Evoking a forgotten America of lush lawns, bountiful summer picnics, and shady front porches, the tale is set when the day's toughest decision might have been what to serve for dinner or which suit or dress to wear.   In this edition, an introduction by longtime Millikin University faculty member and Findlay resident Dan Guillory situates the book and its charming tale firmly in the Central Illinois of 1900.

    Now in his seventies, Arnold finds himself personally facing the trials that come with aging. But he knows, from decades of pastoral experience, what older people and their caregivers can do to make the journey more fulfilling.So what’s the secret of those who continue to love life regardless of their health or circumstances? In Rich in Years, Arnold blends the wisdom from some of the world’s great thinkers with stories of people he has known and admired to show that one doesn’t have to be young to enjoy life, or physically fit to make an invaluable contribution to society.No pop psychology or self-help manual, Rich in Years tackles tough issues such combatting loneliness, living with dementia, reconciling with family, and making end-of-life decisions. "On these pages are wonderful words of hope. Savor them." -- Pete Seeger, musician"Using profound and stimulating stories, Johann Christoph Arnold welcomes us into an elegant fabric of elderly life, abundant with significance and relationships. I know you will find this book spiritually enriching." -- Marva J. Dawn, author"In this compact yet compelling book, Johann Christoph Arnold brings the reader a wealth of personal stories about growing older -- a time when opportunities flourish for living with purpose..." -- Cardinal Dolan, Archbishop of New YorkMore offers at http://www.richinyears.com

    I didn't have to. I was transparent; no colour at all. I hung out, was a good enough student and no one paid any special attention to me at all. Then I became a white girl."Until she was fourteen, Josie was pretty ordinary. Then her Mom meets Martin, "a real ponytail Indian," and before long, Josie finds herself living on a reserve outside town, with a new stepfather, a new stepbrother, and a new name; "Blondie." In town, white was the ambient noise, the no-colour background. On the reserve, she's White, and most seem to see her only for her blond hair and blue eyes. Her mother's no help. She never leaves the house, gripped by her fear of the "wild Indians" beyond Martin's doorstep. But Josie can't afford to hide out forever. She has to go to school, and she has to get herself a life, one way or another. So bit by bit, she finds a way through the minefields. She makes a friend, Rose, with whom she tries to bridge the chasms between out and in, white and Indian, town and reserve. She finds a family in Martin, Luke, and Grandma. And bit by bit, the place itself, the reserve; the run-down houses, the way the people live in them and around them, the forest and the sea; finds its way into her, like nothing else ever has, or ever will.

    Who are the people you’ll never forget? For Mary Murphy, there are five: A skirt-chasing, car-racing uncle with whiskey breath and a three-day beard. A “walking joke, a sitting duck, a fish in a barrel” named Elwood LePoer. A dirt-poor college roommate who conceals an unbearable secret. A failed piano prodigy lost in middle age. A beautiful mother haunted by her once-great aspirations. In five quirky elegies to lost friends and relatives, Mary tells us the story of her life. We begin with a restless childhood spent following her mother between multiple homes and husbands. Then comes the disappearance of Mary’s rebellious and beloved sister, Malinda. By the time Mary leaves for college, she has no one to write home to, and we follow along on her difficult search for purpose. From a series of miserable jobs to her “reborn” mother’s deathbed, Mary finds hope in the most surprising places. With a rhythmically unique voice and pitch-perfect wry humor, Christie Hodgen spins an unconventional and moving story about identity, belonging, and family.

    It's the summer when she has her first boyfriend, cute surfer Flip Jenkins; it's the summer when her two best friends get serious about sex, cigarettes, and tanning; it's the summer when her parents throw, yes, naked swim parties, leaving Jamie flushed with embarrassment. And it's the summer that forever changes the way Jamie sees the things that matter#58; family, friendship, love, and herself.

    I loved it" Adam Kay"A beautiful, emotional and timely read" Matt Haig"A beacon of light: full of candour, sorrow, joy, hard-won wisdom, and luminous with love" Nicci GerrardAs our population ages, more and more of us find ourselves caring for parents and loved ones - some 8.8 million people in the UK. An invisible army of carers holding families together.Here, Kate Mosse tells her own personal story of finding herself a carer in middle age: first, helping her heroic mother care for her beloved father through Parkinson's, then supporting her mother in widowhood, and finally as 'an extra pair of hands' for her 90-year-old mother-in-law.This is a story about the gentle heroism of our carers, about small everyday acts of tenderness, and finding joy in times of crisis. It's about juggling priorities, mind-numbing repetition, about guilt and powerlessness, about grief, and the solace of nature when we're exhausted or at a loss. It is also about celebrating older people, about learning to live differently - and think differently about ageing.But most of all, it's a story about love.

    As the hottest summer in fifteen years unfolds and bills pile up, Alice is torn between dreams of escaping the loneliness of her duty-filled life and a longing to help her father mend their family and the ranch.To make ends meet, the Winstons board the pampered horses of rich neighbors, and for the first time Alice confronts the power and security that class and wealth provide. As her family and their well-being become intertwined with the lives of their clients, Alice is drawn into an adult world of secrets and hard truths, and soon discovers that people -- including herself -- can be cruel, can lie and cheat, and every once in a while, can do something heartbreaking and selfless. Ultimately, Alice and her family must weather a devastating betrayal and a shocking, violent series of events that will test their love and prove the power of forgiveness.A wise and astonishing novel about the different guises of love and the often steep tolls on the road to adulthood, The God of Animals is a haunting, unforgettable debut.

    The list of things to concern teachers is long. Disappointing academic results, a lack of interest in studying, higher exclusion rates, increasing mental health issues, sexist attitudes, an inability to express emotions.... Traditional ideas about masculinity are having a negative impact, not only on males, but females too. In this ground-breaking book, Matt Pinkett and Mark Roberts argue that schools must rethink their efforts to get boys back on track.Boys Don't Try? examines the research around key topics such as anxiety and achievement, behaviour and bullying, schoolwork and self-esteem. It encourages the reader to reflect on how they define masculinity and consider what we want for boys in our schools. Offering practical quick wins, as well as long-term strategies to help boys become happier and achieve greater academic success, the book:offers ways to avoid problematic behaviour by boys and tips to help teachers address poor behaviour when it happenshighlights key areas of pastoral care that need to be recognised by schoolsexposes how popular approaches to "engaging" boys are actually misguided and damagingdetails how issues like disadvantage, relationships, violence, peer pressure, and pornography affect boys' perceptions of masculinity and how teachers can challenge these.With an easy-to-navigate three-part structure for each chapter, setting out the stories, key research, and practical solutions, this is essential reading for all classroom teachers and school leaders who are keen to ensure male students enjoy the same success as girls.

    Her father, Jim, is tall and slender, and her mother, Christina, is a fine-boned, dark-haired beauty. Both are self-centered, outspoken, and disappointed by their daughter’s looks. When Victoria is six, she sees a photograph of Queen Victoria, and her father has always said she looks just like her. After the birth of Victoria’s perfect younger sister, Gracie, her father liked to refer to his firstborn as “our tester cake.” With Gracie, everyone agreed that Jim and Christina got it right.While her parents and sister can eat anything and not gain an ounce, Victoria must watch everything she eats, as well as endure her father’s belittling comments about her body and see her academic achievements go unacknowledged. Ice cream and oversized helpings of all the wrong foods give her comfort, but only briefly. The one thing she knows is that she has to get away from home, and after college in Chicago, she moves to New York City.Landing her dream job as a high school teacher, Victoria loves working with her students and wages war on her weight at the gym. Despite tension with her parents, Victoria remains close to her sister. And though they couldn’t be more different in looks, they love each other unconditionally. But regardless of her accomplishments, Victoria’s parents know just what to say to bring her down. She will always be her father’s “big girl,” and her mother’s constant disapproval is equally unkind.When Grace announces her engagement to a man who is an exact replica of their narcissistic father, Victoria worries about her sister’s future happiness, and with no man of her own, she feels like a failure once again. As the wedding draws near, a chance encounter, an act of stunning betrayal, and a family confrontation lead to a turning point.Behind Victoria is a lifetime of hurt and neglect she has tried to forget, and even ice cream can no longer dull the pain. Ahead is a challenge and a risk: to accept herself as she is, celebrate it, and claim the victories she has fought so hard for and deserves. Big girl or not, she is terrific and discovers that herself.

    Her new novel, We Are All Welcome Here, features three women, each struggling against overwhelming odds for her own kind of freedom.It is the summer of 1964. In Tupelo, Mississippi, the town of Elvis's birth, tensions are mounting over civil-rights demonstrations occurring ever more frequently-and violently-across the state. But in Paige Dunn's small, ramshackle house, there are more immediate concerns. Challenged by the effects of the polio she contracted during her last month of pregnancy, Paige is nonetheless determined to live as normal a life as possible and to raise her daughter, Diana, in the way she sees fit-with the support of her tough-talking black caregiver, Peacie.Diana is trying in her own fashion to live a normal life. As a fourteen-year-old, she wants to make money for clothes and magazines, to slough off the authority of her mother and Peacie, to figure out the puzzle that is boys, and to escape the oppressiveness she sees everywhere in her small town. What she can never escape, however, is the way her life is markedly different from others'. Nor can she escape her ongoing responsibility to assist in caring for her mother. Paige Dunn is attractive, charming, intelligent, and lively, but her needs are great-and relentless. As the summer unfolds, hate and adversity will visit this modest home. Despite the difficulties thrust upon them, each of the women will find her own path to independence, understanding, and peace. And Diana's mother, so mightily compromised, willend up giving her daughter an extraordinary gift few parents could match.

     Fans of Judith Viorst's funny, touching, and wise poems about turning thirty, forty, fifty, and sixty will love this new volume for the woman who deeply believes she is too young to be seventy, "too young in my heart and my soul, if not in my thighs." Viorst explores, among the many other issues of this stage of life, the state of our sex lives and teeth, how we can stay married though thermostatically incompatible, and the joys of grandparenthood and shopping. Readers will nod with rueful recognition when she asks, "Am I required to think of myself as a basically shallow woman because I feel better when my hair looks good?," when she presses a few helpful suggestions on her kids because "they may be middle aged, but they're still my children," and when she graciously -- but not too graciously -- selects her husband's next mate in a poem deliciously subtitled "If I Should Die Before I Wake, Here's the Wife You Next Should Take." Though Viorst acknowledges she is definitely not a good sport about the fact that she is mortal, her poems are full of the pleasures of life right now, helping us come to terms with the passage of time, encouraging us to keep trying to fix the world, and inviting us to consider "drinking wine, making love, laughing hard, caring hard, and learning a new trick or two as part of our job description at seventy." I'm Too Young to Be Seventy is a joy to read and makes a heartwarming gift for anyone who has reached or is soon to reach that -- it's not so bad after all -- seventh decade.

    Wendy is heading to school, eager to make plans with her best friend, worried about how she looks, mad at her mother for not letting her visit her father in California, impatient with her little brother and with the almost too-loving concern of her jazz musician stepfather. She's out the door to catch the bus. An hour later comes the news: A plane has crashed into the World Trade Center--her mother's office building.Through the eyes of thirteen-year-old Wendy, we gain entrance to the world rarely shown by those who documented the events of that one terrible day: a family's slow and terrible realization that Wendy's mother has died, and their struggle to go on with their lives in the face of such a crushing loss.Absent for years, Wendy's real father shows up without warning. He takes her back with him to California, where she re-invents her life: Wendy now lives more or less on her own in a one-room apartment with a TV set and not much else. Wendy's new circle now includes her father's cactus-grower girlfriend, newly reconnected with the son she gave up for adoption twenty years before; a sad and tender bookstore owner who introduces her to the voice of Anne Frank and to his autistic son; and a homeless skateboarder, on a mission to find his long-lost brother.Over the winter and spring that follow, Wendy moves between the alternately painful and reassuring memories of her mother and the revelations that come with growing to know her real father for the first time. Pulled between her old life in Brooklyn and a new one 3,000 miles away, our heroine is faced with a world where the usual rules no longer apply but eventually discovers a strength and capacity for compassion and survival that she never knew she possessed.At the core of the story is Wendy's deep connection with her little brother, back in New York, who is grieving the loss of their mother without her. This is a story about the ties of siblings, about children who lose their parents, parents who lose their children, and the unexpected ways they sometimes find one another again. Set against the backdrop of global and personal tragedy, and written in a style alternately wry and heartbreaking, The Usual Rules is an unexpectedly hopeful story of healing and forgiveness that will offer readers, young and old alike, a picture of how, out of the rubble, a family rebuilds its life.

    In setting the stage for her extraordinary tale, she recreates the aura of turn-of-the-century Frankfurt, Boston, and Saratoga Springs and of an age when private passions were hidden below the surfaces of private selves. She recalls her marriage as a sheltered young woman to the brilliantly promising Robert Maclaren, his swift rise to international musical fame, the darker story of his angry silences, and eventually, the grim details of his illness and death. In the final phase of her story she tells of the late-blossoming passion she discovers with Anna, the serene nurse who tended Robert in his dying days, and about the artists' colony they found as a tribute to his life and work.

    His father, a physicist of small renown, has prodded him toward greatness from an early age—enrolling him in whiz kid summer camps, taking him to the icy tundra of Canada to track a solar eclipse, and teaching him college algebra. But despite Samuel Nelson’s efforts, Nathan remains ordinary.Then, in the summer of 1987, everything changes. While visiting his small-town grandfather in Michigan, Nathan is involved in a terrible accident. After a brief clinical death—which he later recalls as a lackluster affair lasting less than the length of a Top 40 pop song—he falls into a coma. When he awakens, Nathan finds that everyday life is radically different. His perceptions of sight, sound, and memory have been irrevocably changed. The doctors and his parents fear permanent brain damage. But the truth of his condition is more unexpected and leads to a renewed chance for Nathan to find his place in the world.Thinking that his son’s altered brain is worthy of serious inquiry, Samuel arranges for Nathan to attend the Brook-Mills Institute, a Midwestern research center where savants, prodigies, and neurological misfits are studied and their specialties applied. Immersed in this strange atmosphere—where an autistic boy can tell you what day Christmas falls on in 3026 but can’t tie his shoelaces, where a medical intuitive can diagnose cancer during a long-distance phone call with a patient—Nathan begins to unravel the mysteries of his new mind. He also tries to make peace with the crushing weight of his father’s expectations.The Beautiful Miscellaneous is an extraordinary follow-up to Dominic Smith’s critically acclaimed debut, The Mercury Visions of Louis Daguerre. This dazzling new novel explores the fault lines that can cause a family to drift apart and the unexpected events that can pull them back together.

    Her normally dispassionate father breaks down, her mother becomes distant and unavailable, and matters only get worse when her cousin and her best friend start doing things to each other that leave Maggie confused about sex and terrified of sin.With all of this upheaval, how can she be sure that what she wants is even worth having?