"A brave and breathtaking musical."--The New York Times

    Its fourteen-year-old heroine Wendla is killed by abortion pills. The young Moritz terrorized by the world around him and especially by his teachers shoots himself. The ending seems likely to be the suicide of Moritz's friend Melchior but in a confrontation with a mysterious stranger (the famous Masked Man) he finally manages to shed his illusions and face the consequences.

    The topics include feminism and the role of women in the drama, the American Dream, business and capitalism, the significance of technology, the legacy that Willy leaves to Biff, and Miller's use of symbolism. The authors of the essays include prominent Arthur Miller scholars such as Terry Otten and the late Steven Centola as well as young, emerging scholars. Some of the essays, particularly the ones written by the emerging scholars, tend to employ literary theory while the ones by the established scholars tend to illustrate the strengths of traditional criticism by interpreting the text closely. It is fascinating to see how scholars at different stages of their academic careers approach a given topic from distinct perspectives and sometimes diverse methodologies. The essays offer insightful and provocative readings of Death of a Salesman in a collection that will prove quite useful to scholars and students of Miller's most famous play.

    Inspired by Frank Wedekind’s controversial 1891 play about teenage sexuality and society’s efforts to control it, the piece seamlessly merges past and present, underscoring the timelessness of adolescent angst and the universality of human passion.Steven Sater’s plays include the long-running Carbondale Dreams, Perfect for You, Doll (Rosenthal Prize/Cincinnati Playhouse), Umbrage (Steppenwolf New Play Prize), and a reconceived version of Shakespeare’s Tempest, which played in London.Duncan Sheik is a singer/songwriter who also collaborated with Sater on the musical The Nightingale. He has composed original music for The Gold Rooms of Nero and for The Public Theater’s Twelfth Night in Central Park.

    Here indeed is a monumental Faust, an audacious man boldly wagering with the devil, Mephistopheles, that no magic, sensuality, experience, or knowledge can lead him to a moment he would wish to last forever. Here, in Faust, Part I, the tremendous versatility of Goethe’s genius creates some of the most beautiful passages in literature. Here too we experience Goethe’s characteristic humor, the excitement and eroticism of the witches’ Walpurgis Night, and the moving emotion of Gretchen’s tragic fate.This authoritative edition, which offers Peter Salm’s wonderfully readable translation as well as the original German on facing pages, brings us Faust in a vital, rhythmic American idiom that carefully preserves the grandeur, integrity, and poetic immediacy of Goethe’s words.

    

    His only success long behind him, Monte lives simply with his wife and son. But when he befriends outlaw Glendon Hale, a new world of opportunity and experience presents itself. Glendon has spent years in obscurity, but the guilt he harbors for abandoning his wife, Blue, over two decades ago, has lured him from hiding. As the modern age marches swiftly forward, Glendon aims to travel back to his past--heading to California to seek Blue's forgiveness. Beguiled and inspired, Monte soon finds himself leaving behind his own family to embark for the unruly West with his fugitive guide. As they desperately flee from the relentless Charles Siringo, an ex-Pinkerton who's been hunting Glendon for years, Monte falls ever further from his family and the law, to be tempered by a fiery adventure from which he may never get home.

    The dialogue crackles with hilarious, caustic putdowns as the indomitable Maggie deals with her feckless family and unwanted suitors. Everyone wants a part of Big Maggie and her property but she has other ideas.

    Following her mother’s death she is guided to Horstberg in search of answers and contentment. When her path repeatedly crosses with the brooding Stefan Heinrich, she is drawn to him by feelings too profound to ignore. The love they share is intense and undeniable, but Ericha’s ignorance of Stefan’s circumstances puts her on a scale in his life opposite to the country he rules, and the wife he loathes.While Stefan questions daily what kind of madness drove him to marry the deceptive and tawdry Johanna Von Bindorf, a princess from the neighboring country of Kohenswald, he is torn between his commitment to do what is right, and his love for a woman that he cannot have; a woman who fills his aching soul. Years of spiraling downward in hopelessness finally drive him to make Ericha a part of his life as far as it is possible, while deep inside he knows that eventually a price for his happiness will have to be paid.As Ericha develops a deep bond with the legendary Abbi du Woernig, she unknowingly breathes life back into the heart and soul of Horstberg. But happiness and peace for the entire family are fleeting and fragile. Both Stefan and Ericha quickly realize the price for their choices is higher than either of them ever could have imagined. When Horstberg’s freedom is bargained for with the life of its ruler, Stefan knows that he must sacrifice everything to once again prove himself worthy to serve the people of his country with dignity and to live his life with the woman he loves.

    When he rebuffs her clumsy advances, Isabella leaves for London, determined to find the man of her dreams and soothe her bruised ego.Michael Linfield, Duke of Blackmore is a legendary, fearsome, war hero; famous for reducing debutantes and their mothers to floods of tears with just one glance. The brooding, giant of a man is hiding a secret however - a debilitating stammer that has haunted him since childhood. When the delightful Miss Peregrine proposes a marriage of convenience to him - with no benefits - Michael is so startled that his stammer reappears and all he can manage to reply is "N-n-no".When news of Isabella's success in London soon reaches his ears, Michael is determined to go to town and win her as his own, if only she'll give him a second chance at love.The Duke’s BrotherCan a Duke's bastard win the heart of a lady?Plucked as an orphan from the slums of St. Giles' by his half-brother the Duke of Blackmore, Sebastian Black soon rises to become one of the richest men in London, and a notorious rake to boot. His time at Eton has left him with a healthy disregard for the aristocracy - that is until he inadvertently becomes involved in the affairs of the prim, proper and snooty Aurelia St Claire.Aurelia's brother, Lord Theodore Epsom, was reported missing after Waterloo, but she is convinced that she has sighted him alive and well in London. The pair join forces to try to discover exactly what happened to Theo and as their sleuthing takes them into London's murky back alleys, they discover that they aren’t so different after all.Can two people overcome their prejudices, their foibles - or even their very history - to find love?A Lady Like No Other“Would my lady care to dance?”“My lady would rather eat a live chicken.”Beautiful, titled, and wealthy to boot, Lady Lydia Beaufort was expected to have a spectacular London Season. There was just one problem; the eccentric daughter of the Earl of Galway had no intention of becoming the ton’s darling. Especially if it involved humouring the awful herds of fortune hunters and greedy second sons, intent on making her their bride.All Lydia wanted was to be left alone in peace, to read her beloved Lord Byron. That is until an incorrigible rogue of a Marquess burst into her life, and turned all her ideas about love upside down.Charming, congenial, and ever so handsome, Gabriel Livingstone, Marquess of Sutherland could have his pick of any of the season’s debutantes, but the only rose he longed to pluck, was the very thorny Lady Beaufort. Just when he thinks he might finally have won her heart, fate, in the form of an Italian Count, a mischievous Gypsy and a political assassination plot, gets in his way.Can this mismatched pair find their happily ever after?

    Comes complete with a color photo section of scenes from the movie and a bio of the renowned film score composer John Barry.

    Now the acclaimed author of SHAKESPEARE: HIS WORK AND HIS WORLD presents the Bard's best-loved play — perhaps of all time — in a beautiful picture book for children. Michael Rosen retells ROMEO AND JULIET scene by scene in a simple, lively style that incorporates the most celebrated passages in their original form, while a border on each spread offers act and scene references and a glossary of difficult words. Exquisite illustrations by Jane Ray complete the production, making this an edition to enthrall the eye as well as the ear.

    They've been friends since they were toddlers and now they've become young ladies and left school. Joan finds work at Dunlop's tyre factory, while Ginny's dream comes true when she is taken on as a counter assistant at Woolworths. But things don't work out as she had expected, and she carries around a dark secret...

    Perfect for fans of Dilly Court, Maggie Hope and Nadine Dorries. 1903. As Rob Berkeley comes home to Berry Edge, ten years after his brother's terrible death, he brings with him memories that Faith Norman, his dead brother's fiancée, would rather forget. Rob, driven by guilt, is determined to bring the family business, the foundering steelworks, back to full strength. But every time he sees Faith, he is remained of the part he played in her bereavement and the debt he owes her and Berry Edge. The secrets he hides from the community around him could threaten his very future, and jeopardise his growing feelings for Faith . . .

    Hunter's A Bright New Boise is a earnest comedy about the meager profits of modern faith. In the bleak, corporate break room of a craft store in Idaho, someone is summoning The Rapture. Will, who has fled his rural hometown after a scandal at his Evangelical church, comes to the Hobby Lobby, not only f