But you might not get out.Nestled on a lonely stretch along the Pacific coast, quaint roadside outpost Harmony Corner offers everything a weary traveler needs—a cozy diner, a handy service station, a cluster of motel rooms…and the Harmony family homestead presiding over it all. But when Odd Thomas and company stop to spend the night, they discover that there’s more to this secluded haven than meets the eye—and that between life and death, there is something more frightening than either.

    A horde of beasts known only as the scourge has ravaged the land, leaving only the village of Terreas to survive. Hemmed in on all sides by the scourge, the denizens of Terreas eke out a lonely existence, trying to survive in a land that is all but dead. Jasen Rabinn is a teenage boy trapped in Terreas but with a mind rooted outside the boundaries of his village. He longs for adventure, and when the mysterious Baraghosa – a sorcerer of a sort not native to Luukessia – comes to Terreas, a chain of events is set in motion that will carry Jasen beyond his simple town. To adventure. To danger. To his destiny.

    Poe's work is full of mystery, horror, and a dark imagination, while Verne focuses on action and adventure. It is a fascinating look at two great literary minds as they work on the same subject: the strange voyage of Arthur Gordon Pym to the Antarctic.

    It doesn't appear as a standalone work, but is included with several collections. The story is a prequel to the events in The Hitchhiker's Guide To The Galaxy and has the young Zaphod Beeblebrox working as a salvage ship operator. He guides some bureaucrats to a crashed spaceship which may be leaking some hazardous materials. The bureaucrats are determined to "make it safe". The comic asides in the story include some of the time travel paradoxes which are a common running theme in Adams' SF work, and plenty of material about lobsters

    Vonnegut’s absolute familiarity with science fiction tropes and his mocking contempt for them are well displayed in a story which shifts between tragic cartoon and straightforward projection. His highly evolved humans in an indeterminate future have become body-transcending spirits and Vonnegut handles this vaporous situation with deadpan comedy suspended over unspeakable loss, a characteristic technique. In its fluidity--the story is parody masked as extrapolation; no, it is a horror story in the form of a parody. This kind of cross-category narrative attack was often used by Vonnegut and makes him difficult to label; he is too serious to be funny, too absurd (as in jailbreak or as in the concept of Billy Pilgrim’s alien Tralmalfadorians) to be taken as realism. Vonnegut when he wrote this story at 30 was still trying to find his voice, identify his material; as a laboratory of his enveloping subject matter and technique UNREADY TO WEAR is particularly interesting and disturbing, demonstrating that Vonnegut could have gone in any number of directions and perhaps by deliberately failing to make a decision, found his voice through indeterminacy. It is as a poet of indeterminacy then that Vonnegut went on to write his most famous novel, SLAUGHTERHOUSE-FIVE.ABOUT THE AUTHORKurt Vonnegut (1922-2007) is one of the most beloved American writers of the twentieth century. Vonnegut's audience increased steadily since his first five pieces in the 1950s and grew from there. His 1968 novel Slaughterhouse-Five has become a canonic war novel with Joseph Heller's Catch-22 to form the truest and darkest of what came from World War II.Vonnegut began his career as a science fiction writer, and his early novels--Player Piano and The Sirens of Titan--were categorized as such even as they appealed to an audience far beyond the reach of the category. In the 1960s, Vonnegut became closely associated with the Baby Boomer generation, a writer on that side, so to speak.Now that Vonnegut's work has been studied as a large body of work, it has been more deeply understood and unified. There is a consistency to his satirical insight, humor and anger which makes his work so synergistic. It seems clear that the more of Vonnegut's work you read, the more it resonates and the more you wish to read. Scholars believe that Vonnegut's reputation (like Mark Twain's) will grow steadily through the decades as his work continues to increase in relevance and new connections are formed, new insights made.ABOUT THE SERIESHorace Gold led GALAXY magazine from its first issue dated October 1950 to science fiction’s most admired, widely circulated and influential magazine throughout its initial decade. Its legendary importance came from publication of full length novels, novellas and novelettes. GALAXY published nearly every giant in the science fiction field.The Galaxy Project is a selection of the best of GALAXY with new forewords by some of today’s best science fiction writers. The initial selections in alphabetical order include work by Ray Bradbury, Frederic Brown, Lester del Rey, Robert A. Heinlein, Damon Knight, C. M. Kornbluth, Walter M. Miller, Jr., Frederik Pohl, Robert Scheckley, Robert Silverberg, William Tenn (Phillip Klass) and Kurt Vonnegut with new Forewords by Paul di Filippo, David Drake, John Lutz, Barry Malzberg and Robert Silverberg. The Galaxy Project is committed to publishing new work in the spirit GALAXY magazine and its founding editor Horace Gold.

    [Publisher's Note: The Borders of Infinity was originally published as a stand-alone novella in the anthology Free Lancers in September 1987. It was then included in the novel Borders of Infinity (October 1989). For the novel, Ms. Bujold added a short "framing story" that tied the three novellas together by setting up each as a flashback that Miles experiences while recovering from bone-replacement surgery. Fictionwise is publishing these novellas separately, but we decided to leave in Ms. Bujold's short framing story for those who may also wish to read the other two novellas (he Mountains of Mourning and Labyrinth).] Locus Poll Award Nominee

    THE BOOK INCLUDES THE FINAL MANUSCRIPT AS WELL AS EARLY DRAFTS.

    The racecourse circumnavigates the post-apocalyptic ruins of Teijouan, and with a choice between being eaten by the monstrous Kaiju that prowl the island’s devastated cities or murdered by her fellow racers, the odds against surviving another Run, let alone winning it, are slim.Dutch doesn’t care about the odds nearly so much as she cares about getting back behind the wheel of her beloved Ford Falcon—except for one problem: she’s spent the last five years incarcerated in a high-security prison for her part in a heist.So when a crooked billionaire offers to put her back in the race on condition she uses it as cover for a secret retrieval operation, she can’t refuse.Can Dutch survive assassins, monsters, and psychopathic drivers long enough to complete her mission as well as take part in the race—or is this the year death finally catches up with her in a blazing tangle of wreckage?

    A mage cop on his first assignment learns the world isn't as black and white as hopedA jump mage and a starship with matching needs turn out to be a magnet for troubleDigging in 1940s New York City awakens a monster--and brings in the elite of the FaeThe protected heir of an interstellar dictatorship is called to a battle no one expected him to fightAn explosive collection of four novellas from science fiction and fantasy author Glynn Stewart, spanning his ONSET, Starship's Mage, Changeling Blood and Exile universes, including two brand new urban fantasy novellas.  Includes:ONSET: Murder by MagicStarship's Mage: Episode 1Fae, Flames and FedorasAshen Stars

    Two readers. A world of mystery, menace, and desire.A young woman picks up a book left behind by a stranger. Inside it are his margin notes, which reveal a reader entranced by the story and by its mysterious author. She responds with notes of her own, leaving the book for the stranger, and so begins an unlikely conversation that plunges them both into the unknown.THE BOOK: Ship of Theseus, the final novel by a prolific but enigmatic writer named V. M. Straka, in which a man with no past is shanghaied onto a strange ship with a monstrous crew and launched onto a disorienting and perilous journey.THE WRITER: Straka, the incendiary and secretive subject of one of the world’s greatest mysteries, a revolutionary about whom the world knows nothing apart from the words he wrote and the rumours that swirl around him.THE READERS: Jennifer and Eric, a college senior and a disgraced grad student, both facing crucial decisions about who they are, who they might become, and how much they’re willing to trust another person with their passions, hurts, and fears. S. , conceived by filmmaker J. J. Abrams and written by award-winning novelist Doug Dorst, is the chronicle of two readers finding each other in the margins of a book and enmeshing themselves in a deadly struggle between forces they don’t understand. It is also Abrams and Dorst’s love letter to the written word.

    In Planetside and Opening Night at the Naturals Preserve, you get to look into her upcoming new world of After Earth. In Parasite, for which this edition is titled, you have the chance to read into some of the background and history of one of the brilliant characters from Sara's Millennium Potion series, of which you can find the first novel, Wings of Retribution, right here on Amazon!

    It’s a wonderful existence for someone like The Big Guy and his furry brother, except for the flea problem. Then an expedition of explorers from the outside turn his world inside out. Or rather a very blonde beauty called The Woman does. It leads to his and his ape brother being convinced to fly to New York by zeppelin, where they become the toast of the town. They even make Hollywood movies. It seems perfect. At least until The Big Guy does something that comes quite naturally to him in the wild, but leads to public humiliation in this new found world. To make matters worse, his ape brother has grown to not only love the pampered life, meals he doesn’t have to chase down, good cigars, fine wines and statuesque women, he’s come to like the Wrong Woman.Changes are afoot. They lead to a return to the world beneath the mist, and a deadly and unexpected encounter with a foe that is in many ways far worse than any dinosaur. Envy, jealousy, greed, fleas, and pyramids under the mist, are all part of this rollicking novella of the sort only Joe R. Lansdale could write. And don’t forget dinosaurs.

    Its agents, the Inquisitors, are the last line of defence for mankind. Gregor Eisenhorn, dedicated servant of the Inquisition, takes to the field again in three audio dramas. Regia Occulta finds him on a world wracked by ethereal storms and haunted by a terrifying beast. In Master Imus’s Transgression, the Inquisitor investigates the mysterious affair of a mild-mannered clerk who confesses to a crime. Gideon Ravenor, once Eisenhorn’s pupil, is now crippled and confined to a life support chair. He uses his powerful psychic talents to enact the Emperor’s will. When he receives a mysterious message, Ravenor and his loyal followers travel to a distant world where they battle fierce cultists. But what are the cultists looking for? And what is the meaning of the message: Thorn Wishes Talon?

    Exploratory teams are accompanied by Company-supplied security androids, for their own safety.But in a society where contracts are awarded to the lowest bidder, safety isn’t a primary concern.On a distant planet, a team of scientists are conducting surface tests, shadowed by their Company-supplied ‘droid — a self-aware SecUnit that has hacked its own governor module, and refers to itself (though never out loud) as “Murderbot.” Scornful of humans, all it really wants is to be left alone long enough to figure out who it is.But when a neighboring mission goes dark, it's up to the scientists and their Murderbot to get to the truth.

    Behind everything crouched the brooding, festering horror of the ancient town, and of the moldy, unhallowed garret gable where he wrote and studied and wrestled with figures and formulae when he was not tossing on the meager iron bed. His ears were growing sensitive to a preternatural and intolerable degree, and he had long ago stopped the cheap mantel clock whose ticking had come to seem like a thunder of artillery. At night the subtle stirring of the black city outside, the sinister scurrying of rats in the wormy partitions, and the creaking of hidden timbers in the centuried house, were enough to give him a sense of strident pandemonium. The darkness always teemed with unexplained sound—and yet he sometimes shook with fear lest the noises he heard should subside and allow him to hear certain other fainter noises which he suspected were lurking behind them.