Her only source of comfort is her sweet cousin for whom she acts as chaperone and companion. Enduring a London Season seems daunting, but with matrimony far from her mind, she is content to hide in the shadows until the season is over.James Berkeley, Duke of Cheshire, is the most eligible bachelor in London. At least, he would be if he had any intention to wed. Before he can think about matrimony, he has a secret and solemn duty he must fulfill. The last two London Seasons have come to naught; he is hoping a third will hold more promise, allowing him to solve a mystery and regain his freedom once and for all.James is intrigued when he meets the beautiful Miss Gray; she is elusive, mysterious, and cares little that he is a duke. But when James discovers Miss Gray could be the very woman he is honor-bound to find, he is torn between duty and desire. She might be the key to solving all of his problems, but he’d rather she be the key to his heart. And one thing is certain: she cannot be both.

    She often makes them up to help her little brother fall asleep. But in her small village there are only a few books and she has read them all. One morning, Ana wakes up to the clip-clop of hooves, and there before her, is the most wonderful sight: a traveling library resting on the backs of two burros—all the books a little girl could dream of, with enough stories to encourage her to create one of her own.Inspired by the heroic efforts of real-life librarian Luis Soriano, award-winning picture book creators Monica Brown and John Parra introduce readers to the mobile library that journeys over mountains and through valleys to bring literacy and culture to rural Colombia, and to the children who wait for the BiblioBurro.A portion of the proceeds from sales of this book was donated to Luis Soriano's BiblioBurro program.

    A young immigrant girl joins her aunt and uncle in a new country that is unfamiliar to her. She struggles with loneliness, with a fierce longing for the culture and familiarity of home, until one day, her aunt takes her on a walk. As the duo strolls through their city park, the girl's aunt begins to tell her an old myth, and a story within the story begins.A long time ago, a group of refugees arrived on a foreign shore. The local king met them, determined to refuse their request for refuge. But there was a language barrier, so the king filled a glass with milk and pointed to it as a way of saying that the land was full and couldn't accommodate the strangers. Then, the leader of the refugees dissolved sugar in the glass of milk. His message was clear: Like sugar in milk, our presence in your country will sweeten your lives. The king embraced the refugee, welcoming him and his people.

    That means "no extras," so Emma must be content to make her own stories and books. Emma has a plan, though – she's going to save all the money she earns picking apples and put it in Mama's hard-times jar. Then there will surely be enough for extras. But when Mama tells Emma that this year she has to go to school instead of to work, it spoils everything. Now she will never own a store-bought book! But school turns out to have a wonderful surprise in store for Emma.Based on Ethel Footman Smothers's childhood, the story is brought to life with lush acrylic paintings, giving us a touching portrait of a book-hungry child.

    In early scenes, Luli describes life in his seaside home, where he revels in the company of three cats—the Lucys of the title. Following a trip to Beirut to visit Luli’s aunt and uncle, the family is driving home when a “red streak shoots across the horizon and a loud boom fills the air.” The bombs force Luli and his parents to return to Beirut, where they stay with their relatives for weeks, Luli’s thoughts often with the Lucys. Working in soft swathes of watercolor, Kahn confidently bridges the emotional transition from tender family meals under a setting sun to frightening moments hiding in gray basements. The disappearance of one of the Lucys and the evident destruction wrought by the bombing offer a somber, though not hopeless, entry point for discussions of loss and the consequences of war. Ages 8–9. (Publisher's Weekly)

    Inspired by the neighborhood where they grew up as cousins, this gorgeous picture book from an award-winning illustrator and critically acclaimed author is the perfect gift or keepsake for every generation.Welcome to Dream Street--the best street in the world! Jump rope with Azaria--can you Double Dutch one leg at a time? Dream big with Ede and Tari, who wish to create a picture book together one day. Say hello with Mr. Sidney, a retired mail carrier who greets everyone with the words, Don't wait to have a great day. Create one! On Dream Street, love between generations rules, everyone is special, and the warmth of the neighborhood shines.A magical story from the critically acclaimed author of Nana Akua Goes to School and a Caldecott Honor and Coretta Scott King Award winning illustrator. Illuminating this vivid cast of characters are vibrant, joyful illustrations that make this neighborhood--based on the Roxbury neighborhood in Boston where the author and illustrator grew up together as cousins--truly sing. This book is a perfect way for parents to share with their children the importance of community.

    Every morning, the rain forest calls to Zonia, and every morning she answers. She visits the sloth family, greets the giant anteater, and runs with the speedy jaguar. But one morning, the rain forest calls to her in a troubled voice. How will Zonia answer?Acclaimed author-illustrator Juana Martinez-Neal explores the wonders of the rain forest with Zonia, an Asháninka girl, in her joyful outdoor adventures. The engaging text emphasizes Zonia’s empowering bond with her home, while the illustrations—created on paper made from banana bark—burst with luxuriant greens and delicate details. Illuminating back matter includes a translation of the story in Asháninka, information on the Asháninka community, as well as resources on the Amazon rain forest and its wildlife.

    So they decide that Hetty is old enough to go by herself. Although she practices walking smoothly up the hill so she won’t break the precious eggs, she can’t help running all the way down. Young readers will hold their breath as Hetty tries her very best to get those eggs home safely. “The story is remarkable for its evocative imagery, and the loving interchange between the characters sets a charming tone. The words are perfectly complemented by Lewis’s dazzling, impressionistic watercolors that show the joyous power of love and depict a warmly supportive world in which Hetty ventures forth toward independence. A fine book that speaks straight to the heart.”--Booklist

    This is the story of the men, women, and children who toiled in the hot sun picking cotton for their masters; it's about the America ripped in two by Jim Crow laws; it's about the brothers and sisters of all colors who rallied against those who would dare bar a child from an education. It's a story of discrimination and broken promises, determination, and triumphs.Told through the unique point of view and intimate voice of a one-hundred-year-old African-American female narrator, this inspiring book demonstrates that in gaining their freedom and equal rights, African Americans helped our country achieve its promise of liberty and justice—the true heart and soul of our nation.Supports the Common Core State Standards

    Could he pull it off? In a captivating collection of poems, Roxane Orgill steps into the frame of Harlem 1958, bringing to life the musicians’ mischief and quirks, their memorable style, and the vivacious atmosphere of a Harlem block full of kids on a hot summer’s day. Francis Vallejo’s vibrant, detailed, and wonderfully expressive paintings do loving justice to the larger-than-life quality of jazz musicians of the era. Includes bios of several of the fifty-seven musicians, an author’s note, sources, a bibliography, and a foldout of Art Kane’s famous photograph.

    Louis to the grandest stages in the world. Meticulously researched by both author and artist, Josephine's powerful story of struggle and triumph is an inspiration and a spectacle, just like the legend herself.

    He named the bear Winnie, after his hometown of Winnipeg, and he took the bear to war. Harry Colebourn's real-life great-granddaughter Lindsay Mattick recounts their incredible journey, from a northern Canadian town to a convoy across the ocean to an army base in England . . . and finally to the London Zoo, where Winnie made a new friend: a boy named Christopher Robin. Gentle yet haunting illustrations by acclaimed illustrator Sophie Blackall bring the wartime era to life, and are complemented by photographs and ephemera from the Colebourn family archives. Here is the remarkable true story of the bear who inspired Winnie-the-Pooh.

    An inspirational and heartwarming tale of a mother and child, and the dreams they build together.When Ebere's mother puts her to bed at night, she always says, "Remember to dream, Ebere." And dream, Ebere does! Encouraged by her mother to make her dreams as big as possible, Ebere imagines herself as the captain of a rocket ship with the ability to go anywhere in the universe.A message of hope and possibility, award-winning star of stage and screen Cynthia Erivo's debut picture book is an ode to a child's imagination, a parent's love, and the big dreams shared by both.

    But in 1993, the Democratic Republic of Congo, where Michel and his family live, is a country in tumult. One afternoon Michel and his friends are kidnapped by rebel militants and forced to become child soldiers.

    Everyone in the neighborhood dreams of a taste of Omu's delicious stew! One by one, they follow their noses toward the scrumptious scent. And one by one, Omu offers a portion of her meal. Soon the pot is empty. Has she been so generous that she has nothing left for herself? Debut author-illustrator Oge Mora brings a heartwarming story of sharing and community to life in colorful cut-paper designs as luscious as Omu's stew, with an extra serving of love. An author's note explains that "Omu" (pronounced AH-moo) means "queen" in the Igbo language of her parents, but growing up, she used it to mean "Grandma."