He has just taken a prestigious university position in Los Angeles and has been appointed to oversee the collection of papers and works of a leading light of the gay literary salon known as the Purple Circle. Ross stumbles across a lost work by an unknown author and his quest to identify the mystery writer and achieve the glory of scholastic tenure unveils increasingly bizarre and unbalanced facts about a group of writers who in the 1970s and 1980s broke new ground in the creation of a gay literary sensibility. But the dark truth contained within The Book of Lies is even more startling. With biting wit and a lush sense of place and character, Felice Picano's daring novel is at once a stylish mystery, a comical roman A clef, and a wicked send-up of the new Ivory Tower. Leave it to Felice Picano to add a walloping dose of melodrama and intrigue to a tale already redrawing genre boundaries...What Picano does is take an academic mystery (subject matter that might have proved tedious or solipsistic in lesser hands) and morphs it into something new--a page-turning, often campy, occasionally serious critique of academia and historical truth, literary celebrity, and the imminent future of America.-Philadelphia Tribune Felice Picano is the author of 19 books including the best-selling novels Like People In History, Looking Glass Lives, The Lure and Eyes as well as the literary memoirs Ambidextrous, Men Who Loved Me, and A House On the Ocean, A House On the Bay. He is also the author with Dr. Charles Silverstein of The New Joy of Gay Sex. A native of New York, Felice Picano now lives in Los Angeles.

    In the 1920s and since, it has also given white readers a startling new perspective on their own culture, revealing to many the double standard of racial identity imposed on black Americans.Narrated by a mulatto man whose light skin allows him to "pass" for white, the novel describes a pilgrimage through America's color lines at the turn of the century--from a black college in Jacksonville to an elite New York nightclub, from the rural South to the white suburbs of the Northeast.This is a powerful, unsentimental examination of race in America, a hymn to the anguish of forging an identity in a nation obsessed with color. And, as Arna Bontemps pointed out decades ago, "the problems of the artist [as presented here] seem as contemporary as if the book had been written this year."