The King first noticed her when she was 16 - and with imperial greed he smashed her youthful love-affair with Harry Percy and began the process of royal seduction. But this was no ordinary woman, no maid-in-waiting to be possessed.

    Elegantly weaving together different voices into a striking portrait of a city and its people, The Scatter Here Is Too Great is a tale as vibrant and varied in its characters, passions, and idiosyncrasies as the city itself.

    With a breathtaking climax that rivals the best Hong Kong gambling movies, Michael Shou-Yung Shum's debut novel delivers the thrilling highs and lows that come when we cede control of our futures to the roll of the dice and the turn of a card.Finalist for Foreword Reviews 2017 Indie Literary Book of the Year

    But like the bamboo, if you plant and nurture it in the right soil, it has the potential to grow vibrant and strong."Walking with a pronounced limp all her life has never stopped fifteen-year-old Kiva Mau from doing what she loves. While most girls her age are playing sports and perfecting their traditional Samoan dance, Kiva finds serenity in her sketchbook and volunteering at the run-down art center her extended family owns, nestled amongst the bamboo. When seventeen-year-old Ryler Cade steps into the art center for the first time, Kiva is drawn to the angry and misguided student sent from abroad to reform his violent ways. Scarred and tattooed, a friendship is formed when the gentle Kiva shows him kindness and beauty through art, until circumstances occur beyond their control and they are pulled away. Immersed in the world of traditional art and culture, this is the story of self-sacrifice and discovery, of acceptance and forbearance, of overcoming adversity and finding one’s purpose. Spanning years, it is a story about an intuitive girl and a misunderstood boy and love that becomes real when tested.

    As a religious novel about a decaying brahmin colony in the south Indian village ofKarnataka, Samskara serves as an allegory rich in realistic detail, a contemporary reworking of ancient Hindu themes and myths, and a serious, poetic study of a religious man living in a community of priests gone to seed. A death which stands as the central event in the plot brings in its wake aplague, many more deaths, live questions with only dead answers, moral chaos, and the rebirth of one man. The volume provides a useful glossary of Hindu myths, customs, Indian names, flora, and other terms. Notes and an afterword enhance the self-contained, faithful, and yet readabletranslation.

    Tiloka, Rano's husband, is murdered leaving her with four children to look after and a hostile mother-in-law to contend with. Helpful friends and the village elders decide that Mangal, Tiloka's younger brother, should offer her protection in the form of marriage. And so a wedding of reluctant partners takes place.

    Darsee at a wedding makes her reconsider. A scandal and vicious rumor concerning the Binat family have destroyed their fortune and prospects for desirable marriages, but Alys, the second and most practical of the five Binat daughters, has found happiness teaching English literature to schoolgirls. Knowing that many of her students won’t make it to graduation before dropping out to marry and have children, Alys teaches them about Jane Austen and her other literary heroes and hopes to inspire the girls to dream of more. When an invitation arrives to the biggest wedding their small town has seen in years, Mrs. Binat, certain that their luck is about to change, excitedly sets to work preparing her daughters to fish for rich, eligible bachelors. On the first night of the festivities, Alys’s lovely older sister, Jena, catches the eye of Fahad “Bungles” Bingla, the wildly successful—and single—entrepreneur. But Bungles’s friend Valentine Darsee is clearly unimpressed by the Binat family. Alys accidentally overhears his unflattering assessment of her and quickly dismisses him and his snobbish ways. As the days of lavish wedding parties unfold, the Binats wait breathlessly to see if Jena will land a proposal—and Alys begins to realize that Darsee’s brusque manner may be hiding a very different man from the one she saw at first glance. Told with wry wit and colorful prose, Unmarriageable is a charming update on Jane Austen’s beloved novel and an exhilarating exploration of love, marriage, class, and sisterhood.

    There's Lila, the landlady of the forest who shoulders a terrible guilt; the young, beautiful and carefree Violette, who bears deep childhood scars, and the boy Jeremy, who whispers his confessions to the frogs and ants in the forest. There's Claire, who writes murder scenes, and Simon, who cares for his brother's son while pining for various women.Each character has come to this forgiving Eden to escape some private trauma; forced to interact through loneliness and proximity, they learn each others� secrets, with stunning consequences.Told from the perspective of each character, shifting between the past and the present, Wildlives takes the reader on a fantasy ride of intrigue and character exploration. With its existential mystery, evocation of unspoiled nature and spectacular characters, the novel brings to mind Paul Auster, Henry David Thoreau and Isabelle Allende.

    The firstborn, the ‘original’ scion of Ikshvaku, the daughter of Dasharatha and Kaushalya, who came before Rama, Lakshmana, Bharata and Shatrughana. Shanta, as her named suggested, preferred solitude to her royal status of the princess of Ayodhya. She yearned for love—from her parents, who were obsessed with producing a male heir for their kingdom. After the passing of many years, when Dasharatha lies on his death bed pining for his son, Rama who has been banished to the forest for 14 long years, it is Shanta who is besides her father, but watches helplessly as Dasharatha doesn’t even recognize her. In this fascinating and hitherto unknown account, Shanta: The Story of Rama’s Sister, Anand Neelakantan tells the story of a woman who makes sacrifice her life’s mission, propelled by love, affection and a commitment to the land of her birth, Ayodhya.

    Life and death. And though some say that when you’re near death your entire life flashes before your eyes, Rosie can’t remember anything at all—not even how she ended up in a coma. At least not at first.Then something strange starts to happen. Rosie finds herself revisiting scattered moments from her past: a beach vacation, a play rehearsal, the day her brother was born. But why these memories? And what do they mean?As each piece of the puzzle comes into focus, Rosie struggles to face the picture of her life that forms. But with every look backward comes a glimpse of what might be: A relationship with her sister. The opportunity to pursue her passion. A second chance at love. And Rosie just might discover that she has much to live for.With bighearted emotion and comic sensibility, The Inbetween Days is a life-affirming novel about the little choices that determine our fate and our ever-enduring hope for the future.

    Hatterr is one of the most perfectly eccentric and strangely absorbing works modern English has produced. H. Hatterr is the son of a European merchant officer and a lady from Penang who has been raised and educated in missionary schools in Calcutta. His story is of his search for enlightenment as, in the course of visiting seven Oriental cities, he consults with seven sages, each of whom specializes in a different aspect of “Living.” Each teacher delivers himself of a great “Generality,” each great Generality launches a new great “Adventure,” from each of which Hatter escapes not so much greatly edified as by the skin of his teeth. The book is a comic extravaganza, but as Anthony Burgess writes in his introduction, “it is the language that makes the book. . . . It is not pure English; it is like Shakespeare, Joyce, and Kipling, gloriously impure.”

    Through these vivid, contradictory, and original characters, Khan celebrates the complexities of familial and erotic love, the tug of curiosity and duty, the intersections of faith and longing. Her exuberant language draws from Urdu and Punjabi and invents one of its own for Mehwish, whose fractured English divides and slows and reveals.The Geometry of God is a novel one can read greedily, following these characters as their lives unfold against the backdrop of General Zia’s Pakistan, where religious fundamentalism gains ground and the mujaheddin is funded by gem sales and the Americans. Or one can savor, as the sisters show us: digging as Amal does toward the novel’s deepest questions about love and knowledge and faith, moving as Mehwish does to the rhythms of an abundant and original language.

    She's hoping to be a doctor and plans to spend her summer in Istanbul studying for the MCAT and visiting her father's grave. Instead, she finds herself self-diagnosing her own possible chronic illness with the four humors theory of ancient medicine. Is an imbalance of blood, bile, choler, and phlegm the cause of her physical and emotional turmoil?Also on Sibel's mind: her blond American boyfriend who accompanies her to Turkey; her energetic but distraught younger sister; and her devoted grandmother, who, Sibel comes to learn, carries a harrowing secret.Delving into her family's history, the narrative weaves through periods of political unrest in Turkey, from military coups to the Gezi Park protests. Told with pathos and humor, Sibel's search for strange and unusual cures is disrupted as she begins to see how she might heal herself through the care of others, including her own family and its long-fractured relationships.

    Katherine Hill left her small New England hometown in pursuit of a dream. Now, twelve years later, she’s a high-powered cosmetics executive in Manhattan and a much glossier version of her former self, unrecognizable to her family and old friends. Not that she would know—she hasn’t been home in over a decade. Laney Marten always swore she’d never get "stuck” in Manchester, Vermont. No, she was destined to live out her glamorous big-city dreams. Instead, she wound up a young wife and mother. That was when her best friend ran out. When Katherine receives word of an inheritance from former neighbor Luella Hancock, she reluctantly returns home to the people and places she left behind. Hoping for a second chance, she’s met by an unforgiving Laney, her former best friend. And there’s someone else who’s moved on without her—someone she once loved. Tethered to their shared inheritance of Luella’s sprawling Victorian mansion, Katherine and Laney are forced to address their long-standing grudges. Through this, they come to understand that while life has taken them in different directions, ultimately the bonds of friendship and sisterhood still bind them together. But are some wounds too old and deep to mend?

    Living and working in Los Angeles, a young African-American woman finds herself torn between loyalty to her race and her commitment to a cause.