A tryst of bondage.  A lover's murder.  Investigator Jon Frederick returns in a search to uncover the identity of a killer creeping through communities along I-94 in Minnesota, targeting couples who store their fetish photos online.  The killer taunts Jon with hidden messages embedded  in local media that lead him to Sonia, a young woman with a terrible secret.  A fast-paced thriller based on the profile of a true-life serial murderer, The I-94 Murders  guides the reader with an insider's light along the dark road of a killer.

    The girls live in a terrible situation: they depend on an unstable mother that has never recovered from her husband's murder, their stepfather beats them regularly, and they must forage on their own for food. Stop here and you have a story told many times before, as fiction and nonfiction in tales like Ellen Foster, or I Know Why the Caged Bird Sings --stories in which a young girl reveals the horrors of her childhood. Me & Emma differentiates itself with a spectacular finish, shocking the reader and turning the entire story on its head. Through several twists and turns the reader learns that things are not quite the way our narrator led us to believe and everything crescendos in a way that (like all good thrillers) immediately makes you want to go back and read the whole book again from the start.

    Now, with her sparkling new novel of parenthood and sibling rivalry, Close turns her gimlet eye to the only thing messier than friendship: family. Weezy Coffey’s parents had always told her she was the smart one, while her sister was the pretty one. “Maureen will marry well,” their mother said, but instead it was Weezy who married well, to a kind man and good father. Weezy often wonders if she did this on purpose—thwarting expectations just to prove her parents wrong. But now that Weezy’s own children are adults, they haven’t exactly been meeting her expectations either. Her oldest child, Martha, is thirty and living in her childhood bedroom after a spectacular career flameout. Martha now works at J.Crew, folding pants with whales embroidered on them and complaining bitterly about it. Weezy’s middle child, Claire, has broken up with her fiancé, canceled her wedding, and locked herself in her New York apartment—leaving Weezy to deal with the caterer and florist. And her youngest, Max, is dating a college classmate named Cleo, a girl so beautiful and confident she wears her swimsuit to family dinner, leaving other members of the Coffey household blushing and stammering into their plates. As the Coffey children’s various missteps drive them back to their childhood home, Weezy suddenly finds her empty nest crowded and her children in full-scale regression. Martha is moping like a teenager, Claire is stumbling home drunk in the wee hours, and Max and Cleo are skulking around the basement, guarding a secret of their own. With radiant style and a generous spirit, The Smart One is a story about the ways in which we never really grow up, and the place where we return when things go drastically awry: home.

    Jim, a sleek, successful corporate lawyer, has belittled his bighearted brother their whole lives, and Bob, a Legal Aid attorney who idolizes Jim, has always taken it in stride. But their long-standing dynamic is upended when their sister, Susan—the Burgess sibling who stayed behind—urgently calls them home. Her lonely teenage son, Zach, has gotten himself into a world of trouble, and Susan desperately needs their help. And so the Burgess brothers return to the landscape of their childhood, where the long-buried tensions that have shaped and shadowed their relationship begin to surface in unexpected ways that will change them forever. With a rare combination of brilliant storytelling, exquisite prose, and remarkable insight into character, Elizabeth Strout has brought to life two deeply human protagonists whose struggles and triumphs will resonate with readers long after they turn the final page. Tender, tough-minded, loving, and deeply illuminating about the ties that bind us to family and home, The Burgess Boys is Elizabeth Strout's newest and perhaps most astonishing work of literary art.

    In all that time, Taisy’s family has seen Wilson, Caroline, and their daughter Willow only once. Why then, is Wilson calling Taisy now, inviting her for an extended visit, encouraging her to meet her pretty sister — a teenager who views her with jealousy, mistrust, and grudging admiration? Why, now, does Wilson want Taisy to help him write his memoir?Told in alternating voices — Taisy’s strong, unsparing observations and Willow’s naive, heartbreakingly earnest yearnings — The Precious One is an unforgettable novel of family secrets, lost love, and dangerous obsession, a captivating tale with the deep characterization, piercing emotional resonance, and heartfelt insight that are the hallmarks of Marisa de los Santos’s beloved works.

    Now Cameron is a twenty-nine-year-old research assistant with no meaningful ties to anyone except her aging boss, noted historian Oliver Doucet.Nearly a decade after the incident that ended their friendship, Cameron receives an unexpected letter from her old friend. Despite Oliver’s urging, she doesn’t reply. But when he passes away, Cameron discovers that he has left her with one final task: to track down Sonia and hand-deliver a mysterious package to her. The Myth of You and Me captures the intensity of a friendship as well as the real sense of loss that lingers after the end of one. Searingly honest and beautiful, it is a celebration and portrait of a friendship that will appeal to anyone who still feels the absence of that first true friend.A People Magazine “10 Great Reads,” 2005A BookSense Pick

    After twenty-seven years of marriage and three children, Annie has fallen in love with Viveca, the wealthy, cultured, confident Manhattan art dealer who orchestrated her professional success.Annie and Viveca plan to wed in the Oh family's hometown of Three Rivers, Connecticut, where gay marriage has recently been legalized. But the impending wedding provokes some very mixed reactions and opens a Pandora's box of toxic secrets—dark and painful truths that have festered below the surface of the Ohs' lives.We Are Water is an intricate and layered portrait of marriage, family, and the inexorable need for understanding and connection, told in the alternating voices of the Ohs—nonconformist Annie; her ex-husband, Orion, a psychologist; Ariane, the do-gooder daughter, and her twin, Andrew, the rebellious only son; and free-spirited Marissa, the youngest Oh. Set in New England and New York during the first years of the Obama presidency, it is also a portrait of modern America, exploring issues of class, changing social mores, the legacy of racial violence, and the nature of creativity and art.With humor and breathtaking compassion, Wally Lamb brilliantly captures the essence of human experience in vivid and unforgettable characters struggling to find hope and redemption in the aftermath of trauma and loss. We Are Water is vintage Wally Lamb—a compulsively readable, generous, and uplifting masterpiece that digs deep into the complexities of the human heart to explore the ways in which we search for love and meaning in our lives.

    But on the day before their daughter’s thirtieth birthday, John barges back into Carol’s life with a request that threatens the fragile stability she has built.John Bowman is sick. Very sick. While he still can, he has some amends to make and some promises to fulfill. But to do that, he not only needs his ex-wife’s agreement…he needs her.With the past hovering between them like a ghost, Carol and John embark on a decades-overdue road trip. Together they plunge back into a life without water…but which may ultimately set them free.

    And if the inn can comfort her, surely it can offer the same refuge to her first two guests.Joshua Weaver has come home to care for his ailing stepfather. The two have never seen eye to eye, but a long-lost acquaintance proves to him that forgiveness is not out of reach and love can bloom in the unlikeliest places. Abby Kinkaid left Cedar Cove twenty years ago after a devastating accident. But as she reconnects with family and old friends, she realizes that she needs to let the past go if she is to embrace her future.

    The secret number of grapes it takes to make a bottle of wine: eight hundred. The secret ingredient in her mother’s lasagna: chocolate. The secret behind ending a fight: hold hands.But just a week before her wedding, thirty-year-old Georgia discovers her beloved fiancé has been keeping a secret so explosive, it will change their lives forever.Georgia does what she’s always done: she returns to the family vineyard, expecting the comfort of her long-married parents, and her brothers, and everything familiar. But it turns out her fiancé is not the only one who’s been keeping secrets…

    But while Henry is an adventurer, Margaret is not. Their new home is rougher and more rustic than they expected—and a single night of tragedy shatters the family when the native Maori stage an uprising, kidnapping Margaret and her children. For months, Henry scours the surrounding wilderness, until all hope is lost and his wife and children are presumed dead. Grief-stricken, he books passage to California. There he marries Nancy Foreland, a young widow with a new baby, and it seems they’ve both found happiness in the midst of their mourning—until Henry’s first wife and children show up, alive and having finally escaped captivity. Narrated primarily by the two wives, and based on a real-life legal case, The Wives of Henry Oades is the riveting story of what happens when Henry, Margaret, and Nancy face persecution for bigamy. Exploring the intricacies of marriage, the construction of family, the changing world of the late 1800s, and the strength of two remarkable women, Johanna Moran turns this unusual family’s story into an unforgettable page-turning drama.

     The Bradleys see the world as a place where miracles are possible, and where nothing is more important than family. This is their story.   It is the story of Ian Bradley—husband, father, math teacher, and Mormon bishop—and his unshakeable belief that everything will turn out all right if he can only endure to the end, like the pioneers did. It is the story of his wife, Claire, her lonely wait for a sign from God, and her desperate need for life to pause while she comes to terms with tragedy.   And it is the story of their children: sixteen-year-old Zippy, experiencing the throes of first love; cynical fourteen-year-old Al, who would rather play soccer than read the Book of Mormon; and seven-year-old Jacob, whose faith is bigger than a mustard seed—probably bigger than a toffee candy, he thinks—and which he’s planning to use to mend his broken family with a miracle.   Intensely moving, unexpectedly funny, and deeply observed, A Song for Issy Bradley explores the outer reaches of doubt and faith, and of a family trying to figure out how to carry on when the innermost workings of their world have broken apart.

    Never more timely, Millennium People “seeks to illuminate our hearts of darkness while undermining our assumptions about what literature is meant to do” (Los Angeles Times).

    As her daughter Norah retraces her mother’s celebrated career and bohemian life, she delves into long-kept secrets, both her mother’s and her own.Katherine began her career on Ireland’s bus-and-truck circuit before making it to London’s West End, Broadway, and finally Hollywood. Every moment of her life is a star turn, with young Norah standing in the wings. But the mother-daughter romance cannot survive Katherine’s past or the world’s damage. With age, alcohol, and dimming stardom, her grip on reality grows fitful and, fueled by a proud and long-simmering rage, she commits a bizarre crime.Her mother’s protector, Norah understands the destructive love that binds an actress to her audience, but also the strength that an actress takes from her art. Once the victim of a haunting crime herself, Norah eventually becomes a writer, wife, and mother, finding her way to her own hard-won joy. Actress is a book about the freedom we find in our work and in the love we make and keep.

    Everyone does. Perhaps you’ve read a profile of them in People or have seen their pictures in the society pages of Vogue. Perhaps while walking along that choice block on Fifth Avenue, you’ve been tempted to enter the ornate limestone building with their family name etched into the pediment above the door.The only thing more flawless than a Saybrook’s diamond solitaire is the family behind the jewelry empire. Beauties, entrepreneurs, debutantes, and style mavens, they are the epitome of New York City’s high society. But being a Saybrook comes at a price—they are heirs not only to a dizzying fortune but also to a decades-old family curse.Tragedy strikes the prominent family yet again when thirty-four-year-old Poppy, the most exquisite Saybrook of them all, flings herself from the window of her TriBeCa office. Everyone is shocked that a woman who had it all would end her own life. Then her cousins receive an ominous threat: one heiress down, four to go.Was it suicide... or murder? In the aftermath of the tragedy, the remaining heiresses—Corinne, the perfectionist; Rowan, the workaholic; Aster, the hedonist; and Natasha, the enigma—wrestle with feelings of sadness, guilt, and, most of all, fear. Now they must uncover the truth about their family before they lose the only thing money can’t buy: their lives.The Heiresses is a whip-smart mystery that simmers with the wicked sense of humor and intrigue that made Sara Shepard’s number one New York Times bestselling Pretty Little Liars series a must-read, must-watch phenomenon.