The tales are bawdy and irreverent but also tender and whimsical, acute in psychological characterization and encyclopedic in description. They are also evocative of marvelous worlds of fairy-tale unreality as well as of the everyday rituals of life in seventeenth-century Naples. Yet because the original is written in the nonstandard Neopolitan dialect of Italian—and was last translated fully into English in 1932—this important piece of Baroque literature has long been inaccessible to both the general public and most fairy-tale scholars.Giambattista Basile’s “The Tale of Tales, or Entertainment for Little Ones” is a modern translation that preserves the distinctive character of Basile’s original. Working directly from the original Neopolitan version, translator Nancy L. Canepa takes pains to maintain the idiosyncratic tone of The Tale of Tales as well as the work’s unpredictable structure. This edition keeps the repetition, experimental syntax, and inventive metaphors of the original version intact, bringing Basile’s words directly to twenty-first-century readers for the first time. This volume is also fully annotated, so as to elucidate any unfamiliar cultural references alongside the text. Giambattista Basile’s “The Tale of Tales, or Entertainment for Little Ones” is also lushly illustrated and includes a foreword, an introduction, an illustrator’s note, and a complete bibliography.The publication of The Tale of Tales marked not only a culmination of the interest in the popular culture and folk traditions of the Renaissance period but also the beginning of the era of the artful and sophisticated “authored” fairy tale that inspired and influenced later writers like Charles Perrault and the Brothers Grimm. Giambattista Basile’s “The Tale of Tales, or Entertainment for Little Ones” offers an excellent point of departure for reflection about what constitutes Italian culture, as well as for discussion of the relevance that forms of early modern culture like fairy tales still hold for us today. This volume is vital reading for fairy-tale scholars and anyone interested in cultural history.

    Cerf chose the most famous and representative stories from Sir Richard F. Burton's multivolume translation, and includes Burton's extensive and acclaimed explanatory notes. The tales of told by Shahrazad over a thousand and one nights to delay her execution by the vengeful King Shahriyar have become among the most popular in both Eastern and Western literature, as recounted by Sir Francis Burton. From the epic adventures of "Aladdin and the Enchanted Lamp" to the farcical "Young Woman and her Five Lovers" and the social criticism of "The Tale of the Hunchback", the stories depict a fabulous world of all-powerful sorcerers, jinns imprisoned in bottles and enchanting princesses. But despite their imaginative extravagance, the Tales are anchored to everyday life by their realism, providing a full and intimate record of medieval Islam.'

    Beautifully illustrated story about the beauty and the beast, enchanted not only by an evil spell, but by love.

    CONTENTS Blondine, Bonne-Biche, and Beau-Minon Blondine; Blondine Lost; The Forest of Lilacs; Blondine's Awakening - Beau-Minon; Bonne-Biche; Blondine's Second Awakening; The Parrot; Repentance; The Tortoise; The Journey and Arrival Good Little Henry The Poor Sick Mother; The Crow, the Cock, and the Frog; The Harvest; The Vintage; The Chase; The Fishing; The Plant of Life Princess Rosette The Farm; Rosette at the Court of the King Her Father; Family Council; Second Day of the Festival; Third and Last Day of the Festival The Little Gray Mouse The Little House; The Fairy Detestable; The Prince Gracious; The Tree in the Rotunda; The Casket Ourson The Lark and the Toad; Birth and Infancy of Ourson; Violette; The Dream; The Toad Again; Violette's Sacrifice; The Wild Boar; The Conflagration; The Well; The Farm - The Castle - The Forge; The Sacrifice; The Combat; The Recompense

    Each has a special magic, an aura that is sometimes beautiful and fascinating, sombre and frightening, or exciting and colourful. But what unites all these stories is the essential quality of folk-lore, something that transcends the boundaries of nations, of custom and time, that gives them their permanence and universality of appeal. "Authors need folk-tales," Richard Adams says, "in the same way as composers need folk-song. They're the headspring of the narrator's art, where the story stands forth at its simple, irreducible best. They don't date, any more than dreams, for they are the collective dreams of humanity." In order to preserve as far as possible the immediacy and directness of authentic folk story-telling, each of the nineteen tales is presented as being told by an imagined narrator to one or more hearers at a particular time and place, sometimes past, sometimes present. However, the reader is never told the identity either of the teller or his hearers, but is left free to infer both them and the occasion solely from the narrator's own words. This original technique adds a novel dash of piquancy to this fine collection.

    Over 150 tales are compiled from Iceland to Syria, Cuba to Papua.Part of the Pantheon Fairy Tale and Folklore Library

    Svidrigailov simply is the most memorable figure in the book, obscuring Raskolnikov, who after all is the protagonist, a hero-villain, and a kind of surrogate for Dostoevsky himself.

    The 26 stories of "Guleesh," "The Horned Women," "King O'Toole and His Goose," "The Sea-Maiden," "The Shee An Gannon and the Gruagach Gaire," "The Lad with the Goat-Skin," the legendary "Dierdre," "Beth Gellert," and the other wonderful characters, the curses and hexes, the broken promises and granted wishes are accompanied by eight full-page plates, 37 drawings, and decorated capitals and endpieces that help make this book the charming one that generations of youngsters have proclaimed it to be.

    

      Filled with kings and peasants, saints and ogres—as well as some quite extraordinary plants and animals—these two hundred tales bring to life Italy’s folklore, sometimes with earthy humor, sometimes with noble mystery, and sometimes with the playfulness of sheer nonsense.   Selected and retold by one of the country’s greatest literary icons, “this collection stands with the finest folktale collections anywhere” (The New York Times Book Review).   “For readers of any age . . . A masterwork.” —The Wall Street Journal   “A magic book, and a classic to boot.” —Time

    The scene is set in a fantastic land ruled by three greedy fat men who are engrossed in eating and making merry in their palace. Meanwhile, curious things are happening outside the high palace walls.You will learn all about this and much more when you read this wise, merry tale that is so like the truth. The Three Fat Men, a favorite with all Soviet children, has run to over 30 printings, it was made into a film, and performed at many theaters in Russia."Yuri Olesha (1899-1960), a Soviet prose writer and playwright, is immensely popular with readers for his novel Envy, his short stories, plays and the famous book for children The Three Fat Men, which is really one of his masterpieces.""Yuri Olesha's book The Three Fat Men is fantastic, fabulous, abounding in extraordinary transformation and fascinating happenings." -Literaturnaya Gazeta-"There was something Beethovenian in Yuri Olesha, even in his voice. His eyes discovered many marvelous, impressive things around him, and he wrote about them briefly, precisely and excellently. -Konstantin Paustovsky-

    I fear that, without it, I would feel invisible.   BABA YAGA: When you seek others this way, you are invisible nonetheless. Yr shawl is covered in mirrors in which others admire themselves; this is why they greet you so passionately. It is good to be seen, but it is better to see. Find a being to look hard into, & you will see yrself and what is more than you.  In age-old Slavic fairy tales, the witch Baba Yaga is sought out by those with a burning need for guidance. In contemporary life, Baba Yaga—a dangerous, slippery oracle—answered earnest questions on The Hairpin for years. These pages collect her most poignant, surreal, and humorous exchanges along with all-new questions and answers for those seeking her mystical advice.

    Nordic Tales is a collection of 16 traditional tales from the enchanting world of Nordic folklore.Translated and transcribed by folklorists in the 19th century, these stories are at once magical, hilarious, cozy, and chilling.Welcome to a world of mystical adventure—where trolls haunt the snowy forests, terrifying monsters roam the open sea, a young woman journeys to the end of the world, and a boy proves he knows no fear.• Offers a fascinating view into Nordic culture• The tales come alive alongside bold, contemporary art• Part of the popular Tales series, featuring Tales of Japan, Celtic Tales, Tales of India, and Tales of East AfricaNordic Tales will enthrall fans of fairytales and captivate those interested in the rich history of Nordic culture.Ulla Thynell's glowing contemporary illustrations accompany each tale, conjuring dragons, princesses, and the northern lights.• A visually gorgeous book that will be at home on the shelf or on the coffee table• A perfect gift for fairy tale and folklore lovers, fans of Nordic culture, people of Nordic ancestry, collectors of illustrated classics, and bibliophiles looking for a comforting wintertime read• Add it to the collection of books like D'Aulaires' Book of Norse Myths by Ingri d'Aulaire and Edgar Parin d'Aulaire, Norse Mythology by Neil Gaiman, and Mythology: Timeless Tales of Gods and Heroes by Edith Hamilton.People who love Greek mythology, roman mythology, Chinese mythology, Celtic mythology, and folklore and cultural studies from around the globe will love Nordic Tales.

    Her eagerness to help a mysterious bunny gets her transported to a strange world full of goblin inventors, dog armies, cosmic giants, and even stranger things! Armed with the ancestral weapon of rabbitkind (an old shovel) she must help her animal friends, and get home in time for supper. Along the way she will experience the bravery of folk heroes, the power of ancient gods and the danger of lurking monsters; all while making sure her animal friends are safe. A word book for young readers, The Tale of Tallest Rabbit is a family friendly collection of stories tied together by an overarching narrative of bravery and friendship.

    Aesop was reputedly a tongue-tied slave who miraculously received the power of speech; from his legendary storytelling came the collections of prose and verse fables scattered throughout Greek and Roman literature. First published in English by Caxton in 1484, the fables and their morals continue to charm modern readers: who does not know the story of the tortoise and the hare, or the boy who cried wolf?