Seeing Things (1991), as Edward Hirsch wrote in The New York Times Book Review, "is a book of thresholds and crossings, of losses balanced by marvels, of casting and gathering and the hushed, contrary air between water and sky, earth and heaven." Along with translations from the Aeneid and the Inferno, this book offers several poems about Heaney's late father.

    The Shepheardes Calender is represented by six eclogues, including the much-discussed "Februarie." Colin Clouts Come Home Againe, increasingly a focus of critical attention, is an important addition, and Amoretti is offered in its entirety.Seventeen critical essays, judiciously chosen from the many published since 1982, have been added to supplement eleven earlier commentaries. New to the Third Edition are the perspectives of Spenser's contemporary William Camden, Virginia Woolf, William Nelson, A. Bartlett Giamatti, Donald Cheney, Judith Anderson, Richard Helgerson, Louis Adrian Montrose, and David Lee Miller. The critical essays on the House of Busyrane, Spenser's pastoral, Muiopotmos, and Amoretti are grouped to "speak" to each other in ways sure to stimulate classroom discussion. This class-tested feature is back by popular demand along with essays by D. C. Allen, Robert A. Brinkley, Ronald P. Bond, Anne Lake Prescott, Andrew D. Weiner, Susanne Lindgren Wofford, Harry Berger, Jr., and Paul Alpers.A Chronology of Spenser's life and an extensive Bibliography are also included.

    These works speak across centuries, beginning with Chaucer's resourceful inventions and moving through Shakespeare's masterpieces, John Donne's complex originality, and Alexander Pope's mordant satires. The anthology also features perennial favorites such as William Blake, William Wordsworth, and John Keats; Emily Dickinson's prisms of profundity; the ironies of Wallace Stevens and T.S. Eliot; and the passion of Sylvia Plath and Allen Ginsberg. These 500 poems are verses that readers either know already or will want to know, encapsulating the visceral power of truly great literature. William Harmon provides illuminating commentary to each work and a rich introduction that ties the entire collection together.

    White’s masterful retelling of the Arthurian legend is an abiding classic. The Once and Future King, contains all five books about the early life of King Arthur: The Sword in the Stone The Witch in the Wood The Ill-Made Knight The Candle in the Wind The Book of Merlyn Exquisite comedy offsets the tradegy of Arthur’s personal doom as White brings to life the major British epic of all time with brilliance, grandeur, warmth and charm.

    Huxley's bold, nontraditional narrative tells the loosely autobiographical story of Anthony Beavis, a cynical libertine Oxford graduate who comes of age in the vacuum left by World War I. Unfulfilled by his life, loves, and adventures, Anthony is persuaded by a charismatic friend to become a Marxist and take up arms with Mexican revolutionaries. But when their disastrous embrace of violence nearly kills them, Anthony is left shattered—and is forced to find an alternative to the moral disillusionment of the modern world.

    Understandable perhaps from the point of view of the poet: readers on the other hand might wish to demur. The poems gathered here and chronologically ordered, thereby tracing the course of the war, are an extraordinary testimony to the almost unimaginable experiences of a combatant in that bitter conflict. Moving from the patriotic optimism of the first few poems (" ... fighting for our freedom, we are free") to the anguish and anger of the later work (where "hope, with furtive eyes and grappling fists / Flounders in mud ... "), there comes a point when the reality of trench-warfare and its aftershocks move beyond comprehension: Sassoon knows this, and it becomes a powerful element in his art. As a book, the images have a cumulative relentlessness that make it almost impossible to read more than a few poems in one sitting. Unlike the avant-garde experiments developing in Europe in the first decades of this century, Sassoon's verse is formally conservative--but this was perhaps necessary, for as one reads the poems, one feels that the form, the classically inflected tropes, the metre and rhyme, apart from ironising the rhetoric of glory and battle were necessary techniques for containing the emotion (and indeed, a tone of barely controlled irony may have been the only means by which these angry observations would have been considered publishable at the time). When Sassoon's line begins to fragment, as it does in several of the later poems, it is under the extreme pressure to express the inexpressible. Compassion and sympathy are omnipresent here, in their full etymological sense of suffering with or alongside others--something the higher echelons of command (those " ... old men who died / Slow, natural deaths--old men with ugly souls") were never able or willing to contemplate. But Sassoon intuited the future of warfare, could sense that this was not "the war to end all wars": the mock-religious invocation of the final poem prefigures the vicious euphemisms of more recent conflicts: "Grant us the power to prove, by poison gases, / The needlessness of shedding human blood." Sassoon's bile-black irony signals a deep-felt pessimism: it was with good reason. --Burhan Tufail

    Chesterton's endearing amateur sleuth has entertained countless generations of readers. For, as his admirers know, Father Brown's cherubic face and unworldly simplicity, his glasses and his huge umbrella, disguise a quite uncanny understanding of the criminal mind at work.This Penguin omnibus edition contains* The Innocence of Father Brown* The Wisdom of Father Brown* The Incredulity of Father Brown* The Secret of Father Brown* The Scandal of Father Brown

    E. Housman is being ferried across the river Styx, glad to be dead at last. The river that flows through Tom Stoppard's The Invention of Love connects Hades with the Oxford of Housman's youth: High Victorian morality is under siege from the Aesthetic movement, and an Irish student named Wilde is preparing to burst onto the London scene. On his journey the elder Housman confronts the younger version of himself and his memories of the man he loved his entire life, Moses Jackson -- the handsome athlete who could not return his feelings.

    But he was also the most radical writer in the English literary tradition of his day, a fiery political visionary committed to social change and progress. The generous selection in this volume represents the wide range of his writing, both poetry and prose. Arranged chronologically, the accompanying introductory essays set Shelley's works in their historical, social and political context.The Wordsworth Poetry Library comprises the works of the greatest English-speaking poets, as well as many lesser-known poets. Each collection has a specially commissioned introduction.

    The child, Jordan, is rescued by Dog Woman and grows up to travel the world like Gulliver, though he finds that the world’s most curious oddities come from his own mind. Winterson leads the reader from discussions on the nature of time to Jordan’s fascination with journeys concealed within other journeys, all with a dizzying speed that shoots the reader from epiphany to shimmering epiphany.

    This collection of nearly fifty pieces brings together the contents of two published volumes, A Haunted House and Mrs. Dalloway’s Party; a number of uncollected stories; and several previously unpublished pieces. Edited and with an Introduction by Susan Dick.

    The mythic legacy of the Scandinavians includes a cycle of stories filled with magnificent images from pre-Christian Europe. Gods, humans, and monstrous beasts engage in prodigious drinking bouts, contests of strength, greedy schemes for gold, and lusty encounters. The Norse pantheon includes Odin, the wisest and most fearsome of the gods; Thor, the thundering powerhouse; and the exquisite, magic-wielding Freyja. Their loves, wars, and adventures take us through worlds both mortal and divine, culminating in a blazing doomsday for gods and humans alike. These stories bear witness to the courage, passion, and boundless spirit that were hallmarks of the Norse world.“Kevin Crossley-Holland retells the Norse myths in clear, attractive prose . . . An excellent introduction, notes, and a glossary provide mythological and historical backgrounds and suggest parallels with myths in other parts of the world.”–The Denver Post

    Giant chickens, rats, and insects run amok, and children given the food stuffs experience incredible growth--and serious illnesses. Over the years, people who have eaten these specially treated foods find themselves unable to fit into a society where ignorance and hypocrisy rule. These "giants," with their extraordinary mental powers, find themselves shut away from an older, more traditional society. Intolerance and hatred increase as the line of distinction between ordinary people and giants is drawn across communities and families. One of H. G. Wells' lesser-known works, The Food of the Gods has been retold many times in many forms since it was first published in 1904. The gripping, newly relevant tale combines fast-paced entertainment with social commentary as it considers the ethics involved in genetic engineering.

    This book was then and remained, for all practical purposes, Thomas's "collected" poems and in that sense complete. However, with the 1971 publication of the 192 poems in The Poems of Dylan Thomas (also now available in a revised edition), Thomas's Collected Poems has naturally evolved to become Thomas's Selected Poems.Thomas wrote his last poem, "Prologue," especially to begin this collection, and addressed it to "my readers, the strangers." Two unfinished poems are included in this edition: "Elegy," prepared by Vernon Watkins, and "In Country Heaven," prepared by Daniel Jones—both Welsh poets were life-long friends of Dylan Thomas. Textual corrections discovered over the course of forty years have now been incorporated, and a complete index of titles and first lines, as well as a brief chronology of the author's life, have been added.As it has for half a century, this book includes the best of Dylan Thomas's poetry—"Light Breaks Where No Sun Shines," "The Force that Through the Green Fuse Drives the Flower," "And Death Shall Have No Dominion," "Poem in October," "Do Not Go Gentle into that Good Night," "The Hunchback in the Park," "In My Craft or Sullen Art," "In Country Sleep," and Thomas's poignant reflection on his youth, "Fern Hill."

    A decrepit old man with a masterpiece tattooed on his back. A voracious adventuress, a gentle cuckold, and a garden sculpture that becomes an instrument of sadistic vengeance. Social climbers who climb a bit too quickly. Philanderers whose deceptions are a trifle too ornate. Impeccable servants whose bland masks slip for one vertiginous instant.In these deliciously nasty stories an internationally acclaimed practitioner of the short narrative works his own brand of black magic: tantalizing, amusing, and sometimes terrifying readers into a new sense of what lurks beneath the ordinary. Included in Roald Dahl's Tales of the Unexpected are such notorious gems of the bizarre as "The Sound Machine," "Lamb to Slaughter," "Neck," and "The Landlady."Cover illustration by Seth JabenCover design by Heidi NorthContents:- Taste- Lamb to the Slaughter- Man from the South- My Lady Love, My Dove- Dip in the Pool- Galloping Foxley- Skin - Neck - Nunc Dimittis - The Landlady - William and Mary - The Way Up to Heaven- Parson's Pleasure- Mrs. Bixby and the Colonel's Coat- Royal Jelly- Edward the Conqueror- The Sound Machine- Georgy Porgy - The Hitchhiker- Poison - The Boy Who Talked with Animals- The Umbrella Man- Genesis and Catastrophe- The Butler