In Graham Swift's taut prose, these quiet combative relationships--between a mismatched couple; an aging doctor and his hypochondriacal patient; a teenage refugee swept up in the conflict between an oppressively sentimental father and his rebellious son--become a microcosm for all human cruelty and need."Swift proves throughout this ambitious collection that he is a master of his language and the construction of provocative situations."--Houston Chronicle

    In this ebullient collection, virgins escape from being sacrificed, witches refuse to be burned, whores aren't ashamed, and every woman gets a chance to be a radioactive cockroach warrior who snaps back at catcallers. Gwen E. Kirby experiments with found structures--a Yelp review, a WikiHow article--which her fierce, irreverent narrators push against, showing how creativity within an enclosed space undermines and deconstructs the constraints themselves. When these women tell the stories of their triumphs as well as their pain, they emerge as funny, angry, loud, horny, lonely, strong protagonists who refuse be secondary characters a moment longer. From "The Best and Only Whore of Cym Hyfryd, 1886" to the "Midwestern Girl [who] is Tired of Appearing in Your Short Stories," Kirby is playing and laughing with the women who have come before her and they are telling her, we have always been this way. You just had to know where to look.

    From an imperial capital in the eighteenth century to Garibaldi's adventures in the nineteenth, from the vineyards of Italy to the English seaside in our time, he finds the "stages, transitions, arguments" that define us. A newly divorced real estate agent can't resist invading his reticent girlfriend's privacy, but the information he finds reveals only his callously shallow curiosity. A couple come together through an illicit cigarette and a song shared over the din of a Chinese restaurant. A widower revisiting the Scottish island he'd treasured with his wife learns how difficult it is to purge oneself of grief. And throughout, friends gather regularly at dinner parties and perfect the art of cerebral, sometimes bawdy banter about the world passing before them.Whether domestic or extraordinary, each story pulses with the resonance, spark, and poignant humor for which Barnes is justly heralded.

    In stylistic brilliance, he renders their conditions with grace and compassion, and redeems and transports their tragedy with wicked humor.In the much-anthologized "The Birds for Christmas," two hospitalized boys beg a night nurse to let them watch Hitchcock's classic thriller film on television, believing it will relieve their Yuletide loneliness. "Gentleman's Agreement" is a classic father-son story of fear and the violence of love. In "Memorial Day," a bayou boy learns the lessons of living from Death himself, a fortune cookie-eating phantom who claims to be "a people person." From charity ward to outrageous beach bungalow, Richard visits the overlooked corners of America, making them unforgettably visible.Richard has been rightly compared to Faulkner for his language and to Flannery O'Connor for his stark moral vision, but his force and sensibility remain his own. Charity is a powerful reading experience, a true accomplishment in an already stunning literary career.

    Chronicles of her strategies for surviving civilization's decline -- herbal remedies, macrobiotics, a bit of Xanax -- have established her as one of the most captivating and eagerly read voices in modern literature. In this new collection of stories, Julie Hecht reclaims the darkly funny, existential territory for which she is known: "People say 'Good morning,' but don't believe them. It's just something to say." The uniquely eccentric narrator reappears in Happy Trails to You and recounts her perplexed engagements with our society and the larger world -- whether she's attempting to withdraw money from a bank machine, worrying about Paul McCartney, or seeking a nonexistent place of calm on Nantucket, where nail guns and chain saws have replaced the sounds of birds singing. Appalled by life in our times, the narrator recounts innumerable artifacts from a now vanished America (civility, idealism, Elvis Presley, well-made appliances). She is also exquisitely attuned to the absurdities of our culture; her acute observations illuminate every subject, from the dangers of microwave ovens to the disappearing ozone layer. With deadpan wit, the author reveals the truths of a new century. Happy Trails to You is a radically distinctive work of American fiction.

    An FBI agent falls in love with a robot built for a suicide mission. A young woman unintentionally cheats on her husband when she is transformed, nightly, into a deer. Two strangers become lovers and find themselves somehow responsible for the resurrection of a dog. A woman tries to start her life anew after the loss of a child but cannot help riddling that new life with lies. Thirteen pregnant teenagers develop a strange relationship with the Founding Fathers of American history. A lonely woman’s fertility treatments become the stuff of science fiction.Magic intrudes. Technology betrays and disappoints. Infidelities lead us beyond the usual conflict. Our bodies change, reproduce, decay, and surprise. With her characteristic unguarded gaze and offbeat humor, Hunt has conjured stories that urge an understanding of youth and mortality, magnification and loss, and hold out the hope that we can know one another more deeply or at least stand side by side to observe the mystery of the world.

    The six short stories in this bundle were originally available at everynighterotica.com Every Night Erotica published my first story and I will be eternally grateful.*This ebook contains mature content and is intended for adults 18 years and older*

    Long a celebrated West Coast cult figure, Kate Braverman now gives voice to Squandering the Blues, a distinctive and uncompromising collection of characters living out urban fairy tales and nightmares in the highly atmospheric landscape of Los Angeles.

    With his unflinching attention to emotional detail, Redhill proves once again to be "a writer of considerable humanity and insight" (A.L. Kennedy) .

    Bolano's narrators are usually writers grappling with private (and generally unlucky) quests, who typically speak in the first person, as if giving a deposition, like witnesses to a crime. These protagonists tend to take detours and to narrate unresolved efforts. They are characters living in the margins, often coming to pieces, and sometimes, as in a nightmare, in constant flight from something horrid.In the short story "Silva the Eye," Bolano writes in the opening sentence: "It's strange how things happen, Mauricio Silva, known as The Eye, always tried to escape violence, even at the risk of being considered a coward, but the violence, the real violence, can't be escaped, at least not by us, born in Latin America in the 1950s, those of us who were around 20 years old when Salvador Allende died."Set in the Chilean exile diaspora of Latin America and Europe, and peopled by Bolano's beloved "failed generation," the stories of Last Evenings on Earth have appeared in The New Yorker and Grand Street.

    Parties, booze, boys--you name it, she does it. Her parents don't care what she does, and when she is home they ignore her. Their attitude started over a year ago when Megan's older brother was tragically killed in a car accident. Then, when her parents die on the same road that took her brother, Megan decides to start over and move far away. She auctions off her parents' property, a country home in northwestern Minnesota, and heads down to the Twin Cities. Megan knows hitchhiking is dangerous, but lately has become a way of life. And this time is no different. She gets picked up by Bart Simms, an attorney from Minneapolis, who agrees to take her where she needs to go. But only after he conducts a bit of estate planning business. The Engels are a farming family who live not far from Megan's old place. They revel peacefully in their secluded backwoods sanctuary, and have a strong desire to keep as much of the government away from their family's farming legacy. Hence the reason they sought the impecable skills of Bart Simms, who has a deep reputation for saving many family farms from unwanted death and estate taxes. But Megan has a problem with the Engels. She has never heard of them, and she's lived in the area all of her life. When she explores their home, she finds more that is out of sorts. She discovers a picture of a teenage girl. A girl who resembles that of a recent murder victim from Minneapolis. Is there more to this backwoods family than meets the eye? This suspenseful story was inspired by the gruesome real-life tales of Ed Gein and the Master of Horror himself Stephen King. Also included in this are two bonus materials: a serial killer short story titled "Hatchet Harry" and an excerpt of Mark S. R. Peterson's thriller novel (published August 2013) titled BEHOLDER'S EYE.

    When everything goes wrong are you still meant for each other?After being dispatched to Blanchard Creek, Wyoming by her mother as a mail order bride, Christina Mills tumbles from one mishap to another. As if arriving in Wyoming with a fever, losing luggage and being accosted by the hotel owner isn’t already bad enough, her to be groom decides to back out of the marriage.Alexander Barrett Patterson is a man of honor. However, the scars from battle are more than skin deep. Rather than tying the beautiful woman to a cripple, he decides to give her up and suffer the consequences of a decision every ounce of his being protests. Now, if only half the town would stop trying to make him change his mind.A story of hurt, scars and the healing power of love.

    She has been called “an American virtuoso of the short story form” (Salon) and “one of the quiet giants . . . of American fiction” (Los Angeles Times Book Review). Now, for the first time, Davis’s short stories will be collected in one volume, from the groundbreaking Break It Down (1986) to the 2007 National Book Award nominee Varieties of Disturbance. The Collected Stories of Lydia Davis is an event in American letters.

    In these fourteen stories, Hemingway begins to examine the themes that would occupy his later works: the casualties of war, the often uneasy relationship between men and women, sport and sportsmanship. In "Banal Story," Hemingway offers a lasting tribute to the famed matador Maera. "In Another Country" tells of an Italian major recovering from war wounds as he mourns the untimely death of his wife. "The Killers" is the hard-edged story about two Chicago gunmen and their potential victim. Nick Adams makes an appearance in "Ten Indians," in which he is presumably betrayed by his Indian girlfriend, Prudence. And "Hills Like White Elephants" is a young couple's subtle, heartwrenching discussion of abortion. Pared down, gritty, and subtly expressive, these stories show the young Hemingway emerging as America's finest short story writer.

    R. James is best remembered for his ghost stories which are widely regarded as among the finest in English literature. One of James' most important achievements was to redefine the ghost story for the new century by dispensing with many of the formal gothic trappings of his predecessors, and replacing them with more realistic contemporary settings.According to James, a story must "put the reader into the position of saying to himself: 'If I'm not careful, something of this kind may happen to me!'"