http://www.baenebooks.com/chapters/97...

    It was first published in the September 1946 issue of Astounding Science Fiction and reprinted in the collections I, Robot (1950), The Complete Robot (1982), and Robot Visions (1990).Many people choose to see Asimov's treatment of technophobia as an allegory to the antisemitism with which he was bitterly familiar; he wrote Evidence during Army service shortly after World War II.

    FoxMars Is Heaven! / Ray Bradbury; artwork by Herman VestalPreview of Peril / A. Bertram Chandler; artwork by Alden McWilliamsAgainst the Stone Beasts / James Blish; artwork by DonelBrooklyn Project / William Tenn; artwork by Herman VestalSynthetic Hero / Erik Fennel; artwork by Herman VestalValkyrie from the Void / Basil WellsCartoon: "Here we are the masters!" ; Cartoon: "Er---any trees on the moon?" / artwork by E. P.

    The administrator can’t in good conscience send another volunteer to look for them, so he transforms himself and his faithful dog into Lopers.

    

    Is it not so? Either to dream that what you seek is yours, or else to dream that what you hate is conquered. You drink to escape reality, and the irony is that even reality is a dream.'

    Helpless, doomed, into the graveyard of space floats the wrecked freighter Pallas.

    Humor and a somewhat postmodern outlook carried over into his novels as well. One of his stories, "Arena," is officially credited for an adaptation as an episode of the landmark television series, Star Trek. With no more room left on Earth, and with Mars hanging up there empty of life, somebody hit on the plan of starting a colony on the Red Planet. It meant changing the habits and physical structure of the immigrants, but that worked out fine. In fact, every possible factor was covered -- except one of the flaws of human nature. . . ."

    Terra has recently signed a treaty with the planet Petreac. But revolution threatens and the Terrans must save the Nenni cast or their mission will end in abject failure.

    A clever architect designs a house in the shape of the shadow of a tesseract, but it collapses (through the 4th dimension) when an earthquake shakes it into a more stable form (which takes up very little room in our 3-dimensional space.)

    In their exile on the ground they have to adapt to vastly different circumstances, fight monsters resembling dinosaurs, and finally happen upon the godly giants, whose existence they had questioned.

    In this series of perfectly rendered vignettes, written just as he was starting to find his comic voice, Kurt Vonnegut paints a warm, wise, and often funny portrait of life in post—World War II America–a world where squabbling couples, high school geniuses, misfit office workers, and small-town lotharios struggle to adapt to changing technology, moral ambiguity, and unprecedented affluence. In “Confido” a laboratory assistant’s magical invention promises to put his family on easy street at last. But is a machine that gives voice to our innermost thoughts and unspoken grievances really the key to happiness–or a direct line to despair? “Confido” and the thirteen other never-before-published pieces that comprise Look at the Birdie serve as an unexpected gift for devoted readers who thought that Kurt Vonnegut’s unique voice had been stilled forever–and provide a terrific introduction to his short fiction for anyone who has yet to experience his genius.

    

    . . ?Nicholas Martin looked up at the robot across the desk."I'm not going to ask what you want," he said, in a low, restrained voice. "I already know. Just go away and tell St. Cyr I approve. Tell him I think it's wonderful, putting a robot in the picture. We've had everything else by now, except the Rockettes. But clearly a quiet little play about Christmas among the Portuguese fishermen on the Florida coast "must" have a robot. Only, why not six robots? Tell him I suggest a baker's dozen. Go away."

    But the problem Orne had was one step tougher than that! A science fiction classic from Frank Herbert, author of DUNE!