In these and other thought-provoking stories, legendary author Harlan Ellison dissects the primal fears and inherent frailties common to all people and gives voice to the thoughts and feelings human beings bury deep within their souls. Unflinching and unapologetic, Ellison depicts men and women in all their ugliness and beauty, and humanity in all its fury and glory. Stories include “Introduction: Mortal Dreads,” “Jeffty Is Five,” “How’s the Night Life on Cissalda?,” “Flop Sweat,” “Would You Do it For a Penny?” (written in collaboration with Haskell Barkin), “The Man Who Was Heavily Into Revenge,” “Shoppe Keeper,” “All the Lies That Are My Life,” “Django,” “Count the Clock That Tells the Time,” “In the Fourth Year of the War,” “Alive and Well on a Friendless Voyage,” “All the Birds Come Home to Roost,” “Opium,” “The Other Eye of Polyphemus,” “The Executioner of the Malformed Children,” and “Shatterday.”

    Miles Bennell discovered an insidious, horrifying plot. Silently, subtly, almost imperceptibly, alien life-forms were taking over the bodies and minds of his neighbors, his friends, his family, the woman he loved—the world as he knew it. First published in 1955, this classic thriller of the ultimate alien invasion and the triumph of the human spirit over an invisible enemy inspired three major motion pictures.

    Up the Walls of the World is the 1978 debut novel of Alice Sheldon, who had built her reputation with the acclaimed short stories she published under the name James Tiptree Jr. A singular representation of American science fiction in its prime, Tiptree’s first novel expanded on the themes she addressed in her short fiction. Known as the Destroyer, a self-aware leviathan roams through space gobbling up star systems. In its path is the planet Tyree, populated by telepathic wind-dwelling aliens who are facing extinction. Meanwhile on Earth, people burdened with psi powers are part of a secret military experiment run by a drug-addicted doctor struggling with his own grief. These vulnerable humans soon become the target of the Tyrenni, whose only hope of survival is to take over their bodies and minds—an unspeakable crime in any other period of the aliens’ history...

    Spock, and Dr. McCoy struggle to establish new lives apart from each other and the starship. The newly-promoted Admiral Kirk is placed in charge of a specially-created Starfleet division and attempts to defuse a critical hostage situation; Mr. Spock, who, in the midst of a teaching assignment on Vulcan, finds the one thing he least expected; and Dr. McCoy, whose unerring instinct for trouble lands him smack in the middle of an incident that could trigger an interstellar bloodbath.

    Giant chickens, rats, and insects run amok, and children given the food stuffs experience incredible growth--and serious illnesses. Over the years, people who have eaten these specially treated foods find themselves unable to fit into a society where ignorance and hypocrisy rule. These "giants," with their extraordinary mental powers, find themselves shut away from an older, more traditional society. Intolerance and hatred increase as the line of distinction between ordinary people and giants is drawn across communities and families. One of H. G. Wells' lesser-known works, The Food of the Gods has been retold many times in many forms since it was first published in 1904. The gripping, newly relevant tale combines fast-paced entertainment with social commentary as it considers the ethics involved in genetic engineering.

    It is a kingdom of phantoms and of a beauty afflicted by madness. In stark contrast, the crew of the spaceship Hermes represents a knowledge-seeking Earth. As they approach Quinta, a dark poetry takes over and leads them into a nightmare of misunderstanding. Translated by Michael Kandel.The novel was published in German translation (translated by H. Schumann) in 1986. The Polish text published in 1987, the English translation (by M. Kandel) the same year.

    Humanity’s greatest dreams have become reality. Along with dozens of other sentient races, the people of Earth have formed the United Federation of Planets—a galactic civilization that governs much of the known universe for the good of all. Over the past two centuries, mankind has tamed its basest instincts, and reached the stars…But suppose it hadn’t happened that way at all? Suppose instead humanity’s darkest impulses, its most savage, animalistic desires had triumphed? Suppose that the empire mankind made out in the stars was one ruled by terror, where only those willing to brutalize their own kind and their neighbors could survive?One hundred years ago, four crewmembers of the U.S.S. Enterprise crossed the dimensional barrier and found just such an empire. A mirror image of their own universe, populated by nightmare duplicates of their shipmates. Barely able to escape with their lives, they returned thankful that the accident that brought them there could not be duplicated. Or so they thought.But now the scientists of that empire have found a doorway into our universe. Thier plan: to destroy from within, to replace one of our starships with one of theirs. Their victims: the crew of the U.S.S. Enterprise NCC 1701-D.

    Did some cryptic patron race begin the job long ago, then abandon us? Or did we leap all by ourselves? That question burns, yet a greater mystery looms ahead, in the furnace of a star. Under the caverns of Mercury, Expedition Sundiver prepares for the most momentous voyage in our history – into the boiling inferno of the sun, seeking our destiny in the cosmic order of life.

    Richard Seaton acquires rights to his discovery from the government and commercializes it with the aid of his friend, millionaire inventor Martin Crane. When a former colleague tries to steal the invention, not only the future of Dr. Seaton and his allies, but ultimately the entire world hangs in the balance!The first of the great "space opera" science fiction novels, The Skylark of Space remains a thrilling tale more than 80 years after its creation."With the exception of the works of H. G. Wells, possibly those of Jules Verne -- and almost no other writer -- it has inspired more imitators and done more to change the nature of all the science fiction written after it than almost any other single work." -- Frederik Pohl

    It was waiting for him, just as he had left it. But where? He only knew he was in the center of a galaxy in a universe of galaxies. Within them lay endless varieties of the planet Earth. And there was only one way to find his Earth again: he would have to visit each one. And he would have to hurry--because his search for home had turned into a race with death.

    For the small community of San Onofre on the West Coast, life is a matter of survival: living simply on what the sea and land can provide, preserving what knowledge and skills they can in a society without mass communications. Until the men from San Diego arrive, riding the rails on flatbed trucks and bringing news of the new American Resistance. And Hank Fletcher and his friends are drawn into an adventure that marks the end of childhood...

    The last remnants of humanity are fighting for survival, terrorised by the carnivorous plants and the grotesque insect life.Contents:· Hothouse · Brian W. Aldiss · nv F&SF Feb ’61 · Nomansland · Brian W. Aldiss · nv F&SF Apr ’61 · Undergrowth · Brian W. Aldiss · na F&SF Jul ’61 · Timberline · Brian W. Aldiss · nv F&SF Sep ’61 · Evergreen · Brian W. Aldiss · na F&SF Dec ’61

    Each sought his own brand of happiness. But none could have guessed what awaited them. Not even in a million years....

    Newton is an extraterrestrial who goes to Earth on a desperate mission of mercy. But instead of aid, Newton discovers loneliness and despair that ultimately ends in tragedy.

    She cannot speak the Ariekei tongue, but she is an indelible part of it, having long ago been made a figure of speech, a living simile in their language.When distant political machinations deliver a new ambassador to Arieka, the fragile equilibrium between humans and aliens is violently upset. Catastrophe looms, and Avice is torn between competing loyalties—to a husband she no longer loves, to a system she no longer trusts, and to her place in a language she cannot speak yet speaks through her.