prom Date. The Girl in the Green Silk Gown. Mostly she just goes by “Rose,” a hitchhiking ghost girl with her thumb out and her eyes fixed on the horizon, trying to outrace a man who never sleeps, never stops, and never gives up on the idea of claiming what’s his. She’s the angel of the overpass, she’s the darling of the truck stops, and she’s going to figure out a way to win her freedom. After all, it’s not like it can kill her.You can’t kill what’s already dead.

    Luckily, her search is aided by an enchanting cast of characters, including a seven-foot tall housemaid; a melancholic, tattoo-covered ghost; and an avuncular apothecary. But secrets abound in this foggy underworld where spectacle is king and nothing is quite what it seems.Blending darkness and light, history and folklore, Things in Jars is a spellbinding Gothic mystery that collapses the boundary between fact and fairy tale to stunning effect and explores what it means to be human in inhumane times.

    Some live boring. Some even die boring. Fred managed to do all three, and when he woke up as a vampire, he did so as a boring one. Timid, socially awkward, and plagued by self-esteem issues, Fred has never been the adventurous sort.One fateful night – different from the night he died, which was more inconvenient than fateful – Fred reconnects with an old friend at his high school reunion. This rekindled relationship sets off a chain of events thrusting him right into the chaos that is the parahuman world, a world with chipper zombies, truck driver wereponies, maniacal necromancers, ancient dragons, and now one undead accountant trying his best to “survive.” Because even after it’s over, life can still be a downright bloody mess.

    Unfortunately for Bridget, the voices are demons - the Biblical kind, not the Buffy kind - and Bridget possesses the rare ability to banish them back to whatever hell they came from. Literally.Terrified to tell her friends or family about this new power, Bridget confides in San Francisco's senior exorcist, Monsignor Renault. The monsignor enlists her help in increasingly dangerous cases of demonic possession, but just as she is starting to come to terms with her freakish new role, Bridget receives a startling message from one of the demons. And when one of her oldest friends is killed, Bridget realizes she's in deeper than she ever thought possible. Now she must unlock the secret to the demons' plan before someone else close to her winds up dead - or worse, the human vessel for a demon king.

    It's like I dropped a heroic dose of acid and turned on the Food Network for eight hours. It's funny and demented and sticks in you like a pinbone. Matt Wallace writes like someone just jammed a needle full of adrenaline in his heart - and then, in yours. From this point forward, I'll read anything this guy writes."-Chuck Wendig, author of BLACKBIRDS and ZER0ES"No one makes me think, 'Dammit, I should have thought of that!' like Matt Wallace. The Sin du Jour series is something I read with equal amounts of envy and delight." - Mur Lafferty, Campbell Award winning author of THE SHAMBLING GUIDE TO NEW YORK CITY

    Inside the peculiar case, he discovers a journal, written by the renowned Robert Louis Stevenson, which divulges ominous particulars about his creation of The Strange Case of Dr. Jekyll and Mr. Hyde. It also promises to reveal a terrible secret—the identity of Jack the Ripper.Unfortunately, the journal—whose macabre tale unfolds in an alternating narrative with Rafe’s—isn’t the only relic in the trunk, and Rafe isn’t the only one to purloin a souvenir. A mysterious flask containing the last drops of the grisly potion that inspired Jekyll and Hyde and spawned London’s most infamous killer has gone missing. And it has definitely fallen into the wrong hands.

    The native fae who refused to treat with the invaders faded; their bodies withered and died, stranding them as hungry, angry spirits that haunt the countryside.That means there’s always trouble brewing in Dorstaad.Janus Mikani and Celeste Ritsuko work for the Criminal Investigation Department, keeping citizens safe from things that go bump in the night. He’s a hardboiled cynic with an uncanny sixth sense; she’s determined to justify her promotion as the first female detective in her division. Together, they’re trying to keep a black tide from drowning the city.But when the second body surfaces, murdered with the same type of infernal device, the entire CID must face the truth. There’s a madman on the loose, twining magic and blood… and only Mikani and Ritsuko can unravel the intricate, lethal conspiracy before the Royale killer completes his macabre plan, unleashing old, forbidden magic on an unsuspecting populace. If the maniac succeeds, it could mean the end of everything…

    The two men are sucked into the perilous depths of this moral and ethical vacuum when Lord Palmerston commissions Burton to investigate assaults on young women committed by a weird apparition known as Spring Heeled Jack, and to find out why werewolves are terrorizing London's East End.Their investigations lead them to one of the defining events of the age, and the terrifying possibility that the world they inhabit shouldn't exist at all!

    . ." It's 1888, and after her mother's sudden death, Abbie is sent to live with her grandmother in a posh London neighborhood. When she begins volunteering at Whitechapel Hospital, Abbie finds she has a passion for helping the abused and sickly women there. But within days, patients begin turning up murdered at the hands of Jack the Ripper. As more women are murdered, Abbie realizes that she and the Ripper share a strange connection: she has visions showing the Ripper luring his future victims to their deaths--moments before he turns his knife upon them. Her desperation to stop the massacres leads Abbie on a perilous hunt for the killer. And her search leads to a mysterious brotherhood whose link to the Ripper threatens not just London but all of mankind.

    They look out for each other. Protect each other. And most importantly, they keep each other's secrets, even the most dangerous ones: Annie is blind, but can see visions of the future; Fia was born with flawless intuition—her first impulse is always exactly right. When the sisters are offered a place at an elite boarding school, Fia realizes that something is wrong . . . but she doesn't grasp just how wrong. The Keane Institute is no ordinary school, and Fia is soon used for everything from picking stocks to planting bombs. If she tries to refuse, they threaten her with Annie's life.Now Fia's falling in love with a boy who has dark secrets of his own. And with his help, she's ready to fight back. They stole her past. They control her present. But she won't let them take her future.

    But for Garrett, a human detective in a world of gnomes, tracking down the woman to whom his dead pal Danny left a fortune in silver is no slight task. Even with the aid of Morley, the toughest half-elf around, Garrett isn't sure he'll make it out alive from a land where magic can be murder, the dead still talk, and vampires are always hungry for human blood.

    Eliza Jekyll, daughter of the infamous Dr. Henry Jekyll—pursues a dangerous murderer in an alternate Victorian London.In an electrified Victorian London, Dr. Eliza Jekyll is a crime scene investigator, hunting killers with newfangled technological gadgets. She will need every advantage available to catch a terrifying new psychopath splattering London with blood. Hidden in the grimy shadows, the fiendish murderer preys on beautiful women, drugging them before slicing off their limbs. Finding the “Slicer” can make Eliza’s career . . . or unmask her darkest secret. Like her father, she has a hidden second self that emerges when she drinks his forbidden magical elixir. Just a few sips, and a seductive and impulsive Lizzie Hyde is unleashed.The members of the Royal Society do not trust Eliza, and they send their enforcer, the mercurial Captain Lafayette, to prove she’s a dangerous sorceress. The careful doctor knows that one wrong step can make her prey to the clever Lafayette, a man who harbors an evil curse of his own. No matter how much she craves the elixir, she must resist.But as the Slicer case draws her into London’s luminous magical underworld, Eliza will need the potion’s power to help her . . . even if it might attract the attentions of Lafayette. .Even if it means setting the wild Lizzie free. . . .

    The son of infamous London criminal Mathew “Tommy Gun” Spork, he has turned his back on his family’s mobster history and aims to live a quiet life. That orderly existence is suddenly upended when Joe activates a particularly unusual clockwork mechanism. His client, Edie Banister, is more than the kindly old lady she appears to be—she’s a retired international secret agent. And the device? It’s a 1950s doomsday machine. Having triggered it, Joe now faces the wrath of both the British government and a diabolical South Asian dictator who is also Edie’s old arch-nemesis. On the upside, Joe’s got a girl: a bold receptionist named Polly whose smarts, savvy and sex appeal may be just what he needs. With Joe’s once-quiet world suddenly overrun by mad monks, psychopathic serial killers, scientific geniuses and threats to the future of conscious life in the universe, he realizes that the only way to survive is to muster the courage to fight, help Edie complete a mission she abandoned years ago and pick up his father’s old gun...