So why does everyone have a problem with it? They think the way she looks and acts means she’s trying to be a boy—that she should quit trying to be something she’s not. If she dresses like a girl, and does what her folks want, it will show respect. If she takes orders and does what her friend Colby wants, it will show her loyalty. But respect and loyalty, Pen discovers, are empty words. Old-world parents, disintegrating friendships, and strong feelings for other girls drive Pen to see the truth—that in order to be who she truly wants to be, she’ll have to man up.

    The responsibility terrifies her, she never wanted this.In the course of a year, Kat Stein has gone from happily married second-grade teacher, to divorced, broke and hanging onto her job by a thread. The loss of her perfect life is devastating, she never wanted this.And when travel-crazed hippy meets disciplined, strait-laced teacher, it's hate at first sight. Alex and Kat couldn't be more different, and neither is exactly living her best life. Until a rigged school election, a painful accident in the woods, and the re-appearance of Libby's mysterious father mean that the two are reluctantly bound together...Getting everything you ever wanted is hard enough. But getting everything you never wanted? That's a whole lot trickier...Everything We Never Wanted is a new stand-alone lesbian romance from Sienna Waters, the author of the Oakview and Monday's Child lesfic series.

    Kyle's life seems to be spiraling out of control. Greg doesn't mind picking up the pieces, but his normally smart, ambitious and good-looking friend seems more distracted than usual after his last break-up. And he's starting to get annoyed at Greg trying to lend him a hand. What Greg doesn't realize is that Kyle is keeping something from him... and it could change both of their lives forever.

    You remember that. It was a moment in history – not like Kennedy or the planes flying into the World Trade Center – not up at that level. This was something much lower, more like Ben Johnson, back when his eyes were that thick, yellow color and he tested positive in Seoul after breaking the world-record in the hundred. You might not know exactly where you were standing or exactly what you were doing when you first heard about Tyson or about Ben, but when the news came down, I bet it stuck with you. When Tyson bit off Holyfield’s ear, that cut right through the everyday clutter. —from Miracle MileTwo runners race a cargo train through the darkness of a rat-infested tunnel beneath the Detroit River. A drugstore bicycle courier crosses a forbidden threshold in an attempt to save a life and a young swimmer conquers her fear of water only to discover she's caught in far more dangerous currents. An auto-worker who loses his family in a car accident is forced to reconsider his relationship with the internal combustion engine.Alexander MacLeod is a writer of "ferocious intelligence" and "ferocious physicality" (CTV). Light Lifting, his celebrated first collection, offers us a suite of darkly urban and unflinching elegies that explore the depths of the psyche and channel the subconscious hopes and terrors that motivate us all. These are elemental stories of work and its bonds, of tragedy and tragedy barely averted, but also of beauty, love and fragile understanding.

    A woman mourning the loss of her husband finds solace in talking to his ashes, entombed in a curling stone. The title story zeroes in on a girl with Fred Hoyle syndrome, whose age expands and contracts like the universe. The members of a support group for people with benign tumors begin to suspect that their meekness has caused their medical woes.Bang Crunch creates an extraordinary world inhabited by all-too-human characters, and heralds the arrival of a literary talent with an unfailing, exacting concern for the profundities of our lives.

    It all started when I was 3-years-old at a family reunion and my speech impediment kept me from properly parroting what everyone else in the family was calling me. Fifteen years later and my speech impediment is marginally better but I still have a shocking wave of flame-colored hair, freckles, and I'm so shy I can barely look at my own reflection. I'm still stuck with that awful nickname. Even the other people in school call me "Ginjuh". How can a teenage guy come out to his family when they already tease him about his looks and his speech impediment? Why wouldn't a person's family realize the damage they can do to a child's self-esteem with such taunts? "It's all just in good fun, Ginjuh!" is what they tell me. Sometimes I feel like my whole family is against me, like they want me to feel worthless. At least I have my grandpa. But he's been sick for a while. Above all things--being scared of coming out, being annoyed with the taunts and jabs, being so shy my own shadow scares me--I'm terrified of losing him. But that's life, isn't it? A guy has to learn to face it...or collapse under the weight of it.

    When Skim's classmate Katie Matthews is dumped by her boyfriend, who then kills himself, the entire school goes into mourning overdrive. As concerned guidance counselors provide lectures on the "cycle of grief," and the popular clique starts a new club (Girls Celebrate Life!) to bolster school spirit, Skim sinks into an ever-deepening depression.And falling in love only makes things worse...Suicide, depression, love, being gay or not, crushes, cliques, and finding a way to be your own fully human self—are all explored in this brilliant collaboration by cousins Mariko and Jillian Tamaki. An edgy, keenly observed and poignant glimpse into the heartache of being young.

    These stories showcase Miranda Hill's astonishing range and virtuosity, introducing us to a protean variety of characters, each as well-realized as the next. Here is a writer who can seamlessly inhabit the consciousness of a sixteen-year-old navigating an embarrassing sex-ed class, a middle-aged minister experiencing a devastating crisis of faith in a 19th century rural village, a pilot's widow coping with her grief by growing an unusual "victory garden" during World War II, and well-heeled modern professional women juggling jobs, kids, and husbands, and trying to cope with the arrival of a beautiful bohemian neighbour, on a gentrified street in downtown Toronto.The qualities that unite these remarkable stories are a pervasive sense of mystery and magic, a wonderful wit and sophistication, and most surprisingly, the slight disorientation implied by the title: In Miranda Hill's beguiling universe, the "real world" is recognizable and slightly askew, as if you were experiencing one of those strange dreams where you think you are awake--or as if you've been "sleeping funny" and are on the cusp of waking into the everyday world you thought you knew.

    The place is so raw and pure, all seal hide and crystalline iceberg. The fishbowl communities at McMurdo Station, South Pole Station, and in the remote field camps intensify relationships, jack all emotion up to a 10. The trick is to get what you need and then get out fast.    At least that’s how thirty-year-old Rosie Moore views it as she flies in for her third season on the Ice. She plans to avoid all entanglements, romantic and otherwise, and do her work as a galley cook. But when her flight crash-lands, so do all her plans.    Mikala Wilbo, a brilliant young composer whose heart—and music—have been frozen since the death of her partner, is also on that flight. She has come to the Ice as an artist-in-residence, to write music, but also to secretly check out the astrophysicist father she has never met.    Arriving a few weeks later, Alice Neilson, a graduate student in geology who thinks in charts and equations, is thrilled to leave her dependent mother and begin her career at last. But from the start she is aware that her post-doc advisor, with whom she will work in Antarctica, expects much more from their relationship.    As the three women become increasingly involved in each other’s lives, they find themselves deeply transformed by their time on the Ice. Each falls in love. Each faces challenges she never thought she would meet. And ultimately, each finds redemption in a depth and quality of friendship that only the harsh beauty of Antarctica can engender.  Finalist, Lambda Literary Awards Finalist, Ferro-Grumley Award for LGBT Fiction, awarded by the Publishing Triangle Finalist, Northern California Independent Booksellers Association Honorable Mention, Foreword Magazine’s Gay/Lesbian Fiction Book of the Year Best Books for General Audiences, selected by the Public Library Association

    Love After the End is a new young adult anthology edited by Joshua Whitehead (Lambda Literary Award winner, Jonny Appleseed) featuring short stories by Indigenous authors with Two-Spirit & Queer heroes, in utopian and dystopian settings.This is a sequel to the popular anthology, Love Beyond Body Space and Time (2019 AILA Youth Honor Book), and features several of the same authors returning, along with new voices!

    While her work has earned her comparisons to Karen Russell and Kelly Link, she has a voice that is all her own. In this electric and provocative debut, Machado bends genre to shape startling narratives that map the realities of women's lives and the violence visited upon their bodies.A wife refuses her husband's entreaties to remove the green ribbon from around her neck. A woman recounts her sexual encounters as a plague slowly consumes humanity. A salesclerk in a mall makes a horrifying discovery within the seams of the store's prom dresses. One woman's surgery-induced weight loss results in an unwanted houseguest. And in the bravura novella Especially Heinous, Machado reimagines every episode of Law & Order: Special Victims Unit, a show we naively assumed had shown it all, generating a phantasmagoric police procedural full of doppelgangers, ghosts, and girls with bells for eyes.Earthy and otherworldly, antic and sexy, queer and caustic, comic and deadly serious, Her Body and Other Parties swings from horrific violence to the most exquisite sentiment. In their explosive originality, these stories enlarge the possibilities of contemporary fiction.The husband stitch --Inventory --Mothers --Especially heinous --Real women have bodies --Eight bites --The resident --Difficult at parties

    He shoots his first film, surreptitiously capturing his neighbors having sex on their back porch and discovering that through representations of sexual activity he can comment on what he finds both painful and confusing. In the films that follow, the narrator imagines in positions of dominance those who are disadvantaged in their everyday lives, now sexually belittling those who have once held them down. Nettie, an idealistic poet and the one person with whom the narrator genuinely connects, sees in pornography the opportunity to do something artistic, liberating, and socially relevant. She pushes him to make even more subversive films but, ultimately, despite his radical intentions, the narrator falls into a world of greed, delusion, and hypocrisy, the same world he once rebelled against. Investigating the ways in which lives are remembered and reconstructed, Turner works backwards and forwards in time with unerring attention to subtle shifts in voice and experience. But this is not a wistful recounting, for the retelling of the protagonist’s story is at the behest of an authoritative, unforgiving tribunal of interrogators.

    It’s not how her career, or her life, is supposed to unfold. But necessity is the mother of invention and Lauren has a new plan. She’s going to spruce up the inn, turn the attached pub into a hot spot, sell it for a killing, and start her own advertising agency. Gin distiller Camden Crawley has a soft spot for the Rose & Crown, the pub where her parents and grandparents got engaged. But the opinionated new owner who wants to turn it into some trendy bed and bar? Not so much. The last thing she wants to do is stick her nose in, but that might be her best chance to save a place she holds dear. And boosting her new line of gin wouldn’t hurt either.

    In crackling prose, she describes homes ruled by bullies, psychopaths, and delinquents; families whose conflict resolution techniques range from grand theft to homicide; kids who have nowhere to go and a lifetime to get there.

    When Neela Devaki’s song is covered by internet-famous artist Rukmini, the two musicians meet and a transformative friendship begins. But as Rukmini’s star rises and Neela’s stagnates, jealousy and self-doubt creep in. With a single tweet, their friendship implodes, one career is destroyed, and the two women find themselves at the center of an internet firestorm.Celebrated multidisciplinary artist Vivek Shraya’s second novel is a stirring examination of making art in the modern era, a love letter to brown women, an authentic glimpse into the music industry, and a nuanced exploration of the promise and peril of being seen.