No one was ever charged with the crime.Now, after their parents’ sudden deaths, the MacAllister siblings return to camp to read the will and decide what to do with the prime real estate the camp occupies. Ryan needs to sell. Margaux hasn’t made up her mind. Mary believes in leaving well enough alone. Kate and Liddie—the twins—have opposing views. And Sean Booth, the groundskeeper, just hopes he still has a home when all is said and done.But it’s more complicated than a simple vote. The will stipulates that until they unravel the mystery of what happened to Amanda, they can’t settle the estate. Any one of them could have done it, and each one is holding a piece of the puzzle. Will they work together to finally discover the truth, or will their secrets finally tear the family apart?

    In The Vanishing Point, she kicks off a terrifying thriller with a nightmare scenario: a parent who loses her child in a bustling international airport.Young Jimmy Higgins is snatched from an airport security checkpoint while his guardian watches helplessly from the glass inspection box. But this is no ordinary abduction, as Jimmy is no ordinary child. His mother was Scarlett, a reality TV star who, dying of cancer and alienated from her unreliable family, entrusted the boy to the person she believed best able to give him a happy, stable life: her ghost writer, Stephanie Harker. Assisting the FBI in their attempt to recover the missing boy, Stephanie reaches into the past to uncover the motive for the abduction. Has Jimmy been taken by his own relatives? Is Stephanie’s obsessive ex-lover trying to teach her a lesson? Has one of Scarlett’s stalkers come back to haunt them all?A powerful, grippingly-plotted thriller that will keep readers on the edge of their seats until the end, The Vanishing Point showcases McDermid at the height of her talent.

    Red dress, black hair, body like a knife. He takes her back to his room and wakes the next morning in a bathtub full of blood and ice, missing a kidney.Dragging himself from a hospital bed, Phineas discovers he wants to be with Jude like a hunger -- and he wants to find her and kill her. Falling for her is the start of a twisted love story that takes him from the snowy streets of Denver to the high plains of Texas where the boundaries between torturer and victim, killer and accomplice, become nightmarishly distorted.

    Twelve-year-old Rain Winter narrowly escaped an abduction while walking to a friend's house. Her two best friends, Tess and Hank, were not as lucky. Tess never came home, and Hank was held in captivity before managing to escape. Their abductor was sent to prison but years later was released. Then someone delivered real justice--and killed him in cold blood.Now Rain is living the perfect suburban life, her dark childhood buried deep. She spends her days as a stay-at-home mom, having put aside her career as a hard-hitting journalist to care for her infant daughter. But when another brutal murderer who escaped justice is found dead, Rain is unexpectedly drawn into the case. Eerie similarities to the murder of her friends' abductor force Rain to revisit memories she's worked hard to leave behind. Is there a vigilante at work? Who is the next target? Why can't Rain just let it go?

    After a death row conviction, media frenzy, and the release of an unauthorized biography, her thirty-year-old daughter Edie Beckett is just trying to survive out of the spotlight. She’s a recovering alcoholic with a dead-end city job and an unhealthy codependent relationship with her brother.Edie also has a disturbing secret: a growing obsession with the families of Lilith’s victims. She’s desperate to see how they’ve managed—or failed—to move on. While her escalating fixation is a problem, she’s careful to keep her distance. That is, until she crosses a line and a man is found murdered.Edie quickly becomes the prime suspect—and while she can’t remember everything that happened the night of the murder, she’d surely remember killing someone. With the detective who arrested her mother hot on her trail, Edie goes into hiding. She’s must get to the truth of what happened that night before the police—or the real killer—find her. Unless, of course, she has more in common with her mother than she’s willing to admit…

    But a cop named Foley is on to Eddie and he's leaning on him to finger Scalisi, a gang leader with a lot to hide. And then there's Dillon-a full-time bartender and part-time contract killer--pretending to be Eddie's friend. Wheeling, dealing, chasing, and stealing--that's Eddie, and he's got lots of friends.

    Here, upon this bloodstained stage,  a faceless killer performs his violent specialty:  The first to die brutally is a fifteen-year-old  girl. She is drained of blood, then carefully bathed  and shrouded in white. Precisely one week later, a  second victim is found. From the sacred  Wailing Wall to the monasteries where dark secrets  are cloistered, from black-clad bedouin enclaves  to labyrinthine midnight alleys, veteran police  inspector Daniel Sharavi and his crack team plunge  deep into a city simmering with religious and  political passions to hunt for a murderer whos  insatiable taste for young women could destroy the  delicate balance on which Jerusalem's very survival  depends. A brilliant novel by a master of  the genre, a vivid look at the tortured  complexities of a psychopath's mind, a rich evocation of a  city steeped in history -- this, and more, is  The Butcher's Theater.

    But everything changes when she finds a body on the common near her home. She’s shaken and haunted by the image of the lifeless young woman, and frightened that the killer, still at large, could strike again. Before long, the police have a lead. The evidence points to a very clear suspect. One Gaby never saw coming . . . Full of twists and turns, this is a dark and suspenseful psychological thriller that will make you secondguess everything. Because you can never be too sure about anything, especially when it comes to murder.

    This is exactly what happens to Lisa Kallisto, overwhelmed working mother of three, one freezing December in the English Lake District. She takes her eye off the ball for just a moment and her whole world descends into the stuff of nightmares. Because, not only is thirteen-year-old Lucinda missing, and not only is it all Lisa's fault, but she's the second teenage girl to disappear within this small tightknit community over two weeks. The first girl turned up stripped bare, dumped on a busy high street, after suffering from a terrifying ordeal. Wracked with guilt over her mistake and after being publicly blamed by Lucinda's family, Lisa sets out to right the wrong. But as she begins peeling away the layers surrounding Lucinda's disappearance, Lisa learns that the small, posh, quiet town she lives in isn't what she thought it was, and her friends may not be who they appear, either.

    He knows what he’s done, and now awaits execution, the same chilling fate he forced on those girls, years ago. But Ansel doesn’t want to die; he wants to be celebrated, understood. He hoped it wouldn’t end like this, not for him.Through a kaleidoscope of women—a mother, a sister, a homicide detective—we learn the story of Ansel’s life. We meet his mother, Lavender, a seventeen-year-old girl pushed to desperation; Hazel, twin sister to Ansel’s wife, inseparable since birth, forced to watch helplessly as her sister’s relationship threatens to devour them all; and finally, Saffy, the homicide detective hot on his trail, who has devoted herself to bringing bad men to justice but struggles to see her own life clearly. As the clock ticks down, these three women sift through the choices that culminate in tragedy, exploring the rippling fissures that such destruction inevitably leaves in its wake. Blending breathtaking suspense with astonishing empathy, Notes on an Execution presents a chilling portrait of womanhood as it simultaneously unravels the familiar narrative of the American serial killer, interrogating our system of justice and our cultural obsession with crime stories, asking readers to consider the false promise of looking for meaning in the psyches of violent men.

    The United States teeters on the edge of war. The roundup of allegedly treasonous Japanese Americans is about to begin. And in L.A., a Japanese family is found dead. Murder or ritual suicide? The investigation will draw four people into a totally Ellroy-ian tangle: a brilliant Japanese American forensic chemist; an unsatisfiably adventurous young woman; one police officer based in fact (William H. "Whiskey Bill" Parker, later to become the groundbreaking chief of the LAPD), the other the product of Ellroy's inimitable imagination (Dudley Smith, arch villain of The Big Nowhere, L.A. Confidential, White Jazz). As their lives intertwine, we are given a story of war and of consuming romance, a searing exposé of the Japanese internment, and an astonishingly detailed homicide investigation. In Perfidia, Ellroy delves more deeply than ever before into his characters' intellectual and emotional lives. But it has the full-strength, unbridled story-telling audacity that has marked all the acclaimed work of the Demon Dog of American Crime Fiction.

    It’s what I do. This time I'm tidying up the loose ends after a casino heist gone bad. The loose ends being a million cash. But I only have 48 hours, and there’s a guy out there who wants my head in a bag.He'll have to find me first. They don’t call me the Ghostman for nothing...

    The houses are beautiful, the neighbors get along, and the kids play together on weekends.But when Darren and Jodie move into the house on the corner, they donʼt follow the rules. They blast music at all hours, begin an unsightly renovation, and run a used-car business from their yard. It doesn't take long for an all-out war to start brewing.Then, early one Saturday, a horrific death shocks the street. As police search for witnesses, accusations start flying--and everyone has something to hide.

    He lives in a small brick Tudor close to campus with his art buyer wife, Diane. His life is quiet, ordinary even. And he likes it that way. But it wasn't always quiet. Jake's distant past was a life on the streets, inflicting damage and suffering on more people than he can count. And now someone from his past, it seems, has come looking for him.A raw, gripping thriller about the price paid for past sins, John Rector's third novel is a live wire that crackles with the intensity of a man with nothing left to lose. When two men attack Jake in a parking lot and cut off his finger, he tries to dismiss it as an unlucky case of being in the wrong place at the wrong time. But when events take a more sinister turn and Diane goes missing, Jake knows he can no longer hide from the truth. As he embarks on a mission to find his wife, he realizes his dark past is refusing to stay buried and that his future is about to unfold in ways he could never have imagined.

    At the end of a long winter, in bucolic Ridgedale, New Jersey, the body of an infant is discovered in the woods near the town’s prestigious university campus. No one knows who the baby is, or how her body ended up out there. But there is no shortage of opinions. When freelance journalist, and recent Ridgedale transplant, Molly Anderson is unexpectedly called upon to cover the story for the Ridegdale Reader, it’s a risk, given the severe depression that followed the loss of her own baby. But the bigger threat comes when Molly unearths some of Ridgedale’s darkest secrets, including a string of unreported sexual assaults that goes back twenty years. Meanwhile, Sandy, a high school dropout, searches for her volatile and now missing mother, and PTA president Barbara struggles to help her young son, who’s suddenly having disturbing outbursts. Told from the perspectives of Molly, Barbara, and Sandy, Kimberly McCreight’s taut and profoundly moving novel unwinds the tangled truth about the baby’s death revealing that these three women have far more in common than they realized. And that their lives are more intertwined with what happened to the baby than they ever could have imagined.