It has been demonized—its more sinister aspects used as an anti-Communist battering ram throughout the Cold War—and glorified, as exemplified by John Reed's classic Ten Days That Shook the World. Much has been written about the key figures—Lenin, Trotsky, Kerensky, and the rest—while the various political movements have been relentlessly analyzed. Yet there is another side to it, a more human story.What was life like for a peasant or a manual worker in Petrograd or Moscow in 1917? How much did a tram driver, his wife, or a common soldier know or understand about Bolshevism? What was the price of a loaf of bread or a pair of boots? Who kept the power stations running, the telephone exchanges, bakeries, farms, and hospitals working? These are just some of the details historian Roy Bainton brings to life, not through memoirs of politicians and philosophers, but in the memories of ordinary working people. As witnessed on the streets of Petrograd, Bainton brings us the indelible events of the most momentous year in Russian history.

    Harrison Salisbury called it "brilliant...not only an odyssey of madness, tragedy, and sadism, but a work of scholarship and literary craftsmanship." And in recent years it has received equally high praise in the former Soviet Union, where it is now considered the definitive account of the period. When Conquest wrote the original volume, he relied heavily on unofficial sources. With the advent of glasnost, an avalanche of new material became available, and Conquest mined this enormous cache to write, in 1990, a substantially new edition of his classic work, adding enormously to the detail. Both a leading historian and a highly respected poet, Conquest blends profound research with evocative prose, providing not only an authoritative account of Stalin's purges, but also a compelling and eloquent chronicle of one of this century's most tragic events. He provides gripping accounts of everything from the three great "Moscow Trials," to methods of obtaining confessions, the purge of writers and other members of the intelligentsia, life in the labor camps, and many other key matters. On the fortieth anniversary of the first edition, in the light of further archival releases, and new material published in Moscow and elsewhere, it remains remarkable how many of Conquest's most disturbing conclusions have continued to bear up. This volume, featuring a new preface by Conquest, rounds out the picture of this huge historical tragedy, further establishing the book as the key study of one of the twentieth centurys most lethal, and longest-misunderstood,offenses against humanity.

    Hope Against Hope was first published in English in 1970. It is Nadezhda Mandelstam's memoir of her life with Osip, who was first arrested in 1934 and died in Stalin's Great Purge of 1937-38. Hope Against Hope is a vital eyewitness account of Stalin's Soviet Union and one of the greatest testaments to the value of literature and imaginative freedom ever written. But it is also a profound inspiration--a love story that relates the daily struggle to keep both love and art alive in the most desperate of circumstances.

    They were called the Mites because they were very tiny...

    Drawing on both primary sources and major interpretive works, this sixth edition updates its existing coverage of the social, economic, cultural, political and military events of Russia's past and includes a new chapter on the post-Gorbachev era as well as helpful updated bibliographies and reading source lists. Examining contemporary issues such as the rise of Yeltsin, the nationalities question, and Russia's attempts to market capitalism, this sixth edition takes the study of Russia straight into the new millennium, continuing A History of Russia's nearly forty-year track record as the leader in the field.

    That trial and Alyokhina's subsequent imprisonment became an international cause. For Alyokhina, her two-year sentence launched a bitter struggle against the Russian prison system and an iron-willed refusal to be deprived of her humanity. Teeming with protests and police, witnesses and cellmates, informers and interrogators, Riot Days gives voice to Alyokhina's insistence on the right to say no, whether to a prison guard or to the president. Ultimately, this insistence delivers unprecedented victories for prisoners' rights.Evocative, wry, laser-sharp, and laconically funny, Alyokhina's account is studded with song lyrics, legal transcripts, and excerpts from her jail diary--dispatches from a young woman who has faced tyranny and returned with the proof that against all odds even one person can force its retreat.

    Fantastical and wonderfully strange, this political parable has an uncanny resonance with today's Russia under Putin.Oleg Kashin is a famous Russian journalist and activist who, in 2010, was beaten to within an inch of his life by unknown assailants, in an attack most likely politically motivated by his reporting. The events of Fardwor, Russia! (the title is taken from a flag with a slogan—"Forward, Russia!"—gone wrong) could seem grotesque, if they did not so eerily echo the absurd state of affairs in modern Russia. Under Putin's regime, authors dare to criticize the state of affairs and affairs of the state only through veiled satire&—and even then, as Kashin's experience shows, the threat of repercussions is real.A witty, playful, brave, and incisive work that blends science fiction with political satire, Fardwor, Russia! is a must-read for anyone interested in contemporary Russia&—or the hilarious and frightening follies of power.

    Tucker covers Stalin’s life from his first revolutionary years until the end of the 1920s. This important period of his life is the key to understanding how a dictator is formed and how his cruel totalitarian regime was born. With an in-depth analysis of Stalin’s personality and beliefs – set against a historical examination of Soviet society – this captivating book helps us to understand how and why Stalinism occurred. Examining the events that led up to one of the 20th century’s most devastating spectacles, Stalin as Revolutionary is an intelligent and informative take on this terrifying political figure. Praise for Stalin as Revolutionary “Tucker has achieved a real breakthrough… his analysis throws a flood of light into previously obscure corners… Tucker with his analysis of Stalin’s personality structure has opened up an enormously promising vein of research.” Robert M. Slusser, American Historical Review “This towering figure of the twentieth century has hitherto lacked a successful and full-scale biography… Robert Tucker marks the beginning of the end of this situation.” Robert H. McNeal, Russian Review “An absorbing narrative and interpretation of Stalin’s early years and his development as a Bolshevik leader up to 1929 when he arrived at the summit of power… A superb work comparable to Isaac Deutscher’s multi-volume history of Trotsky.” George Charney, Library Journal “Years of research and reflection have made this biography of Stalin’s early years a real historical and literary achievement.” Foreign Affairs “[The book] looks like it’s transforming the field of Stalin studies... Tucker best brings the political and economic issues back to life, and the contenders with them.” Michael Ratcliffe, The Times “I am not enamoured of most ‘psychoanalytic history.’ Yet Tucker’s thesis is convincing, because he understands the Bolshevik story, knows that Stalin’s seizure of power was due to more than his machine politics and Machiavellian cunning, important though they were to him.” - Dillon O’Leary, The Ottawa Journal “Having read Robert Tucker’s book, we now understand better, in my view, the causes of the events that we had to live through in the years of Stalinism.” - Mikhail Koriakov, Novoye Russkoye Slovo “In this book, an utterly extraordinary one in my opinion, the riddle of Stalin is at last resolved.” - Dimitry Bezrukikh, Russkaya Mysl Robert C. Tucker (1918 - 2010) was a distinguished Sovietologist at Princeton University whose Stalin biographies commanded wide attention. He was called ‘one of the greatest students of Stalin and Stalinism’ by diplomat and Russian scholar, George F. Kennan. His books are used in college classrooms across the world today.

    Between 1900 and 1920, Russia underwent a complete and irreversible transformation: by the end of these two decades, a new regime was in place, the economy had collapsed, and over 20 million Russians had died during the revolution and what followed. Still, Bolshevik power remained intact due to a remarkable combination of military prowess, violent terror tactics, and the failures of their opposition. And as McMeekin shows, Russia's revolutionaries were aided at nearly every step by countries like Germany and Sweden who sought to benefit—politically and economically—from the chaotic changes overtaking the country.The first comprehensive history of these momentous events in a decade, The Russian Revolution combines cutting-edge scholarship and a fast-paced narrative to shed new light on a great turning point of the twentieth century.

    His poetry, influenced by Whitman and Verhaeren and strangely akin to modern rock poetry in its erotic thrust, bluesy complaints and cries of pain, not to mention its sardonic humour, is at once aggressive, mocking and tender, and often fantastic or grotesque. Pro Eto - That's What is a long love poem detailing the pain and suffering inflicted on the poet by his lover and her final rejection of him. But as well as being an agonising parable of separation and betrayal, it is also a political work, highly critical of Lenin's reforms of Soviet Socialism. The publication of That's What is something of a landmark for not only is this the first time that this seminal work has appeared in its entirety in translation, but it is illustrated with the 11 inspired photomontages that Alexander Rodchenko designed to interleave and illuminate the text, illustrations which inaugurate a world of new possibilities in combining verbal and visual forms of expression and which are reproduced in colour (as originally conceived) for the first time.

    In this surreal atmosphere created to disorient us and undermine our sense of truth, we’ve lost not only our grip on peace and democracy — but our very notion of what those words even mean.Peter Pomerantsev takes us to the front lines of the disinformation age, where he meets Twitter revolutionaries and pop-up populists, “behavioral change” salesmen, Jihadi fanboys, Identitarians, truth cops, and many others. Forty years after his dissident parents were pursued by the KGB, Pomerantsev finds the Kremlin re-emerging as a great propaganda power. His research takes him back to Russia — but the answers he finds there are not what he expected.Blending reportage, family history, and intellectual adventure, This Is Not Propaganda explores how we can reimagine our politics and ourselves when reality seems to be coming apart.

    For two years, a small, daring band of Americans fed more than ten million men, women, and children across a million square miles of territory. It was the largest humanitarian operation in history--preventing the loss of countless lives, social unrest on a massive scale, and, quite possibly, the collapse of the communist state.Now, almost a hundred years later, few in either America or Russia have heard of the ARA. The Soviet government quickly began to erase the memory of American charity. In America, fanatical anti-communism would eclipse this historic cooperation with the Soviet Union. Smith resurrects the American relief mission from obscurity, taking the reader on an unforgettable journey from the heights of human altruism to the depths of human depravity. The story of the ARA is filled with political intrigue, espionage, the clash of ideologies, violence, adventure, and romance, and features some of the great historical figures of the twentieth century.In a time of cynicism and despair about the world's ability to confront international crises, The Russian Job is a riveting account of a cooperative effort unmatched before or since.

    Using his own experiences as a journalist and propagandist with the Red Army during the war against Poland, Babel brings to life an astonishing cast of characters from the exuberant, violent era of early Soviet history: commissars and colonels, Cossacks and peasants, and among them the bespectacled, Jewish writer/intellectual, observing it all and trying to establish his role in the new Russia.Drawn from the acclaimed, award-winning Complete Works of Isaac Babel, this volume includes all of the Red Cavalry cycle; Babel's 1920 diary, from which the material for the fiction was drawn; and his preliminary sketches for the stories—the whole constituting a fascinating picture of a great writer turning life into art.

    Drawing on unexplored archives and personal testimonies gathered from across Russia and Georgia, this is the first full-scale biography of the Soviet dictator in twenty years.Service describes in unprecedented detail the first half of Stalin's life--his childhood in Georgia as the son of a violent, drunkard father and a devoted mother; his education and religious training; and his political activity as a young revolutionary. No mere messenger for Lenin, Stalin was a prominent activist long before the Russian Revolution. Equally compelling is the depiction of Stalin as Soviet leader. Service recasts the image of Stalin as unimpeded despot; his control was not limitless. And his conviction that enemies surrounded him was not entirely unfounded.Stalin was not just a vengeful dictator but also a man fascinated by ideas and a voracious reader of Marxist doctrine and Russian and Georgian literature as well as an internationalist committed to seeing Russia assume a powerful role on the world stage. In examining the multidimensional legacy of Stalin, Service helps explain why later would-be reformers--such as Khrushchev and Gorbachev--found the Stalinist legacy surprisingly hard to dislodge.Rather than diminishing the horrors of Stalinism, this is an account all the more disturbing for presenting a believable human portrait. Service's lifetime engagement with Soviet Russia has resulted in the most comprehensive and compelling portrayal of Stalin to date.

    The Soviets had no intention of bestowing their coveted prize on an unknown American; a Russian pianist had already been chosen to win. Yet when the gangly Texan with the shy grin took the stage and began to play, he instantly captivated an entire nation.The Soviet people were charmed by Van Cliburn’s extraordinary talent, passion, and fresh-faced innocence, but it was his palpable love for the music that earned their devotion; for many, he played more like a Russian than their own musicians. As enraptured crowds mobbed Cliburn’s performances, pressure mounted to award him the competition prize. "Is he the best?" Soviet Premier Nikita Khrushchev demanded of the judges. "In that case . . . give him the prize!"Adored by millions in the USSR, Cliburn returned to a thunderous hero’s welcome in the USA and became, for a time, an ambassador of hope for two dangerously hostile superpowers. In this thrilling, impeccably researched account, Nigel Cliff recreates the drama and tension of the Cold War era, and brings into focus the gifted musician and deeply compelling figure whose music would temporarily bridge the divide between two dangerously hostile powers.