The excitement began the moment "The Fourth State of Matter," one of the fourteen extraordinary personal narratives in this book, appeared in the pages of The New Yorker. It increased when the author received a prestigious Whiting Foundation Award in November 1997, & it continued as the hardcover edition of The Boys of My Youth sold out its first printing even before publication. The author writes with perfect pitch as she takes us through one woman's life -- from childhood to marriage & beyond -- & memorably captures the collision of youthful longing & the hard intransigences of time & fate.

    When Max Andrews, the much-loved and handsome (lonely and gay) host of "Slumber Sunday Sundown" accidentally exposes himself in front of twenty million kids and their parents during a "Toys for Tots" segment, Sellevision faces its first big scandal. As Max fails to find a job in television, another host, the popular and perky Peggy Jean Smythe is receiving sinister emails about her appearance from a stalker. Popping pills and drinking heavily, she fails to notice that her husband is spending a lot of time with the very young babysitter who lives next door. Then there's Leigh, whose affair with Sellevision boss Howard Toast is going nowhere, until she exposes him on air; and Bebe, Sellevision's star host, who finds Mr. Right through the Internet--if she can just stop her shopping addiction from taking over.

    Filled with the sharp humor, emotional acuity, and joyful language Moore has become famous for, these nine glittering tales marked the introduction of an extravagantly gifted writer.

    At the heart of this story is Ruth Anne Boatwright, known simply as Bone, a bastard child who observes the world around her with a mercilessly keen perspective. When her stepfather Daddy Glen, "cold as death, mean as a snake," becomes increasingly more vicious toward her, Bone finds herself caught in a family triangle that tests the loyalty of her mother, Anney—and leads to a final, harrowing encounter from which there can be no turning back.

    Follow him as he attempts to go to his last day of work. Follow him through the subway as he considers stealing chips from a dancing baby. Find him being threatened by a homeless man holding board games. Take his hand as he considers building a hydraulic cocoon for his cat out of a complimentary duffel bag. Walk the streets of Uptown as a cop-killer takes hostages to the roof of an apartment building. Meet his friends. Just kidding! Follow him to his neighbor’s apartment where he gets paid in pumpkin pie to watch a baby. Follow him through through the dull pains of never quite becoming an adult. Sit back, laugh, smile, hold your breath, because not even he knows how it ends.“Funny as hell, searingly honest, and urgently real, Sam Pink’s Rontel puts to shame most modern fiction. His writing perfectly captures the bizarre parade that is Chicago, with all its gloriously odd and wonderful people. This book possesses both the nerve of Nelson Algren and the existential comedy of Albert Camus.” – Joe Meno

    It is the timeless story of a young Marine lieutenant, Waino Mellas, and his comrades in Bravo Company, who are dropped into the mountain jungle of Vietnam as boys and forced to fight their way into manhood. Standing in their way are not merely the North Vietnamese but also monsoon rain and mud, leeches and tigers, disease and malnutrition. Almost as daunting, it turns out, are the obstacles they discover between each other: racial tension, competing ambitions, and duplicitous superior officers. But when the company finds itself surrounded and outnumbered by a massive enemy regiment, the Marines are thrust into the raw and all-consuming terror of combat. The experience will change them forever.Written over the course of thirty years by a highly decorated Vietnam veteran, Matterhorn is a visceral and spellbinding novel about what it is like to be a young man at war. It is an unforgettable novel that transforms the tragedy of Vietnam into a powerful and universal story of courage, camaraderie, and sacrifice: a parable not only of the war in Vietnam but of all war, and a testament to the redemptive power of literature.A graduate of Yale University and a Rhodes Scholar at Oxford University, Karl Marlantes served as a Marine in Vietnam, where he was awarded the Navy Cross, the Bronze Star, two Navy Commendation Medals for valor, two Purple Hearts, and ten air medals. This is his first novel. He lives in rural Washington State.

    Here is a town, as well as a world, defined by magnificent and nearly devastating contradictions.Louis Charles (“Lucy”) Lynch has spent all his sixty years in upstate Thomaston, New York, married to the same woman, Sarah, for forty of them, their son now a grown man. Like his late, beloved father, Lucy is an optimist, though he’s had plenty of reasons not to be—chief among them his mother, still indomitably alive. Yet it was her shrewdness, combined with that Lynch optimism, that had propelled them years ago to the right side of the tracks and created an “empire” of convenience stores about to be passed on to the next generation. Lucy and Sarah are also preparing for a once-in-a-lifetime trip to Italy, where his oldest friend, a renowned painter, has exiled himself far from anything they’d known in childhood. In fact, the exact nature of their friendship is one of the many mysteries Lucy hopes to untangle in the “history” he’s writing of his hometown and family. And with his story interspersed with that of Noonan, the native son who’d fled so long ago, the destinies building up around both of them (and Sarah, too) are relentless, constantly surprising, and utterly revealing. Bridge of Sighs is classic Russo, coursing with small-town rhythms and the claims of family, yet it is brilliantly enlarged by an expatriate whose motivations and experiences—often contrary, sometimes not—prove every bit as mesmerizing as they resonate through these richly different lives. Here is a town, as well as a world, defined by magnificent and nearly devastating contradictions.

    A biting social commentary on an emotional world gone silently haywire, The Women's Room is a modern classic that offers piercing insight into the social norms accepted so blindly and revered so completely. Marilyn French questions those accepted norms and poignantly portrays the hopeful believers looking for new truths.

    From late 1931 to the end of 1932, Nin falls in love with Henry Miller's writing and his wife June's striking beauty. When June leaves Paris for New York, Henry and Anaïs begin a fiery affair that liberates her sexually and morally, but also undermines her marriage and eventually leads her into psychoanalysis. As she grapples with her own conscience, a single question dominates her thoughts: What will happen when June returns to Paris? An intimate account of one woman's sexual awakening, Henry and June exposes the pain and pleasure felt by a single person trapped between two loves.

    Written by a lady of the court at the height of Heian culture, this book enthralls with its lively gossip, witty observations, and subtle impressions. Lady Shonagon was an erstwhile rival of Lady Murasaki, whose novel, "The Tale of Genji," fictionalized the elite world Lady Shonagon so eloquently relates. Featuring reflections on royal and religious ceremonies, nature, conversation, poetry, and many other subjects, "The Pillow Book" is an intimate look at the experiences and outlook of the Heian upper class, further enriched by Ivan Morris's extensive notes and critical contextualization.

    Includes "There's a certain slant of light," "Because I could not stop for death," "It was not death for I stood up."

    In lushly evocative language, Smart recounts her love affair with the poet George Barker with an operatic grandeur that takes in the tragedy of her passion; the suffering of Barker's wife;the children the lovers conceived. Accompanied in this edition by The Assumption of the Rogues and Rascals, a short novel that may be read as its sequel, By Grand Central Station I Sat Down and Wept has been hailed by critics worldwide as a work of sheer genius.

    As Thomas Jefferson’s oldest daughter, she becomes his helpmate, protector, and constant companion in the wake of her mother’s death, traveling with him when he becomes American minister to France.It is in Paris, at the glittering court and among the first tumultuous days of revolution, that fifteen-year-old Patsy learns about her father’s troubling liaison with Sally Hemings, a slave girl her own age. Meanwhile, Patsy has fallen in love—with her father’s protégé William Short, a staunch abolitionist and ambitious diplomat. Torn between love, principles, and the bonds of family, Patsy questions whether she can choose a life as William’s wife and still be a devoted daughter.Her choice will follow her in the years to come, to Virginia farmland, Monticello, and even the White House. And as scandal, tragedy, and poverty threaten her family, Patsy must decide how much she will sacrifice to protect her father's reputation, in the process defining not just his political legacy, but that of the nation he founded.

    In the face of his impending institutionalization, he continually reinvents himself to escape the legal and mental health authorities and to save himself from a life of incarceration. But running turns out to be costly. Vincent's clients in the L.A. underworld lose patience, the hospital evaluator may not be fooled by his story, and the only person in as much danger as himself is the woman who knows his real name.

    By confusing ideas around fiction and autobiography, Phillips writes with painful sincerity about shame, addiction, trauma, and the more troubling outreaches of sexual desire, with wit that is at odds with the subject matter. "Searingly honest, brilliant and disturbing . Brad Phillips peels back the skin and bone and stares right into the human soul." —Anthony Bourdain"Brad Phillips says, at the beginning of this incredible book, that honesty eludes him. Obviously, that’s a lie. When you read Brad Phillips, you understand why nice women write love letters to men on death row." —Sarah Nicole Prickett"Last week, Giancarlo Di Trapano turned me on to Suicidal Realism, a short memoir by the Canadian painter Brad Phillips. It’s not exactly an edifying book. Phillips’s main themes are drugs and sex, in that order: “People who like to get fucked up with other people are not people I like to get fucked up with.” But Phillips has a watchful intelligence and self-knowledge, and an impatient sincerity, that sneak up on you (or at least, snuck up on me). He doesn’t ask to be liked, even by his groupies, but he does want to communicate: “I’m not interested in the ones who are drawn to the creator of the work, I’m interested in the ones who are drawn to the content.” —The Paris Review