Both mother and daughter must make sacrifices, but is the price too high? Most importantly of all, will they ever find each other again?Rich in incident and historical detail, this is a compelling and beautifully written tale about yearning and forgiveness.White Gardenia announces the arrival of a powerful new talent.

    First published in the United States in 1987 and highly praised for its inventiveness, Pushkin House is a contemporary literary masterpiece. Though the novel's focus is a love affair between Lyova and Faina, the novel's true subject is an investigation of the corruption of Soviet intellectual life and history. Working within many of the confines imposed upon him during the Soviet regime, Bitov ingeniously draws upon Russian literary models, especially that of Nabokov, in order to parody and satirize the stifling society about him, as well as Russian literary tradition.

    Comprised of a surprising mix of newly minted professionals, ex-prisoners, intellectuals, musicians, and faithful Party workers, the community is vibrant and resilient and life in Magadan thrives even under the cover of near-perpetual snow. By blending history and fable, each of Melnik's stories transports us somewhere completely new: a married Magadan woman considers a proposition from an Italian footballer in '70s Moscow; an ailing young girl visits a witch doctor’s house where nothing is as it seems; a middle-aged dance teacher is entranced by a new student’s raw talent; a former Soviet boss tells his granddaughter the story of a thorny friendship; and a woman in 1958 jumps into a marriage with an army officer far too soon.Weaving in and out of the last half of the twentieth century, Snow in May is an inventive, gorgeously rendered, and touching portrait of lives lived on the periphery where, despite their isolation—and perhaps because of it—the most seemingly insignificant moments can be beautiful, haunting, and effervescent.

    Spawned by a desire to protect his family, Lazlo investigates—irritating his superiors, drawing the attention of a CIA operative, raising the hackles of an old KGB major, and ultimately discovering his brother’s secret affair with a Chernobyl technician, Juli Popovics. After the explosion, the Ukraine is not only blanketed with deadly radiation, but also becomes a killing ground involving pre-perestroika factions in disarray, a Soviet government on its last legs, and madmen hungry for power. With a poisoned environment at their backs and a killer snapping at their heels, Lazlo and Juli flee for their lives—and their love—in this engrossing political thriller.

    Yet, inside, he has a tender heart that still pines for the lover of his previous human birth. More than a century later, when he discovers that his lover has been reborn in a rich Mumbai household, and is now a beautiful woman, his heart begins to beat again with a happy rhythm. There are monumental obstacles in his path though, the least of which is the fact that she loves another man. But, the biggest challenge is that she is human and he is demon. To make her his, he will have to become human again; and to accomplish that, he will have to fight holy men and witch-mothers and giants, and challenge the gods themselves. From the best-selling author of Maya’s New Husband, comes a tragic tale of forbidden love — Pishacha.

    Leo would spend the next five years in a coke processing plant, shoveling coal, lugging bricks, mixing mortar, and battling the relentless calculus of hunger that governed the labor colony: one shovel load of coal is worth one gram of bread.In her new novel, Nobel laureate Herta Müller calls upon her unique combination of poetic intensity and dispassionate precision to conjure the distorted world of the labor camp in all its physical and moral absurdity. She has given Leo the language to express the inexpressible, as hunger sharpens his senses into an acuity that is both hallucinatory and profound. In scene after disorienting scene, the most ordinary objects accrue tender poignancy as they acquire new purpose—a gramophone box serves as a suitcase, a handkerchief becomes a talisman, an enormous piece of casing pipe functions as a lovers' trysting place. The heart is reduced to a pump, the breath mechanized to the rhythm of a swinging shovel, and coal, sand, and snow have a will of their own. Hunger becomes an insatiable angel who haunts the camp day and night, but also a bare-knuckled sparring partner, delivering blows that keep Leo feeling the rawest connection to life.Müller has distilled Leo's struggle into words of breathtaking intensity that take us on a journey far beyond the Gulag and into the depths of one man's soul.

    A Writer at War – based on the notebooks in which Grossman gathered raw material for his articles – depicts the crushing conditions on the Eastern Front, and the lives and deaths of soldiers and civilians alike. It also includes some of the earliest reportage on the Holocaust. In the three years he spent on assignment, Grossman witnessed some of the most savage fighting of the war: the appalling defeats of the Red Army, the brutal street fighting in Stalingrad, the Battle of Kursk (the largest tank engagement in history), the defense of Moscow, the battles in Ukraine, and much more.Historian Antony Beevor has taken Grossman’s raw notebooks, and fashioned them into a narrative providing one of the most even-handed descriptions – at once unflinching and sensitive – we have ever had of what he called “the ruthless truth of war.”From the Hardcover edition.

    But is their breeding sufficient to allow them to rise above their changed circumstance or deep down are they really just like everyone else?

    Mary is a gripping tale of youth, first love, and nostalgia--Nabokov's first novel.  In a Berlin rooming house filled with an assortment of seriocomic Russian émigrés, Lev Ganin, a vigorous young officer poised between his past and his future, relives his first love affair.  His memories of Mary are suffused with the freshness of youth and the idyllic ambience of pre-revolutionary Russia.  In stark contrast is the decidedly unappealing boarder living in the room next to Ganin's, who, he discovers, is Mary's husband, temporarily separated from her by the Revolution but expecting her imminent arrival from Russia.

    Like the fingers on a hand--first headstrong Olga; then Tatiana, the tallest; Maria the most hopeful for a ring; and Anastasia, the smallest. These are the daughters of Tsar Nicholas II, grand duchesses living a life steeped in tradition and privilege. They are each on the brink of starting their own lives, at the mercy of royal matchmakers. The summer of 1914 is that precious last wink of time when they can still be sisters together--sisters that link arms and laugh, sisters that share their dreams and worries and flirt with the officers of their imperial yacht. But in a gunshot the future changes for these sisters and for Russia.As World War I ignites across Europe, political unrest sweeps Russia. First dissent, then disorder, mutiny, and revolution. For Olga, Tatiana, Maria and Anastasia, the end of their girlhood together is colliding with the end of more than they ever imagined.At the same time hopeful and hopeless, naive and wise, the voices of these sisters become a chorus singing the final song of Imperial Russia. Impeccably researched and utterly fascinating, this novel by acclaimed author Sarah Miller recounts the final days of Imperial Russia with lyricism, criticism and true compassion.

    “Only a Russian could do that," says Aleksandr Ivanovich. “Only a Russian could make the whole world go mad.”A century later, in November 2013, thousands of Ukrainian citizens gathered at Independence Square in Kyiv to protest then-President Yanukovych’s failure to sign a referendum with the European Union, opting instead to forge a closer alliance with President Vladimir Putin and Russia. The peaceful protests turned violent when military police shot live ammunition into the crowd, killing over a hundred civilians.I Will Die in a Foreign Land follows four individuals over the course of a volatile Ukrainian winter, as their lives are forever changed by the Euromaidan protests. Katya is an Ukrainian-American doctor stationed at a makeshift medical clinic in St. Michael’s Monastery; Misha is an engineer originally from Pripyat, who has lived in Kyiv since his wife’s death from radiation sickness; Slava is a fiery young activist whose past hardships steel her determination in the face of persecution; and Aleksandr Ivanovich, a former KGB agent who climbs atop a burned-out police bus at Independence Square and plays the piano.As Katya, Misha, Slava, and Aleksandr’s lives become intertwined, they each seek their own solace during an especially tumultuous and violent period. The story is also told by a chorus of voices that incorporates folklore and narrates a turbulent Slavic history.While unfolding an especially moving story of quiet beauty and love in a time of terror, I Will Die in a Foreign Land is an ambitious, intimate, and haunting portrait of human perseverance and empathy.

    She does not return.Three people have been intimately connected with her. One, her brother, a soldier and adventurer; the second a doctor, traumatized by the war, and harbouring a secret passion, and the third, Mariella, her cousin and childhood friend, who must now uncover the truth about what has happened to the missing nurse.Mariella's epic journey takes her from the domestic quiet of London to the foothills of Italy, and on to the ravaged Russian landscape of the Crimea, where she must discover what has happened to her captivating and mysterious cousin and uncover the secrets of those who loved her..

    A 1930s Soviet censor painstakingly corrects offending photographs, deep underneath Leningrad, bewitched by the image of a disgraced prima ballerina. A chorus of women recount their stories and those of their grandmothers, former gulag prisoners who settled their Siberian mining town. Two pairs of brothers share a fierce, protective love. Young men across the former USSR face violence at home and in the military. And great sacrifices are made in the name of an oil landscape unremarkable except for the almost incomprehensibly peaceful past it depicts. In stunning prose, with rich character portraits and a sense of history reverberating into the present, The Tsar of Love and Techno is a captivating work from one of our greatest new talents.The leopard --Granddaughters --The Grozny Tourist Bureau --A prisoner of the Caucasus --The tsar of love and techno --Wolf of White Forest --Palace of the people --A temporary exhibition --The end

    The only takers are two eccentric Englishmen who want to embark for the other side of the globe. The Reverend Geoffrey Wilson believes the Garden of Eden was on the island of Tasmania. His traveling partner, Dr. Thomas Potter, unbeknownst to Wilson, is developing a sinister thesis about the races of men. Meanwhile, an aboriginal in Tasmania named Peevay recounts his people’s struggles against the invading British, a story that begins in 1824, moves into the present with approach of the English passengers in 1857, and extends into the future in 1870. These characters and many others come together in a storm of voices that vividly bring a past age to life.

    As her grandmother moves back to Ukraine, her father gets a job at Goldman Sachs, and her mother knits endless scarves, Oksana longs for a Russia that looms large in her imagination but is a country she never really knew.When she visits her grandmother in Yalta and learns about Baba's wartime past and her lost loves, Oksana begins to see just how much alike they are, and comes to a new understanding of how to embrace life and love without causing harm to the people dearest to her--though, will Oksana ever quite learn to behave?