S. Eliot, Marianne Moore, many other notables.

    

    I am Daniel Handler, the author of this book. Did you know that authors often write the summaries that appear on their book's dust jacket? You might want to think about that the next time you read something like, "A dazzling page-turner, this novel shows an internationally acclaimed storyteller at the height of his astonishing powers.""Adverbs" is a novel about love -- a bunch of different people, in and out of different kinds of love. At the start of the novel, Andrea is in love with David -- or maybe it's Joe -- who instead falls in love with Peter in a taxi. At the end of the novel, it's Joe who's in the taxi, falling in love with Andrea, although it might not be Andrea, or in any case it might not be the same Andrea, as Andrea is a very common name. So is Allison, who is married to Adrian in the middle of the novel, although in the middle of the ocean she considers a fling with Keith and also with Steve, whom she meets in an automobile, unless it's not the same Allison who meets the Snow Queen in a casino, or the same Steve who meets Eddie in the middle of the forest. . . .It might sound confusing, but that's love, and as the author -- me -- says, "It is not the nouns. The miracle is the adverbs, the way things are done." This novel is about people trying to find love in the ways it is done before the volcano erupts and the miracle ends. Yes, there's a volcano in the novel. In my opinion a volcano automatically makes a story more interesting.

    A collection of astonishing originality and intensity, it spoke of politics, sexual emancipation, and what it meant to be an American. From the joyful “Song of Myself” and “I Sing the Body Electric” to the elegiac “When Lilacs Last in the Dooryard Bloom’d,” Whitman’s art fuses oratory, journalism, and song in a vivid celebration of humanity. Containing all Whitman’s known poetic work, this edition reprints the final, or “deathbed,” edition of Leaves of Grass (1891–92). Earlier versions of many poems are also given, including the 1855 “Song of Myself.”Features a completely new—and fuller—introduction discussing the development of Whitman's poetic career, his influence on later American poets, and his impact on the American cultural sensibilityIncludes chronology, updated suggestions for further reading, and extensive notes

    This collection gathers together the best of her Pulitzer Prize-winning short fiction, including 'Pale Horse, Pale Rider', where a young woman lies in a fever during the influenza epidemic, her childhood memories mingling with fears for her fiancé on his way to war, and 'Noon Wine', a haunting story of tragedy and scandal on a small dairy farm in Texas. In all of the compelling stories collected here, harsh and tragic truths are expressed in prose both brilliant and precise.

    BILLY BUDD, Melville's posthumously published novella, is a classic tale of innocence, evil, and murder that depicts the rivalry between a simple, handsome young sailor and a demonic superior. BARTLEBY is the subtly comic tale of an apathetic scrivener, and BENITO CERENO is the story of a Spanish sea captain caught up in a slave revolt on his ship. Included in this volume are THE PIZZA TALES as well as THE TOWN-HO'S STORY, a chapter from MOBY-DICK. By turns haunting and comic, and always compelling, these fine stories convey the diversity and grandeur of Melville's talent as well as the depth of his themes.--back cover

    Here, wolf-like girls are reformed by nuns; a family makes its living wrestling alligators in a theme park; and little girls sail away on crab shells. Filled with stunning inventiveness and heart, St. Lucy’s Home for Girls Raised by Wolves introduces a radiant new writer.

    It tells the story of the Fall of Man, a tale of immense drama and excitement, of rebellion and treachery, of innocence pitted against corruption, in which God and Satan fight a bitter battle for control of mankind's destiny. The struggle rages across three worlds - heaven, hell, and earth - as Satan and his band of rebel angels plot their revenge against God. At the center of the conflict are Adam and Eve, motivated by all too human temptations, but whose ultimate downfall is unyielding love.Marked by Milton's characteristic erudition is a work epic both in scale and, notoriously, in ambition. For nearly 350 years it has held generation upon generation of scholars, students and readers in rapt attention and its profound influence can be seen in almost every corner of Western culture.

    Though many of the stories gathered here were published separately, there are several themes common to them all, giving them new meaning in the context of this collection.

    In "Hands," Wing Biddlebaum tries to hide the tale of his banishment from a Pennsylvania town, a tale represented by his hands. In "Adventure," lonely Alice Hindman impulsively walks naked into the night rain. Threaded through the stories is the viewpoint of George Willard, the young newspaper reporter who, like his creator, stands witness to the dark and despairing dealings of a community of isolated people.

    Her Manhattan is a city of well-appointed drawing rooms, hansoms and broughams, all-night cotillions, and resplendent Fifth Avenue flats. Bishops’ nieces mingle with bachelor industrialists; respectable wives turn into excellent mistresses. All are governed by a code of behavior as rigid as it is precarious. What fascinates Wharton are the points of weakness in the structure of Old New York: the artists and writers at its fringes, the free-love advocates testing its limits, the widows and divorcées struggling to hold their own.The New York Stories of Edith Wharton gathers twenty stories of the city, written over the course of Wharton’s career. From her first published story, “Mrs. Manstey’s View,” to one of her last and most celebrated, “Roman Fever,” this new collection charts the growth of an American master and enriches our understanding of the central themes of her work, among them the meaning of marriage, the struggle for artistic integrity, the bonds between parent and child, and the plight of the aged. Illuminated by Roxana Robinson’s Introduction, these stories showcase Wharton’s astonishing insight into the turbulent inner lives of the men and women caught up in a rapidly changing society.

    -- New York NewsdayWritten over a period of twenty-five years, the more than sixty stories in this volume are funny and sardonic, sensuous and evocative, streaked with terror and cruelty. Richly varied in tone and subject -- ghost story, murder mystery, sexual farce, political satire, culture-clash parable -- all glow with Paul Theroux's intelligence, elegance, and ironic wit; with his marvelous sense of place; with his ear for dialogue; and with his tragicomic vision.Theroux's canvas stretches from London to Southeast Asia, Boston to Paris, Africa to Eastern Europe, Moscow to the tropics. He portrays colonials, emigres, diplomats, students, would-be writers, academics, and children. Many are trapped in alien situations or loveless relationships, or are overwhelmed by larger cultural tremors. Full of suspense and the unexpected, this first major retrospective of Theroux's short fiction is "a welcomed second chance to read some of his best work" and confirms his reputation as "an irresistible storyteller"Content: World's endZombiesThe imperial icehouseYard saleAlgebraThe English adventureAfter the warWords are deedsWhite liesClapham junctionThe odd-job manPortrait of a ladyThe prison diary of Jack FaustA real Russian ikonA political romanceSinning with AnnieA love knotWhat have you done to our Leo?Memories of a curfewBiographical notes for four American poetsHayseedA deed without a nameYou make me madDog daysA burial at SurabayaPolvoLow tideJungle bellsWarm dogsThe consul's fileDependent wifeWhite ChristmasPretend I'm not hereLoser winsThe flower of MalayaThe autumn dogDengué FeverThe South Malaysia pineapple growers' associationThe butterfly of the LarutsThe tennis courtReggie WooConspiratorsThe Johore murdersThe tiger's suitCoconut gathererThe last colonialTriadDiplomatic relationsDear WilliamVolunteer speakerReceptionNamesakeAn English unofficial roseChildrenCharlie Hogle's earringThe exileTomb with a viewThe man on the Clapham omnibusSex and its substitutesThe honorary SiberianGone westA little flameFuryNeighborsFighting talkThe Winfield wallpaperDancing on the radioMemo.

    Her name became an adjective: Beattiesque. Subtle, wry, and unnerving, she is a master observer of the unraveling of the American family, and also of the myriad small occurrences and affinities that unite us. Her characters, over nearly four decades, have moved from lives of fickle desire to the burdens and inhibitions of adulthood and on to failed aspirations, sloppy divorces, and sometimes enlightenment, even grace. Each Beattie story, says Margaret Atwood, is "like a fresh bulletin from the front: we snatch it up, eager to know what’s happening out there on the edge of that shifting and dubious no-man’s-land known as interpersonal relations." With an unparalleled gift for dialogue and laser wit, she delivers flash reports on the cultural landscape of her time. Ann Beattie: The New Yorker Stories is the perfect initiation for readers new to this iconic American writer and a glorious return for those who have known and loved her work for decades.

    Translated from the French by Justin O'Brien.The six works featured in this volume are: "The Adulterous Woman" ("La Femme adultère") "The Renegade or a Confused Spirit" ("Le Renégat ou un esprit confus") "The Silent Men" ("Les Muets") "The Guest" ("L'Hôte") "Jonas or the Artist at Work" ("Jonas ou l’artiste au travail") "The Growing Stone" ("La Pierre qui pousse")

    Here is the familiar outer world of family summers at remote lakes, winters of political activism, and seasons of exotic friends, mundane lives, and unexpected loves. But here too is the inner world of hidden places and all that emerges from them-the intimately personal, the fantastic, the shockingly real...whether it's what lives in a mysterious locked room or the secret feelings we all conceal. In this dramatic and far-ranging collection, Margaret Atwood proves why she is a true master of the genre.