In both countryside and towns, from peasants to the bourgeoisie to nobility, no aspect of life in this era is left unexplored.

    (Heinlein’s novel The Puppet Masters had been serialized in the September through November 1951 issues of Galaxy but Gold had merely acquired serial rights to a contract novel which had been written for Scribner’s.) Heinlein never again appeared in Gold’s Galaxy. This novelette, set in a near-future only subtly different from the McCarthyite and politically menacing present deals with social deterioration, cultural breakdown in a careful, documentary style which becomes terrifying. His romantically-linked leads are emotionally affecting but never sentimentalized, the background of chaos in which they enact their tragic, drowning love, is sparingly but furiously painted. Heinlein’s 1952 is clearly the apotheosis of those “Crazy Years” which he had noted in his famous chronological Future History, published a decade earlier in Astounding Science Fiction as a precis of his intended career. Perhaps no story of this period limns its political and cultural dysfunction as accurately as this novelette. Overshadowed by Heinlein’s juveniles and his famous later novels, The Year of the Jackpot may be the purest version of his portfolio and his most memorable work of less than novel length. It is one of his most exemplary stories and perhaps his best.

    In this book, we get to hear Cavett's best tales, as he recounts great moments with the legendary entertainers who crossed his path and offers his own trenchant commentary on contemporary American culture and politics.

    But her life has been so endlessly cast and recast that we have lost sight of the remarkable girl at the heart of it—a teenaged peasant girl who, after claiming to hear voices, convinced the French king to let her lead a disheartened army into battle. In the process she changed the course of European history.In The Virgin Warrior, Larissa Juliet Taylor paints a vivid portrait of Joan as a self-confident, charismatic and supremely determined figure, whose sheer force of will electrified those around her and struck terror into the hearts of the English soldiers and leaders. The drama of Joan’s life is set against a world where visions and witchcraft were real, where saints could appear to peasants, battles and sieges decided the fate of kingdoms and rigged trials could result in burning at the stake.  Yet in her short life, Joan emboldened the French soldiers and villagers with her strength and resolve.  A difficult, inflexible leader, she defied her accusers and enemies to the end.  From her early years to the myths and fantasies that have swelled since her death, Taylor teases out a nuanced and engaging story of the truly irresistible "ordinary" girl who rescued France.

    Archer's THE 1ST FREAK HOUSE TRILOGY in a single volume for one low price. Each book in this boxed set is available for purchase separately, but by buying them in this bundle, you're getting a better deal! DESCRIPTION It's customary for Gothic romance novels to include a mysterious girl locked in the attic. Hannah Smith just wishes she wasn't that girl. As a narcoleptic and the companion to an earl's daughter with a strange affliction of her own, Hannah knows she's lucky to have a roof over her head and food in her belly when so many orphans starve on the streets. Yet freedom is something Hannah longs for. She did not, however, want her freedom to arrive in the form of kidnapping. Taken by handsome Jack Langley to a place known as Freak House, she finds herself under the same roof as a mad scientist, his niece, a mute servant and Jack, a fire starter with a mysterious past. They assure Hannah she is not a prisoner and that they want to help her. The problem is, they think she's the earl's daughter. What will they do when they discover they took the wrong girl?

    As she considers these adventures (a rescue mission aided by ghostly hallucinations; a secluded town of strangely shaped inhabitants; a movie star with a monstrous secret), Celia uncovers startling new truths about her family's past."Beautifully un-categorizable but wholly delightful, Odd Adventures With Your Other Father is a heady mix of the surreal, the poignant, the scary, and the heartwarming. A gleeful mash-up of genres, highly recommended!" - Peter Atkins, author of Morningstar and Big Thunder, screenwriter of Hellraiser II and III, creator of Wishmaster"Strange, darkly comic, wonderful book of two fathers and one daughter and just how weird and bright the world can be in the shadows of life." - Douglas Clegg, New York Times bestselling author

    And it turns out that resting in peace isn't really a thing.

    SURVIVING THE FATHERLAND tells the true and heart-wrenching stories of Lilly and Günter struggling with the terror-filled reality of life in the Third Reich, each embarking on their own dangerous path toward survival, freedom, and ultimately each other. Based on the author’s own family and anchored in historical facts, this story celebrates the resilience of the human spirit and the strength of war children.

    An immediate European bestseller, optioned by Indian/German producers who commissioned a six-hour mini-series, then Canadian producers with BBC.Based on real people (ca. 1620), THE MOGHUL begins in a rip-roaring sea battle north of Bombay in which the vastly out-gunned adventurer, Brian Hawksworth, ship's captain and emissary of King James, blows away a flotilla of Portuguese galleons to gain access to an Indian port. He's come to open trade for “barbaric” England and squeeze out the Portuguese, who try to kill him at every turn. But once on land, he’s captive: the beauty and romance of the exquisite Moghul Empire seduce him from his material goals to a new quest – of supreme sensuality in music, visions, and sacred lovemaking. India, ruled by the son of great Akbar, is about to pass to one of his sons. Hawksworth must choose sides, but will he choose right? The future of England, and of India, depend on it. Assailed by intrigue and assassination, tormented by a forbidden love, enthralled by a mystic poet, Hawksworth engages war elephants, tiger hunts, the harem of the Red Fort of Agra, the Rajput warriors at Udaipur, becomes intimate champion to Shah Jahan, (builder of the Taj Mahal), and, in his supreme test, plays the sitar with a touch that elicits from the great Shah – “Finally, my English friend – you understand.”

    Witch Central goes to Costa Rica for summer vacation.

    It also shines a light on topics such as the origins of scalping, the famous Lincoln County War, the grim medical reality of Western gunfights, cowboy jargon, and the first rodeo.

    Now she turns to the topic of home. As our country reels from the subprime mortgage meltdown and the resulting devastation of so many families and communities, Hill takes us inside this “crisis of home” and exposes its deep roots in race and gender inequities, which continue to imperil every American’s ability to achieve the American Dream.  In this period of recovery and its aftermath, what is at stake is the inclusive democracy the Constitution promises. The achievement of that ideal, Hill argues, depends on each American’s ability to secure a place that provides access to every opportunity our country offers. Building on the great strides of the women’s and civil rights movements, Hill presents concrete proposals that encourage us to broaden our thinking about home and to reimagine equality for America’s future.

    A richly atmospheric tale of religion, mystery, and intrigue, The Fifth Servant recreates life in the era when Emperor Rudolph II occupied the throne—a time of uncertainty and fear viewed through the eyes of an intrepid rabbinical student on a quest for truth and justice.

     Soul Cara Kelly’s life is going nowhere when she’s lured to a faery festival. There she sees darkness and magic, madness and lust, and she comes out the other side with new eyes and an addiction to the fae. When the faery who saved her life returns to her, Cara knows there’s something wrong. Two souls exist in one body, and both need her, but to help one, she’ll end the life of the other. At first, her mind is made up, but both souls know how to charm her. As the days pass, it becomes clear that the faeries need a leader, and Cara finds herself sucked into a world where morals don’t exist. The truth of her past is hidden in the magic, but all Cara needs to do is survive the king’s coronation, then the fae will let her go forever. But that’s not what she wants anymore, and it’s getting harder and harder to tell the difference between a king and a half-blooded solitary fae. Cara’s losing her way, and her heart, to the fae, but there’s still her life, and her humanity, left to lose. Fade Cara Kelly should have left the faery realm now that it has a king to rule all, but nothing is that simple. The real king is trapped in the Fade, and Cara’s journey is just beginning. Guilt-ridden by the fact Brendan’s soul was sacrificed for hers, she’s determined not to desert him after his one pure act of goodness. Time is running out; even if she makes it past all of the dangers of the Darkside, a shade might await her in the Fade. Running from enemy and friends alike, she sets out on a path that will lead headfirst into danger. Even if Cara makes it to the Fade, even if a goddess watches over her, she doesn’t trust all of her companions, she still has to find a way home, and freeing Brendan could cause a war between the faeries she cares about. And all the while, Chaos grows unchecked. Queen Three kings. Two queens. One heir. Chaos will rule...

    Slowly, inevitably, Europe and Islam came together, through trade and war, crusade and diplomacy. The ebb and flow between these two worlds for seven hundred years, illuminated here by a brilliant historian, is one of the great sagas of world history.