Written shortly after The Scarlet Letter, The House of the Seven Gables re-addresses the theme of human guilt in a style remarkable in both its descriptive virtuosity and its truly modern mix of fantasy and realism.

    The gruff and hearty crew teach the young man to be worth his salt as they fish the waters off the Grand Banks of Newfoundland. Brimming with adventure and humor.

    Auguste Dupin.Introducing to literature the concept of applying reason to solving crime, these tales brought Poe fame and fortune, although much less of the second during his lifetime. Decades later, Dorothy Sayers would describe “The Murders in the Rue Morgue” as “almost a complete manual of detective theory and practice.” Indeed, Poe’s short Dupin mysteries inspired the creation of countless literary sleuths, among them Sherlock Holmes. Today, the unique Dupin stories still stand out as utterly engrossing page-turners.Librarian's note: this entry is for a collection of C. Auguste Dupin short stories under the above title. There are three stories in the series: 1. “The Murders in the Rue Morgue,” 2. “The Mystery of Marie Rogêt,” and 3. “The Purloined Letter.” Entries for the individual stories are located elsewhere on Goodreads.

    Reflecting his lifelong interest in Arthurian themes, his primary sources were Malory's Morte d'Arthur and the Welsh Mabinogion. For him, the Idylls embodied the universal and unending war between sense and soul, and Arthur the highest ideals of manhood and kingship; an attitude totally compatible with the moral outlook of his age. Poetically, Tennyson was heir to the Romantics, and Keats's influence in particular can be seen clearly in much of his work. Yet Tennyson's style is undoubtedly his own and he achieved a delicacy of phrase and subtlety of metrical effect that are unmatched. This edition, based on the text authorized by Tennyson himself, contains full critical apparatus.

    Included are: Alice's Adventures in Wonderland, Through the Looking-Glass, Sylvie and Bruno, Sylvie and Bruno Concluded, "The Hunting of the Snark," and Lewis' poetry, phantasmagoria, stories, miscellany, and "acrostics, inscriptions, and other verse."The following have also never appeared in print except in their original editions: "Resident Women Students," "Some Popular Fallacies about Vivisection," "Lawn Tennis Tournaments," "Rules for Court Circular," "Croquet Castles," "Mischmasch," "Doublets," "A Postal Problem," "The Alphabet-Cipher," and "Introduction to The Lost Plum Cake."

    This edition offers the original story with all its atmospheric Victorian trimmings. The story of Todd's murderous partnership with pie-maker Margery Lovett--at once inconceivably unpalatable and undeniably compelling--has subsequently set the table for a seemingly endless series of successful dramatic adaptations, popular songs and ballads, novellas, radio plays, graphic novels, ballets, films, and musicals. Both gleeful and ghoulish, the original tale of Sweeney Todd, first published under the title The String of Pearls, combines the story of Todd's grisly method of robbing and dispatching his victims--by way of Mrs. Lovett's meat pies--with a romantic sub-plot involving deception, disguise, and detective work, set against the backdrop of London's dark and unsavory streets. Editor Robert Mack 'fleshes' out the story with a fascinating introduction touching on the origins of the tale, the growth of the legend, and a history of its many retellings. Mack also includes explanatory notes that point out interesting aspects, plus a full chronology of the many versions of Sweeney Todd.Since Sweeney Todd first entered the public imagination in the mid-nineteenth-century, his exploits have chilled and fascinated audiences around the world. This new edition allows modern readers to savor the ghastly original in all its gruesome glory.

    Gregory luxury hotel.

    Byatt returns to the territory she explored in Possession: the landscape of Victorian England, where science and spiritualism are both popular manias, and domestic decorum coexists with brutality and perversion. Angels and Insects is "delicate and confidently ironic.... Byatt perfectly blends laughter and sympathy [with] extraordinary sensuality" (San Francisco Examiner).

    Illustrated with 10 unique illustrations.LIFE OF CHAUCERTHE CANTERBURY TALES The General Prologue The Knight's Tale The Miller's tale The Reeve's Tale The Cook's Tale The Man of Law's Tale The Wife of Bath's Tale The Friar's Tale The Sompnour's Tale The Clerk's Tale The Merchant's Tale The Squire's Tale The Franklin's Tale The Doctor's Tale The Pardoner's Tale The Shipman's Tale The Prioress's Tale Chaucer's Tale of Sir Thopas Chaucer's Tale of Meliboeus The Monk's Tale The Nun's Priest's Tale The Second Nun's Tale The Canon's Yeoman's Tale The Manciple's Tale The Parson's Tale Preces de ChauceresTHE COURT OF LOVE THE CUCKOO AND THE NIGHTINGALE THE ASSEMBLY OF FOWLSTHE FLOWER AND THE LEAF THE HOUSE OF FAMETROILUS AND CRESSIDACHAUCER'S DREAM THE PROLOGUE TO THE LEGEND OF GOOD WOMENCHAUCER'S A.B.C.MISCELLANEOUS POEMS

    

    Now at last in one volume, Michael Crichton's Jurassic Park and The Lost World--the two incomparably suspenseful, supremely scary, utterly unputdownable, worldwide best-selling return-of-the-dinosaurs novels, which together constitute Jurassic World.--front flap

    A lonely child, he found solace in Old Joe's simple wisdom and folk charms. The magic was lost, however, when Joe disappeared without warning one fall. Years later, Jay's life is stalled with regret and ennui. His bestselling novel, Jackapple Joe, was published ten years earlier and he has written nothing since. Impulsively, he decides to leave his urban life in London and, sight unseen, purchases a farmhouse in the remote French village of Lansquenet. There, in that strange and yet strangely familiar place, Jay hopes to re-create the magic of those golden childhood summers. And while the spirit of Joe is calling to him, it is actually a similarly haunted, reclusive woman who will ultimately help Jay find himself again.

    T he Day of the Jackal, The Dogs of War, The Odessa File-the books of Frederick Forsyth have helped define the international thriller as we know it today. Combining meticulous research with crisp narratives and plots as current as the headlines, Forsyth shows us the world as it is in a way that few have ever been able to equal. And the world as it is today is a very scary place.When British and American intelligence catch wind of a major Al Qaeda operation in the works, they instantly galvanize- but to do what? They know nothing about it: the what, where, or when. They have no sources in Al Qaeda, and it's impossible to plant someone. Impossible, unless . . .The Afghan is Izmat Khan, a five-year prisoner of Guantánamo Bay and a former senior commander of the Taliban. The Afghan is also Colonel Mike Martin, a twenty-five-year veteran of war zones around the world-a dark, lean man born and raised in Iraq. In an attempt to stave off disaster, the intelligence agencies will try to do what no one has ever done before-pass off a Westerner as an Arab among Arabs-pass off Martin as the trusted Khan.It will require extraordinary preparation, and then extraordinary luck, for nothing can truly prepare Martin for the dark and shifting world into which he is about to enter. Or for the terrible things he will find there.Filled with remarkable detail and compulsive drama, The Afghan is further proof that Forsyth is truly master of suspense.

    While holding its audience with the gripping tension of a detective thriller, it is also a philosophical play about social conscience and the crumbling of middle class values. Time and the Conways and I Have Been Here Before belong to Priestley's 'time'plays, in which he explores the idea of precognition and pits fate against free will. The Linden Tree also challenges preconceived ideas of history when Professor Linden comes into conflict with his family about how life should be lived after the war.

    In 1936, Shostakovitch, just thirty, fears for his livelihood and his life. Stalin, hitherto a distant figure, has taken a sudden interest in his work and denounced his latest opera. Now, certain he will be exiled to Siberia (or, more likely, executed on the spot), Shostakovitch reflects on his predicament, his personal history, his parents, various women and wives, his children—and all who are still alive themselves hang in the balance of his fate. And though a stroke of luck prevents him from becoming yet another casualty of the Great Terror, for decades to come he will be held fast under the thumb of despotism: made to represent Soviet values at a cultural conference in New York City, forced into joining the Party and compelled, constantly, to weigh appeasing those in power against the integrity of his music. Barnes elegantly guides us through the trajectory of Shostakovitch's career, at the same time illuminating the tumultuous evolution of the Soviet Union. The result is both a stunning portrait of a relentlessly fascinating man and a brilliant exploration of the meaning of art and its place in society.