When he quits his job in the Chicago stockyards to join other homesteaders settling the Great Plains, Nona finds herself torn between supporting her father's vision for their future and her mother's struggle to adjust to life on a desolate prairie.Initially, things look up for the family as they settle into life in Dalhart, Texas. The wheat boom is in full swing, and it appears her father's dream of providing his family with a home of their own is coming true. Too soon the effects of the depression impact her family. Then the rains stop. Before long, Dalhart is the epicenter of the Dust Bowl.Like Dust, I Rise transforms poverty into pride and reflects the heroism of endurance.

    Second families must go into hiding or be arrested. There is even a finder's fee for those who turn in their own. Ten-year-old Mary's father, a poor farmer, abandons Mary, her nearly-blind mother, and six brothers and sisters in the hills of the Wasatch Mountains to live in a shallow dugout not much better than a cave. Close to starving, the family is rescued by a nearby polygamist. As the much older man's intentions become more threatening, Mary finds it harder and harder to resist his proposal of marriage. Her family and friends, even her own mother, turn away from her. During the six-year period, from Mary's childhood to a forced marriage at sixteen, Mary must first survive, and then choose her fate. This is the story of survival, love, and compassion in a sometimes heartless existence. It is also the story of Mary's deep conflict with the Church's teachings on plural marriage, and with her father, who has abandoned them. Based on a true story."...filled with rich description that makes its early 20th-century setting and people come alive." -The Salt Lake Tribune"...an emotionally wrenching narrative out of U.S. history."-Kirkus Reviews

    doctor must save her daughter from a genetically modified filovirus as the nation fights for access to healthcare. When she's not working in the Emergency Department at George Washington University Hospital, Dr. Sara Sullivan lives an adventurous life. But the chance at another vacation seems to diminish with each passing day when the dangerous Labrador virus begins spreading throughout the capital, devastating the African American population and escalating racial tension. As a biracial woman, Sara begins to fear for her and her daughter's lives when mortality rates continue to grow, with no cure in sight. After being forced into quarantine due to exposure to the virus, her fear becomes reality. Escape is no longer a consideration—it's the only way she can save millions of lives, including her daughter's. Sara's journey to find a cure becomes increasingly complex as she begins to unravel a conspiracy within the pharmaceutical industry and learns the disturbing truth about the disease's purpose.

    During the arduous sea voyage from the Netherlands to the ends of the earth, he encounters artist Bethari de Groot traveling to the colonies with her father, an executive with the Dutch East India Company.Hannes is a hothead, Bethari is headstrong, and their initial encounter is less than cordial. When they are shipwrecked off the coast of South Africa, Bethari discovers an admirable man inside the adventurer while he, in turn, is captivated by the young beauty’s courage and determination.While Bethari waits in Cape Town to begin her journey to Asia, she and Hannes discover their love for each other. When Hannes is dispatched to Ceylon on a mysterious mission, Bethari follows him and discovers that her beloved is entangled in a dangerous web of intrigue and skullduggery. Together they must fight for their future and their happiness.

    Her formerly chaotic life seems to be settling down, until a peaceful walk in the woods leads Symphony and Toby to the reclusive cabin of Caleb Showalter, who knows more about her past than he’s telling.When an old friend resurfaces and expresses his affection, Symphony warily longs for love, and it is Toby that nudges her toward pursuing a reconnection. But when violence strikes at the hands of her possessive boyfriend, Symphony’s trust is shattered once again.Just when Symphony’s faith in humanity seems lost, Toby is injured in the woods, and she has no choice but to reach out to Caleb for help. Together, they face their fears and lost trust head-on. If they can save Toby, they might be able to let go of the past and to believe in the goodness of others—and themselves—once again.

    For five months, and two thousand miles, the wagon train lumbers toward California on the Oregon Trail and into big trouble. The emigrants endure disease, dirt, and attacks from outlaws, and invaded Indians. Bitter strife erupts between ill-matched pioneers forced together by necessity.The 1845 wagon train is part of a vast westward movement; a monument to Americana that fascinates readers 175 years later.In one of the wagons is a heart-sick physician, Hannah Blanc, whose tribulations are Jobian: the suicide of a beloved husband, unfair denial of her medical career by graybeards of the profession, and a nightmarish new "marriage of necessity to a vile man named Ed Spencer.The guide is a hard-to-figure mountain man, Nimrod Lee, who knows the trail, but is also looking a man he needs to kill. Guilt over the murder of his Crow wife beclouds his conscience. Betrayal of his word to her chief father threatens his life. The killer of his wife is still out there.A love affair between Hannah and Nimrod is inevitable, but it's complicated, because for both, painful histories and mixed-up emotions make tall walls. The heart of the story is the pool of misgivings that threatens to drown their tenuous affair.The wagon train is a village of strangers locked together with no escape.Beyond all they must endure, the pioneers keep fighting, and keep coming. Those who make it are survivors; survivors with a great story to tell.

    . . and Deadlier.In this explosive new series, William and J.A. Johnstone bring together two of their greatest legends. The Drifter and The Loner. A gunslinging father and prodigal son, united at last, they are the Morgans. And the only thing thicker than a Morgan's blood is a Morgan's bullet . . .FAMILY FIRST. EVERYBODY ELSE DIES.There's nothing particularly unusual for a legendary gunman to be summoned to the lawless, bullet-riddled territories of Arizona. But when Frank Morgan, aka The Last Gunfighter, rides into Tuscon, he finds himself ambushed and kidnapped by a ruthless Mexican bandit named Ramirez and his army of thugs. The only way out is for Frank's son, Conrad Browning, heir to the vast Browning fortune, to ransom his father free. But Conrad isn't giving up one cent. He's got a far deadlier currency in mind . . .Disguised as a hardluck drifter, Conrad heads down to the border and scouts the Ramirez stronghold. It isn't long before he infiltrates the compound. But to prove himself, he has to hold up a train with the rest of the gang. When the robbery fails, Ramirez catches on to Conrad's ruse, and the only way out is for Frank to come to the rescue. It's a wild turn of events for sure, but for the Morgans, when it comes to killing their enemies, it's all in the family.

    The Texas Panhandle of the late 1880s is the last great open range of American legend. Into that wild unknown country ride two young cowboys. Nate Reynolds is the scion of a well-to-do family who lit out for the Panhandle in search of adventure--and gold. Billy Champion is a devil-may-care ne'er-do-well with a stubborn streak and an eye for the ladies. Together they aim to rid this violent territory full of rustlers, horse thieves, and the rest of the devils who slaughter innocents with no remorse. But when these friends fall for the same green-eyed beauty, their brotherhood will be put to the test. For in a land where your fortunes can change at the cock of a hammer, a man has to stay on his guard if he's going to protect what's rightly his--and live to enjoy it. . .In his gritty, pounding debut novel, Brett Cogburn, author of Rooster: The Life and Times of the Real Rooster Cogburn, The Man Who Inspired True Grit, proves he's equal to the task of writing the next great American western.Some folks are just born to tell tall tales. Brett Cogburn was reared in Texas and the mountains of Southeastern Oklahoma. He was fortunate enough for many years to make his living from the back of a horse, where on cold mornings cowboys still straddled frisky broncs and dragged calves to the branding fire on the end of a rope from their saddlehorns. Growing up around ranches, livestock auctions, and backwoods hunting camps filled Brett's head with stories, and he never forgot a one. In his own words: "My grandfather taught me to ride a bucking horse, my mother gave me a love of reading, and my father taught me how to hunt my own meat and shoot straight. Cowboys are just as wild as they ever were, and I've been damn lucky to have known more than a few." The West is still teaching him how to write. Brett Cogburn lives in Oklahoma with his family.

    . . but memories of his ma and pa, and his beautiful, bright sister are all he has left. Memories of the peaceful days before Jubal stumbled home with his .22, his blood running cold with fear, terror, and anger. When it was over, the homestead was half burned to the ground. Someone had to bury the bodies. Someone had to set things right. Now, as Jubal rides west into New Mexico, he remembers his family’s laughter and love, his pa’s wisdom, ma’s thick books, and everything that was defiled by a band of drunken renegades towed along by one man’s murderous grudge. A reprobate lawman won’t believe his story. A soft-hearted mountain man won’t survive Jubal’s one-man war. And a judge and his beautiful daughter cannot stop Jubal from climbing a peak of blood and madness: for justice, or payback, or something he can live for—or die for—redeeming. An American film icon delivers a great American novel with Payback at Morning Peak. Gene Hackman, whose fiction is “rousing” (Publishers Weekly) and “robust” (Winston-Salem Journal), takes readers on a powerful and historically dead-on western odyssey in the tradition of Louis L’Amour.

    SweazyA Josiah Wolfe, Texas Ranger NovelFrom the blood he spilled during the Civil War to his beloved wife, who died in childbirth, and his daughters, who were taken by the flu, ex-Texas Ranger Josiah Wolfe thought he had seen enough death for one lifetime. Now, with an infant son and a heart full of pain, he's rejoining the Rangers as part of the Frontier Battalion. But first, his captain needs him to escort Charlie Langdon to trial.Wolfe and Langdon had a long history together as both lawmen and soldiers—until Langdon's lust for blood and money made him an outlaw. Wolfe knows his old friend has to pay. But the ride to the hangman's noose isn't going to be easy. Langdon's friends aren't going to give him up without a fight. And Wolfe's killer instinct may be his only chance to see his son again...Praise for Larry D Sweazy"Combines the slam-bang action of a good Western with the sensitivity of style and depth of character that used to be the hallmark of literary fiction."—Loren D. Estleman, five-time Spur Award-winning author"Raw, wild, and all too human...a thundering testament to just how good the Western novel can be."—Johnny D. Boggs, Spur Award-winning author"A character-rich story about a Texas Ranger haunted by dark memories, on the hunt for a former comrade-in-arms turned killer."—Elmer Kelton, seven-time Spur Award-winning author"Ris[es] to the level of a classic."—Loren D. Estleman

    A fateful one in the history of the indigenous tribes of America. Yuma warrior, Night Wolf, is investigating reports of sheep ravaging Indian land. When he rescues a young white woman being attacked by one of the herders, he takes her to the Kumeyaay medicine woman known as Eagle Woman to treat her injuries. Strangely, she is not afraid, is even drawn to this handsome warrior. The Saga continues as Abigail Cassidy Butterfield, now living on a ranch in the San Diego back country with her family. Though this book is a sequel to Where Eagles Dance, it also stands alone. As Abby continues her fight to help the local tribes retain their land, she becomes an Indian Agent to help survey and mark the reservations. She and her family personally deliver the survey records to President Ulysses S. Grant in Washington D.C. On the return to California with the granted reservations, danger stalks them all along the way. For Abby, it will take all her medicine powers to save her people and combat the threat to her family. Enjoy the drama, the romance and a few light hearted incidents along the way.

    Its two main participants, James Cooper and Henry Newton Brown, form a close friendship when, along with Billy the Kid, they fight in the Lincoln County War. After that, James and Henry move on, their bond of friendship growing even stronger as James becomes a crusading newspaper editor and Henry, a town marshal feared by outlaws and lauded by his peers and the towns he served.But something goes wrong, and in an emotive moment, the two best friends find themselves face to face in a dramatic and poignant confrontation.

    Collette's suspicions and jealousies arise, but are tempered from the guilt of her own infidelity. The field slave, Tabari, finally escapes but is hunted by two saddle tramps and the law. Throughout it all, the scalawag Doctor disrupts everyone's lives, managing to line his own pockets all the while. Set in and around New Orleans, this deeply moving tale of scandal, sex, and suspense follows the voyages of these very different characters in the 1850s.

    Excerpt and one of them, Gavin, was reputed to be the strongest man in the neighborhood. The daughter, a long-limbed slip of a girl who rode like a cow-puncher, was about the boy's age. Though Godfrey French had a ranch it was worked scarcely at all. The boys did not like work, and apparently did not have to. Godfrey French was reputed to have money. His ranch was a hang-out for what were known as "remittance men," young Englishmen who received more or less regular allowances from home--or perhaps to keep away from home. There were rumors of gambling and hard drinking at French's ranch. "Well, I'll take you home," the boy said. "You can ride my pony. He's on a rope a mile from here. But I'll have to hang up this buck, or the coyotes will chew him." He found two small saplings close together, bent them down, trimmed them and lashed their tops. Over these he placed the tied legs of the buck. With a little search he found a long dry pole. With this he had a tripod. As he hoisted with the pole the spring

    When the rain finally comes, it’s a miracle. For a moment, the scrubland flourishes and the remote swimming hole fills. Returning home from an afternoon swim, fourteen-year-old Tommy and sixteen-year-old Billy McBride discover a scene of heartbreaking carnage: their dogs dead in the yard, their hardworking father and mother shot to death, and their precocious younger sister unconscious and severely bleeding from a wound to her gut. The boys believe the killer is their former Aboriginal stockman, and, desperate to save Mary, they rush her to John Sullivan, the wealthiest landowner in the region and their father’s former employer, who promises to take care of them.Eager for retribution, the distraught brothers fall sway to Sullivan, who persuades them to join his posse led by the Queensland Native Police, an infamous arm of British colonial power whose sole purpose is the “dispersal” of indigenous Australians to “protect” settler rights. The group is led by the intimidating inspector Edmund Noone, a dangerous and pragmatic officer whose intellect and ruthlessness both fascinates and unnerves the watchful Tommy. Riding for days across the barren outback, the group is determined to find the perpetrators they insist are guilty, for reasons neither of the brothers truly understands. It is a harsh and horrifying journey that will have a devastating impact on Tommy, tormenting him for the rest of his life—and hold enduring consequences for a young country struggling to come into its own.Set in a period of Australian and British history as raw and relevant as that of the wild frontier of nineteenth-century America, Only Killers and Thieves is an unforgettable story of family, guilt, empire, race, manhood, and faith that combines the insightfulness of Philipp Meyer’s The Son with the atmospheric beauty of Amanda Coplin’s The Orchardist and the raw storytelling power of Ian McGuire’s The North Water.