Eisenhower, 1961 The signing of the United Nations Charter in 1945 was an unprecedented development in the history of humankind. For the first time, the world’s most powerful sovereign nation states came together to create an autonomous organization designed to, in the Charter’s words, “save succeeding generations from the scourge of war [and] reaffirm faith in fundamental human rights.” Sixty years later, the UN still doggedly pursues that mandate, albeit not without difficulty and certainly not without criticism. In The Parliament of Man, the distinguished scholar Paul Kennedy gives a thorough and timely history of the United Nations that explains the institution’s roots and functions while also casting an objective eye on the UN’s effectiveness as a body and on its prospects for success in meeting the challenges that lie ahead. Building on expertise he gained in drafting official reports for the UN’s fiftieth anniversary on how to improve the organization’s performance, Kennedy makes sense of the many commissions and committees, and how its six main operating bodies–General Assembly, Security Council, Economic and Social Council (UNESCO), Trusteeship Council, Secretariat, and International Court–operate and interact. Citing examples from the UN’s history, he shows how the five permanent members of the Security Council–the United States, the United Kingdom, Russia, China, and France–on numerous occasions overcame political antagonisms to spearhead military supervision of aid in humanitarian crises, and how lack of cooperation among the great powers has hamstrung such initiatives as the control of greenhouse gas emissions and exacerbated the deleterious effects of globalization on developing nations’ economies. As a body, the UN emerges here for what it is: fallible, human-based, oftentimes dependent on the whims of powerful national governments or the foibles of individual senior UN administrators, but utterly indispensable. In The Parliament of Man, Kennedy ably proves that “it is difficult to imagine how much more riven and ruinous our world of six billion people would be if there had been no UN social, environmental, and cultural agendas–and no institutions to attempt to put them into practice on the ground.”

    Unfortunately, assuming the throne proves to be the easy part. Yamada must then help Takahito renounce that throne in such a way as to hobble the power of the Fujiwara clan forever!"

    The People vs. Barack Obama strips away the soft media picture of the Obama administration to reveal a regime motivated by pure, unbridled power and details how each scandal has led to dozens of instances of as-yet-unprosecuted counts of espionage, involuntary manslaughter, violation of internal revenue laws, bribery, and obstruction of justice. The story of the Obama administration is a story of abuse, corruption, and venality on the broadest scale ever to spring from the office of the presidency. President Obama may be the culmination of a century of government growth—but more important, he is the apotheosis of the imperial presidency. Obama chooses when to enforce immigration laws, delays his own Obamacare proposals when it is politically convenient to do so, micromanages the economy, attacks the Supreme Court, Congress, and the sovereign states. And he proclaims that he alone is the voice of the people while encroaching on their rights. In The People vs. Barack Obama, Ben Shapiro brings Obama into the people’s court and addresses each of his abuses of power.

    The fable has since been reprinted in The Thurber Carnival (Harper and Brothers, 1945), James Thurber: Writings and Drawings, The Oxford Book of Modern Fairy Tales, and other publications. It is taught in literature and rhetoric courses.

    But what it can do, when it’s as good as this, is to send us out enriched by other people’s passionate concern.” –Guardian (London)“An impassioned eulogy… It’s hard not to be impressed – and also somewhat frightened – by the description of her as a two-year-old looking across Capital Lake in Washington State and announcing, ‘This is the wide world, and I’m coming to it.’” –New York TimesOn March 16, 2003, Rachel Corrie, a twenty-three-year-old American, was crushed to death by an Israeli Army bulldozer in Gaza as she was trying to prevent the demolition of a Palestinian home. My Name is Rachel Corrie is a one-woman play composed from Rachel’s own journals, letters and emails – creating a portrait of a messy, articulate, Salvador Dali-loving chain-smoker (with a passion for the music of Pat Benatar), who left her home and school in Olympia, Washington, to work as an activist in the heart of Israeli-Palestinian conflict. Since its Royal Court premiere (London), the piece has been surrounded by both controversy and impassioned proponents, and has raised an unprecedented call to support political work and the difficult discourse it creates.ALAN RICKMAN is a British actor and director, who directed the London and New York productions of the play. KATHERINE VINER is an award-winning journalist and editor of the Guardian’s Weekend Magazine.

    Now, more than ever, it is imperative that we understand its structure and functions. In this highly readable book, a prominent news correspondent at the UN provides a colorful introduction to its activities and goals.UN correspondent Linda Fasulo draws on her own observations as well as on the insights of other individuals who have been active in the UN, including US ambassadors Richard Holbrooke, Madeleine Albright, and John Negroponte. She explains how the UN came into existence, what governing principles guide its operation, and what it is like to be a participant. She describes the organization, responsibilities, and often-tense politics of the Security Council. Surveying the many humanitarian, crime-fighting, and peacekeeping programs of the UN, Fasulo concludes that there are important reasons for Americans to give the United Nations their support.

    But "the West" is the more dangerous mirage of our own time, Ian Buruma and Avishai Margalit argue, and the idea of "the West" in the minds of its self-proclaimed enemies remains largely unexamined and woefully misunderstood. Occidentalism is their groundbreaking investigation of the demonizing fantasies and stereotypes about the Western world that fuel such hatred in the hearts of others.We generally understand "radical Islam" as a purely Islamic phenomenon, but Buruma and Margalit show that while the Islamic part of radical Islam certainly is, the radical part owes a primary debt of inheritance to the West. Whatever else they are, al Qaeda and its ilk are revolutionary anti-Western political movements, and Buruma and Margalit show us that the bogeyman of the West who stalks their thinking is the same one who has haunted the thoughts of many other revolutionary groups, going back to the early nineteenth century. In this genealogy of the components of the anti-Western worldview, the same oppositions appear again and again: the heroic revolutionary versus the timid, soft bourgeois; the rootless, deracinated cosmopolitan living in the Western city, cut off from the roots of a spiritually healthy society; the sterile Western mind, all reason and no soul; the machine society, controlled from the center by a cabal of insiders—often Jews—pulling the hidden levers of power versus an organically knit-together one, a society of "blood and soil." The anti-Western virus has found a ready host in the Islamic world for a number of legitimate reasons, they argue, but in no way does that make it an exclusively Islamic matter.A work of extraordinary range and erudition, Occidentalism will permanently enlarge our collective frame of vision

    Energy experts are all saying the same thing: solar photovoltaics (PV) is our future. Reports from universities, investment banks, international institutions and large investors agree. It's not about whether the switch from fossil fuels to solar power will happen, but when.Solar panels are being made that will last longer than ever hoped; investors are seeing the benefits of the long-term rewards provided by investing in solar; in the Middle East, a contractor can now offer solar-powered electricity far cheaper than that of a coal-fired power station. The Switch tracks the transition away from coal, oil and gas to a world in which the limitless energy of the sun provides much of the energy the 10 billion people of this planet will need. It examines both the solar future and how we will get there, and the ways in which we will provide stored power when the sun isn't shining. We learn about artificial photosynthesis from a start-up in the US that is making petrol from just CO2 and sunlight; ideas on energy storage are drawn from a company in Germany that makes batteries for homes; in the UK, a small company in Swindon has the story of wind turbines; and in Switzerland, a developer shows how we can use hydrogen to make 'renewable' natural gas for heating.Told through the stories of entrepreneurs, inventors and scientists from around the world, and using the latest research and studies, The Switch provides a positive solution to the climate change crisis, and looks to a brighter future ahead.

    In short, Their Royal Highnesses the Duke and Duchess of Cambridge - also known simply as 'William and Kate' - have done as much as anyone to bring the royal family into the twenty-first century, and to keep it firmly in the national consciousness.The birth of Prince George, their first child, on 22 July 2013, fuelled such a worldwide media and public frenzy that it became the most talked-about event of the year. The birth of a future heir, combined with the historic possibility of the first baby to be born not only to a Queen-in-waiting, but to the son of the much mourned Diana, Princess of Wales, accounted for much of the excitement, but that was stoked by a natural affection for the young couple.From the beginning, the world had watched with bated breath as the charming Prince William and his future bride overcame the struggles of university, rumours and a brief break-up before finally reconciling and becoming engaged. Their ceremonial wedding in 2011 - watched by an incredible estimated 2 billion people worldwide - was a defining moment, not only in their young lives, but also for the perception of the monarchy. The Duke and Duchess of Cambridge have come to embody the spirit and hope of their nation, and their deserved popularity has had a profound effect upon the future of the royal family.As well as a history of the young couple's romantic relationship, this in-depth book chronicles the next chapters in this modern fairy tale, backed by beautiful photographs, fascinating facts and expert analysis. Now completely revised and updated to cover the period from the birth of Prince George to the arrival of Princess Charlotte on May 2015, the book is both an intriguing insight into modern royalty, and an unrivalled souvenir.'INSIGHTFUL' - The Independent on Sunday'PACKED WITH EXCLUSIVE PHOTOGRAPHS AND FASCINATING ANECDOTES' - OK! Magazine'Reveals charming and intimate details about the Duke, the Duchess and their son, and provides an intriguing and comprehensive insight into what the future holds for the House of Windsor'- MajestyREVISED AND UPDATED EDITION WITH EXCLUSIVE PHOTOGRAPHS BY ARTHUR EDWARDS, MBE

    But after all the glamour of naval balls and white weddings, passing beneath the arches of naval swords had not led Kate down the pathway to marital bliss. Not even her cherished twins can compensate for her husband's coldness and mental cruelty and she yearns for the peace of her beloved West Country. Cass, on the other hand, revels in the freedom of movement her husband's long absences on the submarines provide - even with the arrival of the first of her four children, she is not to be denied the frenzied activity of the 1960s sexual revolution! But it is a dangerous game that Cass is playing, and as the decades roll by, Kate may not always be around to pick up the pieces...

    Born to a family of artists known for their literary interests, Fairouz, an English Literature student from Syria was well known for her work in Arabic poetry, theatre, short stories, performance and local journalism long before the Syrian war began. As the Arab Spring reaches her town, she realises her life is transforming into a blockbuster movie before her very eyes, and so decides to document it with an unflinching honesty and rawness. Frequently described as the Syrian Anne Frank by pan Arab media, Fairouz Abdalla’s diary Lipsticks and Bullets takes us on an exclusive trip into her politically-charged world, from the hipsters on the historic roads of Hama to the upper class circles in the bourgeoisie private clubs of Damascus. Inspired by revolts in Tunisia and emboldened by Libya’s dissidents, Fairouz and her activist friends dream of a revolution and a Syria free from the rule of the tyrannical Bashar al-Assad and his minions. But revolutions are not so easily achieved, as she soon discovers.The spirited young beauty, the daughter of a Christian and a Muslim only has eyes for a handsome bachelor from the esteemed and well-connected Atassi family. The pastel-eyed engineer and member of the Arab student movement who stole her heart is swiftly torn away from her, seemingly forever. Fairouz faces losing all that she loves – Syria is a dangerous place for an activist ­– and especially for a woman. Fairouz must fight not just for a Syrian revolution, but also for the lives of her loved ones, herself, and against the growing nightmare that are western Jihadists.As the Arab spring turns to winter, Syria’s citizens will learn that nothing—not war, not politics, not even religion—can tear them apart. Together, they remain defiant and insist on keeping humour and hope alive. From Syria to Sweden, Istanbul, and Damascus, Lipsticks and Bullets is an intimate tale of love and adventure, by a celebrated Arab author who is a powerful witness to the terror and horror wrought by Assad, Iran and Russia on the lives and souls of Syrians. It is a vivid exploration of Middle Eastern culture, Romance, Islamic extremism, class conflict, and social activism. Syria's story is her story.

    

    Weatherman was a fringe group most of whose ideas were rejected by the dominant culture. But unfortunately their views on race were not. In succeeding decades the idea of "white skin privilege" became the new default position for racial crusaders and race hustlers alike who believed that white skin privilege was alive and well in our society -- not because white Americans were actively racist, but because they enjoyed the invisible privileges and prerogatives that go along with their skin color. In this searing pamphlet on the racial realities of contemporary America, David Horowitz and John Perazzo show that in fact the most insidious bias in our culture today is black skin privilege. Black skin privilege means the press will fail to report an epidemic of race riots targeting whites for beatings, shooting and other violence in major American cities over the last several years. Black skin privilege means that whites -- as in the case of the Duke lacrosse players -- will be presumed guilty of racial crimes when they are clearly innocent and then never accorded an apology by those who have stigmatized them. Black skin privilege has created an optical illusion in the liberal culture that white on black attacks are commonplace events when in fact there are five times as many black attacks on whites as the reverse. (As Horowitz and Perazzo note, in 2010, blacks committed more than 25 times the number of acts of interracial violence than whites did.) Black skin privilege exists in the affirmative action programs of our system of higher education and in our culture, where a black racist like Al Sharpton could be regarded by the national media as a civil rights leader and then hired as a TV anchor by NBC. This pamphlet gives the statistics and hard numbers the mainstream media conceal. It also probes the double standards and double talk that has come to dominate the way America talks when it talks about race.

    Designed especially for those studying the topic for the first time, Beginning Postcolonialism introduces the major areas of concern in a clear, accessible, and organized fashion. It provides an overview of the emergence of postcolonialism as a discipline and closely examines many of its important critical writings.

    In this richly descriptive and haunting narrative, Caryl Phillips chronicles a journey through modern-day Europe, his quest guided by a moral compass rather than a map.  Seeking personal definition within the parameters of growing up black in Europe, he discovers that the natural loneliness and confusion inherent in long jorneys collides with the bigotry of the "European Tribe"-a global community of whites caught up in an unyielding, Eurocentric history.Phillips deftly illustrates the scenes and characters he encounters, from Casablanca and Costa del Sol to Venice, Amsterdam, Oslo, and Moscow.  He ultimately discovers that "Europe is blinded by her past, and does not understand the high price of her churches, art galleries, and history as the prison from which Europeans speak."In the afterword to the Vintage edition, Phillips revisits the Europe he knew as a young man and offers fresh observations.