James, from Christian Grey’s point of view rather than Anastacia Steele’s. Grey is an erotic novel with aspects of romance that delves into a topical display of the BDSM (bondage, discipline, sadism, masochism) lifestyle. As a result of Grey only being told from Christian Grey’s point of view, the reader gets a strong sense of Grey’s past and his personal perspective via flashbacks, dreams, nightmares, and a constant internal monologue. The reader is told that Grey uses the “discipline” aspects of BDSM culture as a coping mechanism for the physical and psychological abuse he suffered as a child, between the ages of 3 and 4. Grey unintentionally shows stunted emotional growth and vents his frustrations with his subconscious self through “performative punishment” acts; he shows no emotional attachment to and of the women who agree to be his “submissives” until he meets and become infatuated with Anastacia Steele. Steele consumes his thoughts and fantasies before, during, and after their one-month, whirlwind relationship, and the novel ends when he commits to winning her back. Grey as a novel reads at an elementary school level; outside of Grey’s dreams told from the point of view of toddler-aged Grey, the novel is simplistic at best, with instances of word misuse and extremely vague description. The character development is nominal; when presented with an adult with deep psychological scars, the author has given themselves the responsibility to develop them into a realistic character – many people have abuse in their pasts and can relate to this topic, therefore, when a writer establishes a character with substantial amounts of abuse, they need to give an equally substantial amount of consideration to the treatment of the character because the potential readers who don’t identify with the character could potentially carry over the same superficial treatment of a fictional character to a real person. That being said, James does not allow any growth for Grey as a character within the novel, except to move him towards “consideration” of growth rather than “actualization” of growth. She cuts Grey off at the proverbial knees, by keeping as an attractive, rich man with a kinky sex life and a shadowy background. Would You Like To Know More? Download your copy today! Available on PC, Mac, smart phone, tablet or Kindle device. © 2015 All Rights Reserved

    His grandfather, silver-screen heartthrob James Ringer, died tragically at twenty-one, and Brandon looks exactly like him. But that’s where the resemblance ends. Brandon is unknown, unemployed, and up to his ears in bills after inheriting his grandparents’ Hollywood mansion. He refuses to sell it—it’s his last connection to his grandmother—so to raise the cash he needs, he joins a celebrity look-alike escort agency.Percy Charles is chronically ill, isolated, and lonely. His only company is his meddlesome caregiver and his collection of James Ringer memorabilia. When he finds “Jim Ringer” on Hollywood Doubles’ website, he books an appointment, hoping to meet someone who shares his passion for his idol.Brandon? Not that person.But despite their differences, they connect, and Percy’s fanboy love for James shows Brandon a side of his grandfather he never knew. Soon they want time together off the clock, but Percy is losing his battle for independence, and Brandon feels trapped in James’s long shadow. Their struggle to love each other is the stuff of classic Hollywood. Too bad Brandon knows how those stories end.

    After all, she’s a Ferrara, and her family and the Viteris have been enemies for decades. Not to mention she has snuck into his apartment to steal the files her family desperately needs. But Aaron offers her a deal. He’ll spare her life if she pretends to be his sex slave and helps him take over his father’s business. Octavia knows she can’t trust the cold, arrogant, controlling, and devilishly handsome Aaron, but her only choice is to accept his offer. The more time she spends with him, the more she realizes he isn’t who everyone thinks he is. And the way he looks at her makes her want to tie him to the bed and put his perfect mouth to better use. But if Octavia wants to stop a looming war before it’s too late, she can’t let her growing feelings for her enemy get in the way. This is the first installment in the three-book Loving Your Enemy series. It contains potentially triggering situations, violence, strong language, sexual content, and a cliffhanger.

    To gain experience, she sets her sights on . . .Sebastian, whose powerful, aristocratic confidence suits Anna’s mercenary goals. But his arrogance masks a craving for submission that Anna instinctively satisfies. Sebastian soon begs for her hand in marriage, even if it means sharing her with . . .Pia, who trusts Anna completely—with her body and her future—until she learns of Anna’s hasty marriage. Pia questions their commitment to each other as they leave for London to meet . . .Farleigh, the seemingly feckless duke who thinks he’s over Sebastian, the potent Spanish soldier he bedded two years ago.What begins as a series of erotic escapades soon evolves into a deep, unbreakable bond. Two men and two women who yearn to explore are about to make their wildest dreams come true.