In the brooding moors above a humble Yorkshire village stood Fairley Hall. There, Emma Harte, its oppressed but resourceful servant girl, acquired a shrewd determination. There, she honed her skills, discovered the meaning of treachery, learned to survive, to become a woman, and vowed to make her mark on the world.In the wake of tragedy she rose from poverty to magnificent wealth as the iron-willed force behind a thriving international enterprise. As one of the richest women in the world Emma Harte has almost everything she fought so hard to achieve--save for the dream of love, and for the passion of the one man she could never have. Through two marriages, two devastating wars, and generations of secrets, Emma's unparalleled success has come with a price. As greed, envy, and revenge consume those closest to her, the brilliant matriarch now finds herself poised to outwit her enemies, and to face the betrayals of the past with the same ingenious resolve that forged her empire.

    Johannes Verne was soon to be rescued by outlaws, but no one could save him from the lasting memory of his grandfather’s eyes, full of impenetrable hatred. Raised in part by Indians, then befriended by a mysterious woman, Johannes grew up to become a rugged adventurer and an educated man. But even now, strengthened by the love of a golden-haired girl and well on his way to making a fortune in bustling early-day Los Angeles, the past may rise up to threaten his future once more. And this time only the ancient gods of the desert can save him.

    This narrative primarily follows George Darrow and Anna Leath, a young gentleman and a widowed lady who plan to marry. Both of them experience doubts about their union, with surprising outcomes. Darrow has a brief liaison with the delicate, generous Sophy Viner, a kind woman of the working class. She later meets Anna's stepson Owen Leath, who wishes to upset social conventions and marry her. When Anna's discovers the intimate history of Darrow and Sophy, she worries about her stepson's affections and feels concerned about the alliance she herself is about to create. Wharton's talent for balancing emotional turmoil and all the social manners of her time is blended into this philosophical work that explores the metaphorical reefs in the hearts of women.

    Set at the end of the 19th century, it follows the fortunes of Brodie Moncur, a young Scottish musician, about to embark on the story of his life. When Brodie is offered a job in Paris, he seizes the chance to flee Edinburgh and his tyrannical clergyman father, and begin a wildly different new chapter in his life. In Paris, a fateful encounter with a famous pianist irrevocably changes his future - and sparks an obsessive love affair with a beautiful Russian soprano, Lika Blum. Moving from Paris to St Petersburg to Edinburgh and back again, Brodie's love for Lika and its dangerous consequences pursue him around Europe and beyond, during an era of overwhelming change as the nineteenth century becomes the twentieth.Love is Blind is a tale of dizzying passion and brutal revenge; of artistic endeavour and the illusions it creates; of all the possibilities that life can offer, and how cruelly they can be snatched away. At once an intimate portrait of one man's life and an expansive exploration of the beginning of the twentieth century, Love is Blind is a masterly new novel from one of Britain's best loved storytellers.

    Traveling abroad with her mother at the turn of the twentieth century to seek a titled husband, beautiful, vivacious Cora Cash, whose family mansion in Newport dwarfs the Vanderbilts', suddenly finds herself Duchess of Wareham, married to Ivo, the most eligible bachelor in England. Nothing is quite as it seems, however: Ivo is withdrawn and secretive, and the English social scene is full of traps and betrayals. Money, Cora soon learns, cannot buy everything, as she must decide what is truly worth the price in her life and her marriage. Witty, moving, and brilliantly entertaining, Cora's story marks the debut of a glorious storyteller who brings a fresh new spirit to the world of Edith Wharton and Henry James.

    The second shock comes when his suicide note bequeaths the family's restaurant to Charlie alone, while leaving Owen with instructions to follow his own path, wherever it may take him.Years later, the restaurant is a success. The void in Charlie's life, created by his beloved brother's absence, is finally filled when a passionate affair becomes a deeply satisfying marriage. And now prodigal son Owen is returning home, to be welcomed back into the family fold. But the cruel legacy that tore a brotherhood apart created wounds not easily healed . . . and there must be reckoning.

    Life has given her every reason to mistrust people, but circumstances force her to trust her neighbor Mitch with watching Leonard while she goes off to work. Then one day Pearl drops her son off…and never returns. They are an unlikely pair: Mitch is a young, unattached business owner, and Leonard is a precocious, five-year-old boy. But together they must find a way to move forward in the wake of Pearl’s unexplained disappearance. Their bond as parent and child shifts and endures, even as Mitch must eventually surrender Leonard to a two-parent home.Is it possible to love the people who can’t always be there for us? The answers will surprise and move you. As their lives unfold, profound questions emerge about the nature of love and family. Ultimately, this novel’s richest reward is watching Mitch and Leonard grow up together, through the power and the magic of the human heart.

    After seven years as the most popular rock-and-roll group the world has ever seen, The Beatles—torn apart by personal and creative differences—called it quits in 1970, never to play together again. The fact that their contemporaries like the Rolling Stones are still playing today makes their ending even more painful. Once There Was a Way: What if The Beatles Stayed Together? is a story of another reality, the one we wished had happened, where the Fab Four chose to work it out rather than let it be. This book is no mere fairy tale, but a chronicle crafted from the people and events of our own history, shaped to create a brand new narrative in which John, Paul, George, and Ringo find a way to stay friends and keep the band together. Imagine there was more. Lots more. It’s easy if you try.

    This touching story recounts the enduring love of Priscilla's marriage to Aquila, one that withstood adversity and persecution; their conversion to Christianity and encounter with the Apostle Paul; Priscilla's personal experience of Christ; and her understanding of the importance of women within the Christian community.Spanning the years A.D. 48 to A.D. 54 the book vividly re-creates the world of the early churches as the narrative sweeps readers along from Rome to Corinth, to the fateful voyage of Ephesus, and the dramatic events climaxing in the rescue of Paul that forever changes the course of life for Priscilla and Aquila.

    The last don is Domenico Clericuzio, a wise and ruthless man who is determined to see his heirs established in legitimate society but whose vision is threatened when secrets from the family's past spark a vicious war between two blood cousins.This is a mesmerizing tale that takes us inside the equally corrupt worlds of the mob, the movie industry, and the casinos - where beautiful actresses and ruthless hit men are ruled by lust and violence, where sleazy producers and greedy studio heads are drunk with power, where crooked cops and desperate gamblers play dangerous games of betrayal, and where one man controls them all.

    M. Forster. The title comes from a line in Alexander Pope's An Essay on Criticism: "For fools rush in where angels fear to tread".In 1991 it was made into a film by Charles Sturridge, starring Rupert Graves, Giovanni Guidelli, Helen Mirren, Helena Bonham Carter, and Judy Davis.[1] A ten-part radio adaptation of the novel was broadcast on BBC Radio 4.[2] An opera based on the novel by Mark Weiser was premiered at the Peabody Institute of Music in 1999, and received its professional premiere at Opera San Jose in 2015

    The only child of the beekeeper, she knows her place and her future - until her father dies unexpectedly and leaves her bereft and alone. Alone, that is, except for the man she loves, whom she knows she can never have.Massachusetts, 1973: Grace's beautiful, impetuous daughter Trixie Valentine is in love. Jasper is wild and romantic, a singer in a band on the brink of stardom. Then tragedy strikes and he must return to his home in England, promising to come back to Trixie one day, if only she will wait for him…Weighed down by memories, unaware of the secrets that bind them, both mother and daughter are searching for lost love. To find what they are longing for they must confront the past, and unravel the lies told long ago…

    At the center of the tale is Danny, whose house, like Arthur's castle, becomes a gathering place for men looking for adventure, camaraderie, and a sense of belonging. These "knights" are paisanos, men of mixed heritage, whose ancestors settled California hundreds of years before. Free of ties to jobs and other complications of the American way of life, they fiercely resist the corrupting tide of honest toil in the surrounding ocean of civil rectitude.As Steinbeck chronicles their deeds--their multiple loves, their wonderful brawls, their Rabelaisian wine-drinking--he spins a tale as compelling and ultimately as touched by sorrow as the famous legends of the Round Table, which inspired him.

    The opening chapter outlines initial reactions to the novel from English and Caribbean critics, charting the differences between them. Chapter Two explores Wide Sargasso Sea 's dialogue with Jane Eyre and the theoretical questions it has raised. Succeeding chapters examine how critics have assessed the racial politics of Rhys's text, discuss the novel's African Caribbean cultural legacy, and explore how critics read the work both in terms of its moment of production and the early Victorian period in which it is set.

    The disembodied yet interconnected characters include Sara, a 19-year-old chambermaid who has recently died at the hotel; her bereaved sister, Clare, who visits the scene of Sara's death; Penny, an advertising copywriter who is staying in the room opposite; Lise, the Global's depressed receptionist; and the homeless Else who begs on the street outside. Smith's ambitious prose explores all facets of language and its uses. Sara takes us through the moment of her exit from the world and beyond; in her desperate, fading grip on words and senses she gropes to impart the meaning of her death in what she terms "the lift for dishes"--then comes a flash of clarity: "That's the name for it, the name for it; that's it; dumb waiter dumb waiter dumb waiter." Blended with hers are other voices: Penny's bland journalese and Else's obsession with metaphysical poetry. Hotel World is not an easy read: disturbing and witty by turns, with its stream-of-consciousness narrators reminiscent of Virgina Woolf's The Waves, its deceptively rambling language is underpinned by a formal construction. Exploring the "big themes" of love, death and millennial capitalism, it takes as its starting point Muriel Spark's Momento Mori ("Remember you must die") and counteracts this axiom with a resolute "Remember you must live". Ali Smith's novel is a daring, compelling, and frankly spooky read. --Catherine Taylor