Lana Novak hasn’t played violin in over twenty years, her musical life these days confined to being a devoted band mom to her clarinet whiz daughter Robin. She didn’t think she could get back into it after this long, but Melanie Feinberg, the outgoing, enthusiastic, and very cute butch orchestra director from Robin’s school, has other ideas.

    When sweet, charming tenderfoot Ben McCutcheon moves onto Crawford’s rural road, Rance is very aware that Ben makes it a grand total of two gay men in their tiny town, and even though he is instantly, painfully smitten, any move he makes could be simply chalked up to being hard up. Using his best weapon and favorite skill, Crawford launches an awkward, wordless effort to make sure Ben is kept warm during the cold Colorado winter, every last piece of him—especially his heart.

    Her roommate has a boyfriend—and their sex noises are audible through the walls, maybe even throughout the neighborhood. Not to mention, she’s treading water in a dead-end job, her know-it-all therapist gives her advice she doesn’t ask for, and the men she is surrounded by are, to be polite, subpar. Enough is enough.So when Julia gets invited to a warehouse party in a part of town where “trendy people who have lots of sex might go on a Friday night”—she readily accepts. Whom she meets there, however, is surprising: a conceptual artist, also a woman.Julia’s sexual awakening begins; her new lesbian life, as she coins it, is exhilarating. She finds her tribe at queer swing dancing classes, and guided by her new lover Sam, she soon discovers London’s gay bars and BDSM clubs, and . . . the complexities of polyamory. Soon it becomes clear that Sam needs to call the shots, and Julia’s newfound liberation comes to bear a suspicious resemblance to entrapment . . . In at the Deep End is an unforgettably frank, funny, and racy odyssey through the pitfalls and seductions we encounter on the treacherous—and more often, absurd—path to love and self.

    Two very different restaurants. One recipe for love.For single mom Adah Campbell, the executive chef job at a posh restaurant in quaint South Bay, Maine is a dream come true—and the perfect opportunity to start over, far away from a home that’s never felt entirely hers. But fitting in has never been easy, and between a new town, a new boss, and the unexpectedly attractive owner of a rival café, things get off to a rocky start.Never did free-spirited Beth Summers think she’d still be in Maine. Travel the world gathering delicious recipes and finding friends and lovers? Absolutely. Step in to run her family’s small-town café? Not so much. However, once Beth commits to something, that’s it. Soon, The Yellow House is the hottest spot in town, but Beth’s out of energy—and out of ideas for moving forward.Until Adah Campbell walks into her life. As sparks fly, both chefs have to decide if they are willing to make sacrifices...or if it’s really too many cooks in the kitchen.Carina Adores is home to romantic love stories where LGBTQ+ characters find their happily-ever-afters.

    Kate Morrison doesn’t know how or why someone would create human bombs that are triggered by touch. But when Sergeant Andy Wyles blocks Kate from touching the patient who collapses in her Vancouver ER, Kate joins the investigation to demand answers, regardless of the danger. As the two women work together to find those responsible for creating an army of human weapons, Kate finds it increasingly difficult to ignore her feelings for the fiercely protective and unrelentingly perceptive cop. The investigation escalates, and Kate gradually begins to trust Andy, not only with her safety but also with the difficult details of her past. With lives at risk and her heart on the line, Kate must search for a way to defuse the bombs and save her patients, even as she questions the intensifying connection between herself and Andy.