Once a promising young medical student, Michael buried his dreams alongside the broken bodies of the men he could not save. After fleeing New York to preserve the one relationship he still values, he takes a position as a gardener on a country estate, but he soon discovers that the house hides secrets and sorrows of its own. While Michael nurses the estate’s neglected gardens, his reclusive employer dredges up reminders of the past Michael is desperate to forget.John Seward’s body was broken by the war, along with his will to recover until a family crisis convinces him to pursue treatment. As John’s health and outlook improve under Michael’s care, animosity yields to understanding. He and John find their battle of wills turning into something stronger, but fear may keep them from finding hope and healing in each other.

    Handsome, charismatic, a powerful athlete and oarsman, David Sparsholt seems at first unaware of the effect he has on others--especially on the lonely and romantic Evert Dax, son of a celebrated novelist, himself also destined to become a writer. While the Blitz rages in London, Oxford exists at a strange remove from the action: a place of transience and uncertainty, the fears and rigors of the blackout both encouraging and concealing unexpected liaisons. Between these two young men of very different backgrounds an unusual friendship develops, one whose consequences will unfold over the many years that follow.Alan Hollinghurst's masterly new novel evokes the intimate lives of three generations of Sparsholts in a sequence of vividly rendered episodes: a childhood holiday in Cornwall; eccentric social gatherings at the Dax family home; the adventures of David's son Johnny, in pursuit of love and a career as a painter in 1970s London. Changes in taste, morality, and private life are explored in a group portrait of friends brought together by art, literature, and love. Champions of the Modern live to see modernity itself becoming history, while more personal, life-changing crises and scandals--including that which gives this novel its title--recede into the past, leaving their ambiguous traces. And as gay men and women live in increasing freedom and openness, and the gay scene evolves into new forms and possibilities, The Sparsholt Affair becomes a meditation on human transience, even as it expresses the countervailing longing for permanence and continuity.Witty, tender, epic in scope yet rich in observation, The Sparsholt Affair is a dazzling new work of fiction by a writer justly hailed by the Wall Street Journal as "one of the best novelists at work today."

    or so he believes until the day he learns he is in fact the new Earl of Dearborne. Still recovering from a lingering illness, the sensitive young man travels to Great Britain to claim his estate and embarks upon a bewildering new life. Julien Sutcliffe, the Earl of Blackstone, is suffering from ennui. He's tired and bored with all the finery and wealth and wonders about him. Then he meets this refreshingly naive American Earl, newly arrived in England, and suddenly the world comes alive around him again. Irresistibly drawn to one another, Julien finds himself besotted, and Leander is equally smitten. But just when they think they may have finally found happiness together, Julien and Leander discover that something--or someone--is determined to separate them permanently.

    The year is 1764, and following a glowing recommendation from his last employer, Henry Coffey, vampire, takes on a new personal secretary: young Theophilus Essex.The man is quite unlike any secretary - or any man, for that matter - that Henry has ever met.---'Heart of Stone' is a slowly unfolding period romance between a vampire and his inimitably devoted clerk: lushly depicted in flowing, lovingly appended prose, we follow the slow understanding these two men grasp of one another, and the cross of their two worlds into each other's.Henry Coffey, immortal and ever-oscillating between periods of delighted focus upon his current passion project, is charming, witty, and seems utterly incapable of closing his mouth for more than a few moments; in contrast, Theophilus Essex is quiet and keenly focused, adopting an ever-flat affect, but as time goes on, he relaxes in his employer's presence.Craving resounding intimacy but with an ever aware of the polite boundaries for their situation, Coffey and Essex perform a slow dance as they grow closer to one another, and find themselves entangled.

    Tiring of his double life, William travels to Dublin for one last assignment: infiltrating a group of IRA supporters. But these "rebels" are not what he expected — and one of them, a firebrand named Adam with a past as painful as his own, shakes William's uncertain footing to its foundation. As the crisis in Dublin escalates, William treads a dangerous path between the violence in the streets, the vengeance of the Crown, and the costliest risk of all — falling in love with the man he was sent to betray.

    They keep in touch at first, but then slowly drift apart.Flash forward twenty years.Travis and Craig both have great lives, careers, and loves. But something is missing .... Travis is the first to figure it out. He's still in love with Craig, and come what may, he's going after the boy who captured his heart, even if it means forsaking his job, making a fool of himself, and entering the great unknown. Told in narrative, letters, checklists, and more, this is the must-read novel for anyone who's wondered what ever happened to that first great love.

    Now Ollie is one prince short of his fairy tale ending, and to complicate the fairy tale further, a family emergency sees Ollie uprooted and enrolled at a new school across the country. Which he minds a little less when he realizes it's the same school Will goes to... except Ollie finds that the sweet, comfortably queer guy he knew from summer isn't the same one attending Collinswood High. This Will is a class clown, closeted ― and, to be honest, a bit of a jerk.Ollie has no intention of pining after a guy who clearly isn't ready for a relationship, especially since this new, bro-y jock version of Will seems to go from hot to cold every other week. But then Will starts "coincidentally" popping up in every area of Ollie's life, from music class to the lunch table, and Ollie finds his resolve weakening. The last time he gave Will his heart, Will handed it back to him trampled and battered. Ollie would have to be an idiot to trust him with it again.Right? Right.SIMON VS. THE HOMO SAPIENS AGENDA meets CLUELESS in this boy-meets-boy spin on Grease

    When his lord, Sir Robert de Cantilou, returns from a five-year crusade in the Holy Land, William wants nothing more than to impress him.After Sir Robert's return, noble guests arrive from France, bringing intrigue to the castle. William is oblivious to the politics, as he's distracted by nightly visits from a faceless lover—a man who pleasures him in the dark and then leaves—a man he soon discovers is none other than his master, Sir Robert.But William can't ignore the scheming around him when he overhears a plot to murder Robert. He becomes intent on saving his lord and lover from those who would see him killed.

    Tobias, tethered to the forest, does not dwell on his past life, but he lives a perfectly unremarkable existence with his cottage, his cat, and his dryads.When Greenhollow Hall acquires a handsome, intensely curious new owner in Henry Silver, everything changes. Old secrets better left buried are dug up, and Tobias is forced to reckon with his troubled past—both the green magic of the woods, and the dark things that rest in its heart.

    The Watergate hearings are in full swing. The Vietnam War is still raging. And homosexuality is still officially considered a mental illness. In the midst of these trying times is sixteen-year-old Jonathan Collins, a bullied, anxious, asthmatic kid, who aside from an alcoholic father and his sympathetic neighbor and friend Starla, is completely alone. To cope, Jonathan escapes to the safe haven of his imagination, where his hero David Bowie’s Ziggy Stardust and dead relatives, including his mother, guide him through the rough terrain of his life. In his alternate reality, Jonathan can be anything: a superhero, an astronaut, Ziggy Stardust, himself, or completely “normal” and not a boy who likes other boys. When he completes his treatments, he will be normal—at least he hopes. But before that can happen, Web stumbles into his life. Web is everything Jonathan wishes he could be: fearless, fearsome and, most importantly, not ashamed of being gay.Jonathan doesn’t want to like brooding Web, who has secrets all his own. Jonathan wants nothing more than to be “fixed” once and for all. But he’s drawn to Web anyway. Web is the first person in the real world to see Jonathan completely and think he’s perfect. Web is a kind of escape Jonathan has never known. For the first time in his life, he may finally feel free enough to love and accept himself as he is.A poignant coming-of-age tale, Ziggy, Stardust and Me heralds the arrival of a stunning and important new voice in YA.

    He is seven and a half feet of ugly, and of disreputable descent. No one, including Brute, expects him to be more than a laborer. But heroes come in all shapes and sizes, and when he is maimed while rescuing a prince, Brute’s life changes abruptly. He is summoned to serve at the palace in Tellomer as a guard for a single prisoner. It sounds easy but turns out to be the challenge of his life. Rumors say the prisoner, Gray Leynham, is a witch and a traitor. What is certain is that he has spent years in misery: blind, chained, and rendered nearly mute by an extreme stutter. And he dreams of people’s deaths—dreams that come true. As Brute becomes accustomed to palace life and gets to know Gray, he discovers his own worth, first as a friend and a man and then as a lover. But Brute also learns heroes sometimes face difficult choices and that doing what is right can bring danger of its own.

    We drive at high speed along back roads, through woods, vineyards, and oat fields. The bike smells like gasoline and makes a lot of noise, and sometimes I’m frightened when the wheels slip on the gravel on the dirt road, but the only thing that matters is that I’m holding on to him, that I’m holding on to him outside.Just outside a hotel in Bordeaux, Philippe chances upon a young man who bears a striking resemblance to his first love. What follows is a look back at the relationship he’s never forgotten, a hidden affair with a gorgeous boy named Thomas during their last year of high school. Without ever acknowledging they know each other in the halls, they steal time to meet in secret, carrying on a passionate, world-altering affair.Dazzlingly rendered in English by Ringwald in her first-ever translation, Besson’s powerfully moving coming-of-age story captures the eroticism and tenderness of first love—and the heartbreaking passage of time.

    But the Highvalley witches have rarely done things the way they're supposed to. On the north Pacific island of Eidolonia, hidden from the world by enchantments, Prince Larkin has lain in a magical sleep since 1799 as one side of a truce between humans and fae. That is, until Merrick Highvalley, a modern-day witch, discovers an old box of magic charms and cryptic notes hidden inside a garden statue.Experimenting with the charms, Merrick finds himself inside the bower where Larkin lies, and accidentally awakens him. Worse still, releasing Larkin from the spell also releases Ula Kana, a faery bent on eradicating humans from the island. With the truce collapsing and hostilities escalating throughout the country, Merrick and Larkin form an unlikely alliance and become even unlikelier heroes as they flee into the perilous fae realm on a quest to stop Ula Kana and restore harmony to their island.Content warnings: Magic used nonconsensually to compel others; violent attacks, including some blood and fire; death and grief; imprisonment; untrustworthy governments.

    Will you flip forward fetchingly to find love with the bantering baronet Sir Benedict Granville? Or turn the page to true love with the hardworking, horse-loving highlander Captain Angus McTaggart? Or perhaps race through the chapters chasing a good (and arousing) man gone mad, bad, and scandalous to know, Lord Garraway Craven? Or read on recklessly and take to the Continent as the “traveling companion” of the spirited and adventuresome Lady Evangeline? Or yet some other intriguing fate? Make choices, turn pages, and discover all the daring delights of the multiple (and intertwining!) storylines. And in every path you pick, beguiling illustrations bring all the lust and love to life.

    In order to be true to himself, he goes against the grain of society’s often unspoken rules of class, wealth, and politics.Forster understood that his homage to same-sex love, if published when he completed it in 1914, would probably end his career. Thus, Maurice languished in a drawer for fifty-seven years, the author requesting it be published only after his death (along with his stories about homosexuality later collected in The Life to Come).Since its release in 1971, Maurice has been widely read and praised. It has been, and continues to be, adapted for major stage productions, including the 1987 Oscar-nominated film adaptation starring Hugh Grant and James Wilby.