John travels back to 1986, where he encounters “Junior,” his younger, more innocent self. When Junior starts to flirt, John wonders how to reveal his identity: “I’m you, only with less hair and problems you can’t imagine.” He also meets up with the younger Taylor, and this unlikely trio teams up to plot a course around their future relationship troubles, prevent John’s sister from making a tragic decision, and stop George W. Bush from becoming president.            In this wickedly comic, cross-country, time-bending journey, John confronts his own—and the nation’s—blunders, learning that a second chance at changing things for the better also brings new opportunities to screw them up. Through edgy humor, time travel, and droll one-liners, Bob Smith examines family dysfunction, suicide, New York City, and recent American history while effortlessly blending domestic comedy with science fiction. Part acidic political satire, part wild comedy, and part poignant social scrutiny, Remembrance of Things I Forgot is an uproarious adventure filled with sharp observations about our recent past. InSight Out Book Club, featured selectionBob Smith named one of Instinct magazine’s Leading Men 2011Winner, Barbara Gittings Literature Award/Stonewall Book Awards, American Library AssociationFinalist, Over the Rainbow Selection, American Library AssociationFinalist, Green Carnation Prize, international prize for LGBT LiteratureAmazon Top Ten Gay & Lesbian Books of 2011Best Books for General Audiences, selected by the American Association of School Librarians Best Books for General Audiences, selected by the Public Library Reviewers

      As a child, Vidya exists to serve her family, watch over her younger brother, and make sense of a motherless world. One day she catches sight of a class where the students are learning Kathak, a precise, dazzling form of dance that requires the utmost discipline and focus. Kathak quickly becomes the organizing principle of Vidya’s life, even as she leaves home for college, falls in love with her best friend, and battles demands on her time, her future, and her body. Can Vidya give herself over to her art and also be a wife in Bombay’s carefully delineated society? Can she shed the legacy of her own imperfect, unknowable mother? Must she, herself, also become a mother? Intensely lyrical and deeply sensual, with writing as rhythmically mesmerizing as Kathak itself, The Archer is about the transformative power of art and the possibilities that love can open when we’re ready.

    So as soon as she was old enough and able enough, that was where she went--parlaying her smarts and her ambition into one of the hottest hair salons in town. In no time, she was moving with the brothers and sisters who had beautiful clothes, big cars, bigger dreams, and money in the bank.Now, after more than a decade of elegant pleasures and luxe living, Ava has come home, her fabulous career and power plans smashed to bits on one dark truth. Ava Johnson has tested positive for HIV. And she's back in little Idlewild to spend a quiet summer with her widowed sister, Joyce, before moving on to finish her life in San Francisco, the most HIV-friendly place she can imagine.But what she thinks is the end is only the beginning because there's too much going down in her hometown for Ava to ignore. There's the Sewing Circus--sister Joyce's determined effort to educate Idlewild's young black women about sex, drugs, pregnancy, whatever. . .despite the interference of the good Reverend Anderson and his most virtuous, "Just say no" wife. Plus Joyce needs a helping hand to make a loving home for Imani, an abandoned crack baby whom she's taken into her heart.And then there's Wild Eddie, whose legendary background in violence combined with his Eastern gentility has stirred Ava's interest. . .and something more.

    These American poems are both elegy and jive, joke and declaration, songs of congregation and self-conception. They connect themes of loneliness, displacement, grief, ancestral trauma, and objectification, while exploring and troubling tropes and stereotypes of Black Americans. Focused primarily on depictions of Black womanhood alongside personal narratives, the collection tackles interior and exterior politics—of both the body and society, of both the individual and the collective experience. In Magical Negro, Parker creates a space of witness, of airing grievances, of pointing out patterns. In these poems are living documents, pleas, latent traumas, inside jokes, and unspoken anxieties situated as firmly in the past as in the present—timeless Black melancholies and triumphs.

    In front of Ryoji, Toru hides his feelings and acts as if he is just one of Ryoji's good friends, but in a moment out of the blue his world will be turned upside down as Ryoji will confess a secret desire for Toru. Dazzled, Toru can barely hide his excitement for Ryoji and quickly accepts his offer. As time passes, Toru's happiness begins to fade knowing that his affair with Ryoji was just a fling based out of Ryoji's sexual curiosity.Toru, adamant about his feelings for Ryoji, confides in another one of his close friend, Kashiwazaki, about his dilemma. The two set off to devise a plan to test Ryoji's true intentions by faking a romantic relationship. Soon after, a frustrated and jealous Ryoji attempts to pry Toru out of the arms of Kashiwazaki. Is it just as they planned? Yeah! That is of course until Toru realizes Kashiwazaki wasn't really faking! How could he not have seen it coming?Both Toru and Ryoji have hidden their feelings from each other in the past, but now they have discovered that they were not the only ones. Will Toru and Ryoji be reunited or will their true feelings for each other go unfulfilled?

    Remarkable for its courage, its color, and its natural control. --The New Yorker An unforgettable novel written with pride and anger, with rebellion and tears. --New York Herald Tribune Set in Brooklyn during the Great Depression and World War II, Brown Girl, Brownstones chronicles the efforts of Barbadian immigrants to surmount poverty and racism and to make their new country home. Selina Boyce is torn between the opposing aspirations of her parents: her hardworking, ambitious mother longs to buy a brownstone row house while her easygoing father prefers to dream of effortless success and his native island's lushness. Featuring a new foreword by Edwidge Danticat, this coming-of-age tale grapples with identity, sexuality, and changing values in a new country, as a young woman must reconcile tradition with potential and change.

    He desperately wants to know what it’s like and why it seems so easy for everyone but him to find someone. What’s worse is that, even though he is proud of his identity, Felix also secretly fears that he’s one marginalization too many—Black, queer, and transgender—to ever get his own happily-ever-after.When an anonymous student begins sending him transphobic messages—after publicly posting Felix’s deadname alongside images of him before he transitioned—Felix comes up with a plan for revenge. What he didn’t count on: his catfish scenario landing him in a quasi–love triangle....But as he navigates his complicated feelings, Felix begins a journey of questioning and self-discovery that helps redefine his most important relationship: how he feels about himself.Felix Ever After is an honest and layered story about identity, falling in love, and recognizing the love you deserve.

    . . until a shimmering figure named Luz appeared in the canyon behind their house.Luz filled the void. He shot hoops with seventeen-year-old Hank’s hands. He showed fourteen-year-old Ana cinematic beauty behind her eyelids. He spoke kindly to eight-year-old Milo. But then Luz left, too, and he took something from each of them. As a new school year begins, Ana, Hank, and Milo must carry on as if an alien presence never altered them. But how can they ever feel close to other people again when Luz changed everything about how they see the world and themselves? In an imaginative and heartfelt exploration of human—and non-human—nature, Leah Thomas champions the unyielding bonds between family and true friends.

    She partied hard, and life seemed good when she was with Born, the neighborhood kingpin whose name was synonymous with money, power, and respect. But all his love couldn't save her from a crack addiction. Jada goes from crack addict and prostitute to survivor and back again before she finds the strength to live for herself and come out on top. And her stormy romance with one of the fiercest hustlers on the streets makes White Lines one of the most unforgettable urban loves stories of the year.

    But on the inside, a demon rages, determined to get anyone and anything she wants. And now with her biological clock ticking, she seduces her old friend Philip, and his partner Jonathan, into having a child with her through artificial insemination.From the moment the parenting agreement is signed, Angela’s mask of deceit slips away and she leads the fathers-to-be on a relentless, agonizing journey filled with lies, anguish and finally tragedy that forever changes the lives of everyone involved.Five star reviewers rave that One Last Lie is a gripping thriller of fiction, a novel of pure suspense from which they are unable to pull themselves away. Like Annie Wilkes from Misery and Alex Forrest from Fatal Attraction, Angela drags innocent lives into her web of insanity – a place from which readers have confessed is hard to escape, even weeks after turning the final page.

    In these unflinching, riveting poems, Roy G. Guzmán reaches across borders—between life and death and between countries—invoking the voices of the lost. Part immigration narrative, part elegy, and part queer coming-of-age story, Catrachos finds its own religion in fantastic figures such as the X-Men, pop singers, and the “Queerodactyl,” which is imagined in a series of poems as a dinosaur sashaying in the shadow of an oncoming comet, insistent on surviving extinction. With exceptional energy, humor, and inventiveness, Guzmán’s debut is a devastating display of lyrical and moral complexity—an introduction to an immediately captivating, urgently needed voice.

    As Nnenna approaches womanhood she starts trying to connect with her Igbo-Nigerian culture. Her once close and tender relationship with her mother becomes strained as she asks probing questions about her father who she's never met and whom her mother who refuses to discuss. Each chapter begins with a biblical quote which harks back to the beginning of Maurice and Joanie's relationship - meeting in a church group in a café in Cambridge - but is really Nnenna's diary headings which she is trying to hide from her mother's prying eyes. Nnenna is asking big questions of how to 'be' when she doesn't know who she is as Joanie wonders how to truly love when she has never been loved.

    With echoes of Gwendolyn Brooks and Sonia Sanchez, Mans writes to call herself—and us—home. Each poem explores what it means to be a daughter of Newark, and America--and the painful, joyous path to adulthood as a young, queer Black woman.Black Girl, Call Home is a love letter to the wandering Black girl and a vital companion to any woman on a journey to find truth, belonging, and healing.

    Originally published in 1946 and hailed by critics as a masterwork, The Street was Ann Petry's first novel, a beloved bestseller with more than a million copies in print. Its haunting tale still resonates today.

    A shock wave breaks over the Oval as its longtime members grapple with the changing face of its community.With elegant, luminous prose, Dorothy West crowns her literary career by illustrating one family's struggle to break the shackles of race and class.