Declared an apprentice and sent to the town of Lull in disgrace, she may never become a real witch -- much to the glee of her archrival, Gimma.But remote Lull is not as boring as it seems. Strange things are sighted in the woods, a dangerous infestation of hex creeps throughout the town, and a mysterious magical visitor arrives with his eye on her. With every spirit banished, creature helped, and spell cast, Arianwyn starts to get the hang of being a witch -- even if she's only an apprentice. But the worst still lies ahead. For a sinister darkness has begun to haunt her spells, and there may be much more at stake than just her pride... for Arianwyn and the entire land.

    For the house is positively overflowing with sparkling magic—she can feel it. And it’s not long before Rose realises that maybe, just maybe, she has a little bit of magic in her, too. . . .The first book in an exciting, get-lost-in-the-world series about orphans, alchemy, magical powers and sinister child-catchers.

    Alexa is curious about what lies beyond the massive ramparts that surround the city and the walled roads that link Bridewell to nearby towns; soon after town leader Thomas Warvold passes away, Alexa finds herself outside the walls, acquires a stone with remarkable powers, and discovers that she's meant to stop a potential war from occurring.[Author notes in a video blog at http://www.patrickcarman.com/wp-conte..., about the series reading order that the books in the original trilogy (The Dark Divide #1, Beyond The Valley of Thorns #2 and The Tenth City #3) should be read in that order and that Stargazer #4 read after the original trilogy. Otherwise is up to reader preference. Into The Mist, is a chronological prequel to the trilogy, but the story is told by characters on the boat where The Tenth City left off; it can be read before or after the original trilogy.]

    If she doesn't, she'll lose her magic forever. For most young witches and wizards, it's a simple enough test:ONE: Help your town, do good all around.TWO: Live there for one moon, don't leave too soon.THREE: Fly home by broomstick, the easiest of tricks.The only problem? Eva only has a pinch of magic. She summons heads of cabbage instead of flowers and gets a sunburn instead of calling down rain. And to add insult to injury, whenever she overuses her magic, she falls asleep.When she lands on the tranquil coastal town of Auteri, the residents expect a powerful witch, not a semi-magical girl. So Eva comes up with a plan: set up a magical repair shop to aid Auteri and prove she's worthy. She may have more blood than magic, but her "semi-magical fixes" repair the lives of the townspeople in ways they never could have imagined. Only, Eva's bit of magic may not be enough when the biggest magical storm in history threatens the town she's grown to love. Eva must conjure up all of the magic, bravery, and cleverness she can muster or Auteri and her dreams of becoming a witch will wash away with the storm.

    The sanctuary survives today as one of the last strongholds of true magic. Enchanting? Absolutely. Exciting? You bet. Safe? Well, actually, quite the opposite.Kendra and her brother, Seth, have no idea that their grandfather is the current caretaker of Fablehaven. Inside the gated woods, ancient laws keep relative order among greedy trolls, mischievous satyrs, plotting witches, spiteful imps, and jealous fairies. However, when the rules get broken -- Seth is a bit too curious and reckless for his own good -- powerful forces of evil are unleashed, and Kendra and her brother face the greatest challenge of their lives. To save their family, Fablehaven, and perhaps even the world, Kendra and Seth must find the courage to do what they fear most.

    But everything changed when Dr. Walker lost his job in the wake of a mysterious incident. Now in dire straits, the family must relocate to an old Victorian house that used to be the home of occult novelist Denver Kristoff—a house that feels simultaneously creepy and too good to be true.By the time the Walkers realize that one of their neighbors has sinister plans for them, they're banished to a primeval forest way off the grid. Their parents? Gone. Their friends? A world away. And they aren't alone. Bloodthirsty medieval warriors patrol the woods around them, supernatural pirates roam the neighboring seas, and a power-hungry queen rules the land. To survive, the siblings will have to be braver than they ever thought possible—and fight against their darkest impulses. The key may lie in their own connection to the secret Kristoff legacy. But as they unravel that legacy, they'll discover it's not just their family that's in danger . . . it's the entire world.

    At first, things seem marvelous. The food is better than at home, and the toy box is filled with fluttering wind-up angels and dinosaur skulls that crawl and rattle their teeth.But there's another mother there and another father, and they want her to stay and be their little girl. They want to change her and never let her go. Coraline will have to fight with all her wit and all the tools she can find if she is to save herself and return to her ordinary life.This beloved tale has now become a visual feast. Acclaimed artist P. Craig Russell brings Neil Gaiman's enchanting nationally bestselling children's book Coraline to new life in this gorgeously illustrated graphic novel adaptation

    McMartin is definitely dead. Now her crumbling Victorian mansion lies vacant. When eleven-year-old Olive and her dippy mathematician parents move in, she knows there's something odd about the place--not least the walls covered in strange antique paintings. But when Olive finds a pair of old spectacles in a dusty drawer, she discovers the most peculiar thing yet: She can travel inside these paintings to a world that's strangely quiet . . . and eerily like her own. Yet Elsewhere harbors dark secrets--and Morton, an undersized boy with an outsize temper. As she and Morton form an uneasy alliance, Olive finds herself ensnared in a plan darker and more dangerous than she could have imagined, confronting a power that wants to be rid of her by any means necessary. It's up to Olive to save the house from the dark shadows, before the lights go out for good.

    Finally, Grandpa Ephraim offers proof. The Circus is real. And the Lightbender owes Ephraim a miracle. With his friend Jenny Mendoza in tow, Micah sets out to find the Circus and the man he believes will save his grandfather.The only problem is, the Lightbender doesn't want to keep his promise. And now it's up to Micah to get the miracle he came for.

    When this apocalypse happens, the gods must battle the monsters--wolves the size of the sun, serpents that span the seabeds, all bent on destroying the world.The gods died a long time ago.Matt Thorsen knows every Norse myth, saga, and god as if it was family history--because it is family history. Most people in the modern-day town of Blackwell, South Dakota, in fact, are direct descendants of either Thor or Loki, including Matt's classmates Fen and Laurie Brekke.However, knowing the legends and completely believing them are two different things. When the rune readers reveal that Ragnarok is coming and kids--led by Matt--will stand in for the gods in the final battle, he can hardly believe it. Matt, Laurie, and Fen's lives will never be the same as they race to put together an unstoppable team to prevent the end of the world.

    Four children set out to rescue a sorceress held captive in a parallel world.

    There's nothing good about staying with Nell, except for the beautiful Darkling Wood at the end of her garden - but Nell wants to have it cut down. Alice feels at home there, at peace, and even finds a friend, Flo. But Flo doesn't seem to go to the local school and no one in town has heard of a girl with that name. When Flo shows Alice the surprising secrets of Darkling Wood, Alice starts to wonder, what is real? And can she find out in time to save the wood from destruction?

    No one likes Nick. He's big, he's weird and he smells – or so everyone in Frank's class thinks.And yet, there's something nice about Nick's house. There's strange music playing there, and it feels light and good and makes Frank feel happy for the first time in forever.But there's more to Nick, and to his house, than meets the eye, and soon Frank realises she isn't the only one keeping secrets. Or the only one who needs help …

    It feels at once firmly steeped in the classics of children's literature and completely fresh. The story is told from multiple points of view, and the book features more than eighty illustrations, including six full-color plates, making this an absolutely gorgeous object.In Wildwood, Prue and her friend Curtis uncover a secret world in the midst of violent upheaval—a world full of warring creatures, peaceable mystics, and powerful figures with the darkest intentions. And what begins as a rescue mission becomes something much greater as the two friends find themselves entwined in a struggle for the very freedom of this wilderness. A wilderness the locals call Wildwood.The bestselling trilogy from Colin Meloy and Carson Ellis consists of Wildwood, Under Wildwood, and Wildwood Imperium.

    Trolls, werewolves, and butter-churn riding witches lurk amid the clawing branches, eager to swoop up the unwary. Jinx has always feared leaving the path—then he meets the wizard Simon Magus. Jinx knows that wizards are evil. But Simon’s kitchen is cozy, and he seems cranky rather than wicked. Staying with him appears to be Jinx’s safest, and perhaps only, option. As Jinx’s curiosity about magic grows, he learns to listen to the trees as closely as he does to Simon’s unusual visitors. The more Jinx discovers, the more determined he becomes to explore beyond the security of well-trod paths. But in the Urwald, a little healthy fear is never out of place, for magic—and magicians—can be as dangerous as the forest, and soon Jinx must decide which is the greater threat. Sage Blackwood introduces a daring new hero for an innovative new world as Jinx is joined by friends, battles enemies, and discovers life beyond—and even within—the forest is more complex than he can imagine, and that the Urwald itself needs him more than he could ever guess.