In fact, getting sick and dying can be a big, ugly mess-especially before the modern medical care that we all enjoy today. How They Croaked relays all the gory details of how nineteen world figures gave up the ghost. For example:It is believed that Henry VIII's remains exploded within his coffin while lying in state. Doctors "treated" George Washington by draining almost 80 ounces of blood before he finally kicked the bucket. Right before Beethoven wrote his last notes, doctors drilled a hole in his stomach without any pain medication.Readers will be interested well past the final curtain, and feel lucky to live in a world with painkillers, X-rays, soap, and 911.

    Who made this book?(We all did!)Author-Artist (Illustrator)EditorPublisherDesignerCopy Editor-ProofreaderProduction DirectorColor SeparatorPrinterPublicity and Promotion DirectorSalesperson

    Streetcars won't stop for Koji, and his classmates accuse him of being an enemy spy. When a letter arrives from the government notifying him that he must go to a relocation center for Japanese Americans, he and his mother are forced to leave everything they know behind. Once there, Koji soon discovers that being half white in the internment camp is just as difficult as being half Japanese in San Francisco.Koji's story, based on true events, is brought to life by Matt Faulkner's cinematic illustrations, which reveal Koji struggling to find his place in a tumultuous world—one where he is a prisoner of war in his own country.

    With influences from Shakespeare and William Blake, Sendak pays homage to his late brother, Jack, whom he credited for his passion for writing and drawing. Pairing Sendak's poignant poetry with his exquisite and dramatic artwork, this book redefines what mature readers expect from Maurice Sendak while continuing the lasting legacy he created over his long, illustrious career. Sendak's tribute to his brother is an expression of both grief and love and will resonate with his lifelong fans who may have read his children's books and will be ecstatic to discover something for them now. Pulitzer Prize–winning literary critic and Shakespearean scholar Stephen Greenblatt contributes a moving introduction.

    It looks at wars and disasters; introduces artists, explorers and leaders; shows us living in castles, yurts and skyscrapers. And it does not neglect the imagination—here too are dragons, mythical figures and TV characters, alongside world-changing inventions borne from the imaginations of scientists and explorers. Each scene puts global events in perspective, in space and time.

    In If Stones Could Speak, award-winning author Marc Aronson joins the research crew and records their efforts to crack Stonehenge’s secrets. National Geographic helped sponsor the Riverside archeological team’s mission, and now young readers can journey behind the scenes to experience this groundbreaking story first-hand, through the eyes of the experts. Mike and his team have revolutionized our understanding of Stonehenge by exploring the surrounding landscape for clues about the stones -- an idea first suggested by a visitor from Madagascar. The results have been breathtaking: The team recently unearthed the largest Neolithic village ever found in England. Marc Aronson had total access to the site, the team, and their work over two seasons of digging and brings the inspirational story of the discoveries taking place at this World Historical Site to young readers. The informative and drama-driven text includes tales of dead bodies, cremations, feasting, and ancient rituals, as well as insights into the science of uncovering the ancien t past. The expert text, stunning photography, and explanatory maps and illustrations will all help young readers see this ancient monument in totally new ways, and inspire future generations of archaeological explorers.

    From silhouette-cinching corsets and combustible combs to lethal hair dyes and flammable flannel, this nonfiction book looks back at the times people have suffered pain, injury, and worse, all in the name of style. Historical examples like the tragic "Radium Girl" watchmakers and mercury-poisoned "Mad Hatters," along with more recent factory accidents, raise discussion of unsafe workplaces--where those who make the clothes are often fashion's first victims.Co-authored by a scholar in the history of textiles and dress with the founder of WORN Fashion Journal, this book is equal parts fab and frightening: a stylishly illustrated mash-up of STEAM content, historical anecdotes, and chilling stories. Nonfiction features including sidebars, sources, an index, and a list of further reading will support critical literacy skills and digging deeper with research on this topic.

    Simple viewing instructions and a solution key are included.

     Hugo, the lord’s nephew, proves his manhood by hunting a wild boar. Sharp-tongued Nelly supports her family by selling live eels. Peasant Mogg gets a clever lesson in how to save a cow from a greedy landlord. Barbary slings mud on noble Jack. Alice is the singing shepherdess. And many more . . . .

    Weaving science, history, culture, and folklore, awardwinning writer Albert Marrin offers a look at rats that goes from curious to repulsive, horrifying to comic, fearsome to inspiring. Arresting blackand- white scratchboard illustrations with bold red accents add visual punch to this study of a creature that has annoyed, disgusted, nourished, and intrigued its human neighbors throughout the centuries.

    It is the first time she has left her home in Mexico. And Frida wants to be a painter too.But as Frida begins to explore San Francisco on her own, she discovers more than the beauty, diversity, and exuberance of America. She finds the inspiration she needs to become one of the most celebrated artists of all time.Me, Frida is an exhilarating true story that encourages children to believe in themselves so they can make their own dreams soar.Praise for Me, Frida"The writing is lucid, the emotions are universal, and the illustrations soar. Glowing with warm, vibrant colors, the charcoal and acrylic paintings create distinctive, statuesque people within imaginatively conceived landscapes, cityscapes, and interiors." –Booklist

    In this companion volume to the best-selling ENCYCLOPEDIA PREHISTORICA: DINOSAURS, pop-up masters Robert Sabuda and Matthew Reinhart explore the prehistoric underwater world, where monsters like megalodon ruled the waves. Full of captivating facts and more than 35 breathtaking pop-ups, this incredible volume is sure to astonish and amaze everyone from budding marine biologists to confirmed landlubbers. After all, if prehistoric coelacanths and crocodiles are still around, what else might be lurking in today's largely unexplored oceans?

    She highlights the artists behind the broadcast, the broadcast itself, the aftermath, and the repercussions which remain relevant today.On the night of October 30, 1938, thousands of Americans panicked when they believed that Martians had invaded Earth. What appeared to be breaking news about an alien invasion was, in fact, a radio drama based on H. G. Wells’ War of the Worlds, performed by Orson Welles and his Mercury Theatre players. Some listeners became angry once they realized they had been tricked, and the reaction to the broadcast sparked a national discussion about fake news, propaganda, and the role of radio.

    He crawls like a catfish, blows bubbles like a swamp monster, but he doesn’t swim in the town pool with me. He’s not allowed. Joe and John Henry are a lot alike. They both like shooting marbles, they both want to be firemen, and they both love to swim. But there’s one important way they're different: Joe is white and John Henry is black, and in the South in 1964, that means John Henry isn’t allowed to do everything his best friend is. Then a law is passed that forbids segregation and opens the town pool to everyone. Joe and John Henry are so excited they race each other there...only to discover that it takes more than a new law to change people’s hearts.

    In course of time ice piled over the Well, and out of it grew something they called Ymir, the father of the terrible Frost Giants. Ymir was fed on the milk of a magic cow who licked the ice, and with it salt from the Well of Life. As she licked with her tongue, she formed the first of the gods, the Ǣsir, who was called Buri. Buri had a son Borr, and Borr was the father of Odin. Odin and his brothers overcame the ice and frost giants. They thrust Ymir down into the Yawning Void, and of his body they made the world we live in. They set the sea in a ring about the world, and planted the World Tree, the Ash Yggdrasill, to hold it in place. From this making of the world, to Ragnarok, the last Great Battle, Roger Lancelyn Green tells the story in one continuous narrative. It is easy to read, and there is a clear rhythm carrying through to the final climax. He has taken his material from original sources, of which he gives a brief account in his foreword. “The interest in these myths often preceded reading abilty, but this telling will be found good to read aloud, and boys and gtirls from 10 up will easily manage it for themselves. “