It is a dive deep into the circles of emotion, empathy, acceptance, healing and insights into a different perspective towards life. In the voice of a budding adolescent, the book cascades into day-to day-shortcomings, carved into poetry and at the same time, embraces you in silence and stillness of thought. The book is an attempt to connect with the reader, to reflect upon them, unbiased and together and embrace a new beginning. With simplified use of grammar and vocabulary, this book seeks nothing but the companionship of all. With this debut book, the author aims to connect to one and to all in the message and purpose of existence, the aid of spirituality and an ode to a beautiful journey called life.

    . . .Pete Riley answers the door one morning and lets in a parent's worst nightmare. On his doorstep is Miles Lambert, a stranger who breaks the devastating news that Pete's son, Theo, isn't actually his son--he is the Lamberts', switched at birth by an understaffed hospital while their real son was sent home with Miles and his wife, Lucy. For Pete, his partner Maddie, and the little boy they've been raising for the past two years, life will never be the same again.The two families, reeling from the shock, take comfort in shared good intentions, eagerly entwining their very different lives in the hope of becoming one unconventional modern family. But a plan to sue the hospital triggers an official investigation that unearths some disturbing questions about the night their children were switched. How much can they trust the other parents--or even each other? What secrets are hidden behind the Lamberts' glossy front door? Stretched to the breaking point, Pete and Maddie discover they will each stop at nothing to keep their family safe.They are done playing nice.

    May they find every word they were looking for.***I know you don’t want to talk sometimes. Sometimes because it hurts and sometimes because you’re just not supposed to talk about what you want to talk about. Sometimes it can be hard to say, “this is beautiful,” when no one else can see what you see. Or, “Here, this is where the pain is.” But some part of you knows, the truth about the words you cannot say is that they only hurt until you say them. They only hurt until the person who needs to hear them, hears them.  Because we are human, and the closest we’ve ever come to showing each other who we really are, and how we love, is with words.So I’m going to try to say to you here, what I wish you’d say to me too. Please.Listen. We can change things. Here.

    How are we to learn to grieve when it feels unrelenting? How are we to adore and memorialize small moments of appreciation? How are we to shape our grief into something worth celebrating, and begin to understand the grief we give?

    In a series of online posts, Parker H., a young psychiatrist, chronicles the harrowing account of his time working at a dreary mental hospital in New England. Through this internet message board, Parker hopes to communicate with the world his effort to cure one bewildering patient. We learn, as Parker did on his first day at the hospital, of the facility’s most difficult, profoundly dangerous case—a forty-year-old man who was originally admitted to the hospital at age six. This patient has no known diagnosis. His symptoms seem to evolve over time. Every person who has attempted to treat him has been driven to madness or suicide. Desperate and fearful, the hospital’s directors keep him strictly confined and allow minimal contact with staff for their own safety, convinced that releasing him would unleash catastrophe on the outside world. Parker, brilliant and overconfident, takes it upon himself to discover what ails this mystery patient and finally cure him. But from his first encounter with the mystery patient, things spiral out of control, and, facing a possibility beyond his wildest imaginings, Parker is forced to question everything he thought he knew. Fans of Sarah Pinborough’s Behind Her Eyes and Paul Tremblay’s The Cabin at the End of the World will be riveted by Jasper DeWitt’s astonishing debut.

    At first just a little, and then a lot. So I'm writing to remember.Sammie was always a girl with a plan: graduate at the top of her class and get out of her small town as soon as humanly possible. Nothing will stand in her way--not even a rare genetic disorder the doctors say will slowly start to steal her memories and then her health. What she needs is a new plan.So the Memory Book is born: Sammie's notes to her future self, a document of moments great and small. It's where she'll record every perfect detail of her first date with longtime crush, Stuart--a brilliant young writer who is home for the summer. And where she'll admit how much she's missed her childhood best friend, Cooper, and even take some of the blame for the fight that ended their friendship.Through a mix of heartfelt journal entries, mementos, and guest posts from friends and family, readers will fall in love with Sammie, a brave and remarkable girl who learns to live and love life fully, even though it's not the life she planned.

    That's how Rowan Areno sees her life now. Before: she was a normal sixteen-year-old--a little too sheltered by her police officer father and her mother. After: everything she once believed has been destroyed in the wake of a shattering tragedy, and every day is there to be survived.If she had known, on that Friday in March when she cut school, that a random stranger's shocking crime would have traumatic consequences, she never would have left campus. If the crime video never went viral, maybe she could have saved her mother, grandmother--and herself--from the endless replay of heartache and grief.Finding a soul mate in Eli, a witness to the crime who is haunted by losses of his own, Rowan begins to see there is no simple, straightforward path to healing wounded hearts. Can she learn to trust, hope, and believe in happiness again?

    Then Emilie’s mom enrolls her in public school, and Emilie goes from studying at home in her pj’s to halls full of strangers. To make matters worse, Emilie is paired with starting point guard Chatham York for a major research project on Emily Dickinson. She should be ecstatic when Chatham shows interest, but she has a problem. She hasn’t told anyone about her epilepsy. Emilie lives in fear her recently adjusted meds will fail and she’ll seize at school. Eventually, the worst happens, and she must decide whether to withdraw to safety or follow a dead poet’s advice and “dwell in possibility.”

    But sometimes Mama gets confused. Six-year-old Aoife knows better than to talk to people no one else can see, like her best friend Teddy who her mother says is invisible. He's not, but Mama says it's rude anyways. So when Mama starts talking to Aoife's older brother Theo, Aoife is surprised. And when she stops the car in the middle of an intersection, crying and screaming, Aoife gets a bad feeling--because even if they don't talk about it, everyone knows Theo died a long time ago. He was murdered. Eventually, Aoife is taken home by her Uncle Donny who says he'll stay with her until Mama comes home from the hospital, but Aoife doesn't buy it. The only way to bring Mama home is to find out what really happened to Theo. Even with Teddy by her side, there's a lot about the grown-up world that Aoife doesn't understand, but if Aoife doesn't help her family, who will?Between Aoife's vivid imagination and her steadfast goal, All That's Bright and Gone illuminates the unshakable bond between mothers and daughters in an increasingly unstable world.

    For neurotic, depressed Sam, new to Los Angeles after his life in New York imploded, the possibility of total transformation is utterly tantalizing. He’s desperate for something to believe in, and the shaman—who promises ancient rituals, plant medicine and encounters with the divine—seems convincing, enough for Sam to sign up for a weekend under his care. But are the great spirits the shaman says he’s summoning real at all? Or are the ghosts in Sam’s memory more powerful than any magic?At turns tender and acid, funny and wise, Broken People is a journey into the nature of truth and fiction—a story of discovering hope amid cynicism, intimacy within chaos and peace in our own skin.

    Take Esther’s father, for instance: He’s an agoraphobe who hasn’t left the basement in six years. Then there’s her twin brother, Eugene, whose fear of the dark goes far beyond the things that go bump in the night. And her mother, Rosemary, is absolutely terrified of bad luck.As for Esther, she’s managed to escape the curse…so far. She doesn’t yet have a great fear because she avoids pretty much everything. Elevators, small spaces, crowds—anything that might trigger a phobia is off-limits and is meticulously recorded in her semi-definitive list of worst nightmares. Esther thinks she has it all figured out, until she’s reunited with an old elementary school classmate—and first crush—Jonah Smallwood. The encounter leaves her stranded at a bus stop and swindled out of her phone, all her cash, a Fruit Roll-Up she’d been saving, and her list—not to mention her dignity. But the theft is also the beginning of an unexpected friendship between the two, one that sends the pair on a journey of self-discovery as they try to break the curse that’s consumed Esther’s family. Together they face their greatest fears, one debilitating phobia at a time, only to discover the one fear they hadn’t counted on: love.

    In less than a year, he became one of the most recognizable figures on the platform he writes: Instagram (@farawaypoetry). In this book of selected poems and writings, Faraway takes the reader on a journey of discovery, with a message of hope running as the main artery through the pages. It fearlessly dives into the depths of the human condition, tackling topics such as new and old love, heartbreak, loss, anxiety, self-love, dreaming, and much more.

    As the gap between rich and poor widens and famine threatens the land, sparking unrest, rumors of a prophecy begin to spread: a great hope, a True Queen who will rise up and save the kingdom.But rumors will not help Lazarus, a man raised to kill in the brutal clandestine underworld of the Creche, nor Aislinn, a farm girl who must reckon with her own role in the growing rebellion. In the Keep, the crown princess, Elyssa, finds herself torn between duty to the throne and the lure of the Blue Horizon, a group of fierce idealists who promise radical change . . . but Elyssa must choose quickly, before a nefarious witch and her shadowy master use dark magic to decide for her. It is only a matter of time before all three will be called into the service of something bigger than they have ever imagined: a fight for a better world.

    The friction inside herself as she tries to navigate two worlds since their divorce.But life has not always been like this.When Rosie and Rex first met, theirs was an attraction of opposites. Rosie lived life for those heightened moments when love reveals its true secrets. Rex lived life safely, by the rules. Common sense would say theirs was a union not meant to last, but it was genuine love.Now Willow just wants to be with Rosie, to bask in her mother’s outsize glow and, she thinks, protection. Because Rosie is the only person who can make Willow feel totally alive and completely loved.But as Willow and Rosie and Rex try harder and harder to stay connected as a family, Rosie’s manic tornado of love continues to sweep up everyone in sight, ultimately to heartbreaking results.

    New Year's Eve. A tragic accident after the party of the year. Cara survives. Her best friend, G, doesn't.Nine months later, Cara is still struggling, consumed by guilt and grief. In the hopes of giving Cara a fresh start, her mother sends her to boarding school in Switzerland, a place where no one knows what happened--and where they never will, if Cara can help it.But her new classmates Ren and Hector won't let her close herself off. They are determined to break down the walls she has so carefully built up. And maybe Cara wants them to . . . especially Hector, who seems to understand her like no one else does.The problem is that the closer Cara gets to Hector, the more G slips away. If moving on means letting go of the past--and admitting what she did that night--Cara's not sure she can.She's not sure she deserves a second chance.