Christopher Hitchens continues to make the case for a splendidly godless universe in this first-ever gathering of the influential voices--past and present--that have shaped his side of the current (and raging) God/no-god debate. With Hitchens as your erudite and witty guide, you'll be led through a wealth of philosophy, literature, and scientific inquiry, including generous portions of the words of Lucretius, Benedict de Spinoza, Charles Darwin, Karl Marx, Mark Twain, George Eliot, Bertrand Russell, Emma Goldman, H. L. Mencken, Albert Einstein, Daniel Dennett, Sam Harris, Richard Dawkins, and many others well-known and lesser known. And they're all set in context and commented upon as only Christopher Hitchens political and literary journalist extraordinaire can.” (Los Angeles Times) Atheist? Believer? Uncertain? No matter: The Portable Atheist will speak to you and engage you every step of the way.

    There's the man who survived the atomic bomb in both Hiroshima and Nagasaki. And there's many, many more.Covering everything from adventure, war, murder and slavery to espionage, including the stories of the female Robinson Crusoe, Hitler's final hours, Japan's deadly balloon bomb and the emperor of the United States, these tales deserve to be told.

    Wright Thompson, many times included in this volume over the years, takes his turn at the helm by curating this exceptional collection. The only shared trait among these diverse pieces is the extraordinarily high caliber of writing, but collectively they tap into the pure passion that can only come from sports. And for all aspiring sports writers, says Thompson, “these selections are both road map and compass.”  The Best American Sports Writing 2015 includesDon Van Natta Jr., Chris Ballard, Katie Baker, Christopher Beam, Wells Tower, Seth Wickersham, Ariel Levyand others WRIGHT THOMPSON, guest editor, started his sports writing career as a student at the University of Missouri, where he covered sports for the Columbia Missourian. He interned at the Times-Picayune in New Orleans and worked as the LSU beat writer. He then moved to the Kansas City Star, where he covered a wide variety of sports. In 2006 he joined ESPN.com and ESPN: The Magazine as a senior writer. He lives in Oxford, Mississippi. GLENN STOUT, series editor for The Best American Sports Writing since its inception, is the author of Young Woman and the Sea and Fenway 1912. He serves as the long-form editor for SB Nation and lives in Alburgh, Vermont.

    . . shows you that Hiaasen's seemingly implausible fictional premises aren't really far-fetched at all. He just knows Florida ("Playboy").

    Some of the most potent beliefs among brilliant minds are based on supposition alone -- yet that is enough to push those minds toward making the theory viable.Eminent cultural impresario, editor, and publisher of Edge (www.edge.org), John Brockman asked a group of leading scientists and thinkers to answer the question: What do you believe to be true even though you cannot prove it? This book brings together the very best answers from the most distinguished contributors. Thought-provoking and hugely compelling, this collection of bite-size thought-experiments is a fascinating insight into the instinctive beliefs of some of the most brilliant minds today.

    I don’t have a text messaging plan. I paid 25 cents to get fired.Your girlfriend dumped you, your car broke down, your boss passed you up for the big promotion. Life’s not fair, but there is one sure-fire way to ease your pain–laughing at someone else who had an even worse day than you did. Enter the devastatingly funny world of F My Life, where calamity is comedy. Covering every disastrous pratfall in love, work, family-life, and more, F My Life proffers other people’s ruinous, real-life happenings to brighten your gloomiest day: someone getting dumped through a greeting card, ignored at their birthday party, or insulted by their own grandmother. Spanning everything from ironic twists of fate to down-right shameful moments, F My Life’s squirm-inducing stories are schadenfreude at its finest. So today, take solace in knowing that at least you’re not that guy. There now, don’t you feel better?Today, my boyfriend broke up with me. I cried and told him that I loved him. He gave me a quarter and told me to call someone who cared. I threw the quarter in his face and ran. I waited for the bus, but when I got on, I realized I was 25 cents short of the fare. I walked home in the rain. Today, my mom walked in on me looking at a 1978 Playboy. She asked if I found it in the basement. I said yes. Then I realized she was the centerfold. Today, I got in line at the grocery store. The woman in front of me looked right at me, turned to her friend, and said “That reminds me, I forgot to get acne cream.”

    And he can drive.Adults and children alike would do well to read this book over and over again to learn from Maddox’s sage-like wisdom. Every keystroke Maddox types is brilliant. The world is better off with him in it. Maddox has selflessly shared some of his own art, and we must thank him for it. May his fertility continue to be dangerously potent, so as to impregnate as many babes as possible, and not one fewer.

    It is a delight and a solace, a challenge and a reward, and perhaps even an obsession. For two centuries Austen has enthralled readers. Few other authors can claim as many fans or as much devotion. So why are we so fascinated with her novels? What is it about her prose that has made Jane Austen so universally beloved?In essays culled from the last one hundred years of criticism juxtaposed with new pieces by some of today’s most popular novelists and essayists, Jane Austen’s writing is examined and discussed, from her witty dialogue to the arc and sweep of her story lines. Great authors and literary critics of the past offer insights into the timelessness of her moral truths while highlighting the unique confines of the society in which she composed her novels. Virginia Woolf examines Austen’s maturation as an artist and speculates on how her writing would have changed if she’d lived twenty more years, while C. S. Lewis celebrates Austen’s mirthful, ironic take on traditional values.Modern voices celebrate Austen’s amazing legacy with an equal amount of eloquence and enthusiasm. Fay Weldon reads Mansfield Park as an interpretation of Austen’s own struggle to be as “good” as Fanny Price. Anna Quindlen examines the enduring issues of social pressure and gender politics that make Pride and Prejudice as vital today as ever. Alain de Botton praises Mansfield Park for the way it turns Austen’s societal hierarchy on its head. Amy Bloom finds parallels between the world of Persuasion and Austen’s own life. And Amy Heckerling reveals how she transformed the characters of Emma into denizens of 1990s Beverly Hills for her comedy Clueless. From Harold Bloom to Martin Amis, Somerset Maugham to Jay McInerney, Eudora Welty to Margot Livesey, each writer here reflects on Austen’s place in both the literary canon and our cultural imagination.We read, and then reread, our favorite Austen novels to connect with both her world and our own. Because, as A Truth Universally Acknowledged so eloquently demonstrates, the only thing better than reading a Jane Austen novel is finding in our own lives her humor, emotion, and love.

    “It was the best of times, it was the worst of times,” one suggested. “All of this happened, more or less,” the other pointed out. And then, one phrase came immediately to mind: “Call Me Ishmael.” As they talked more, the pair wondered what would happen if they invited readers to call a phone number and ask them to leave a voicemail about their most beloved books. But who would they be calling? Ishmael, of course. Soon, they had set up a working phone number (a 774 area code, a nod to Ishmael’s journey from New Bedford, Massachusetts) and an answering machine greeting. The initial calls they received from family, friends, and coworkers were touching, compelling, and surprising, and the voicemail count grew as word spread. As it did, Logan and Steph decided to take things further: they built actual rotary phones, which could be placed in libraries, schools, and bookstores, allowing readers to customize and listen to pre-loaded voicemails. In the time since, they have received thousands of phone calls from readers, librarians, and students across the United States that share stories about the books that have changed their lives, from The Catcher in the Rye and Beloved to The Sneetches and The House on Mango Street. Now, in The Call Me Ishmael Phone Book, these messages are collected for book lovers everywhere. Designed in the style of the classic Yellow Pages, there is something exciting to discover on each page, from unique phone extensions that have been assigned to each voicemail, as well as transcripts of those calls, literary advertisements, bookstore checklists, bookish Easter eggs, all organized by category. It is a must-have for any bookshelf or nightstand.

    From the creator of the bestselling 1,001 Facts That Will Scare The S#*t Out Of You comes this new collection of 1,004 (count 'em!) truly horrifying and horrifyingly true facts about the world around us.From ancient medical practices to doomsday scenarios, to disgusting food from around the world and the entire terrifying state of Florida, the facts in Are You Sh*tting Me? are sure to entertain and disturb you at once. Unless of course you are already disturbed, in which case this is the book for you!

    From the first descent of the larynx into the throat (why you can talk but your dog can't), to the fine lost art of swearing, Bryson tells the fascinating, often uproarious story of an inadequate, second-rate tongue of peasants that developed into one of the world's largest growth industries.

    A Common Assault describes an incident in Italy when he was mugged, and found himself trying to give a statement to the police in bad Italian. The History Boys harks back once more to Bennetts time at school, and shows how the raw material of experience was eventually transformed into the highly-acclaimed stage play The History Boys. Arise, Sir..., finishes on a light-hearted note, in which Bennett muses on the Honours List in typically iconoclastic mode.

    "Texts from Last Night" is a celebration of the best, worst, and weirdest text messages that have ever been sent, such as: Before i could say "i'm not the kind of girl," i was I got us kicked out of the bar because the waitress found me in the kitchen trying to make spaghetti The ticket read "found nude in a tree" "Texts from Last Night" is chock full of LOL and WTF moments and will make any thumb-typer: ) in recognition. Read Ben Bator and Lauren Leto's post on the Penguin Blog."

    StoryCorps began with the idea that everyone has an important story to tell. And since 2003, this remarkable project has been collecting the stories of everyday Americans and preserving them for future generations. In New York City and in mobile recording booths traveling the country-from small towns to big cities, at Native American reservations and an Army post-StoryCorps is collecting the memories of Americans from all ages, backgrounds, and walks of life. The project represents a wondrous nationwide celebration of our shared humanity, capturing for posterity the stories that define us and bind us together. In Listening Is an Act of Love, StoryCorps founder and legendary radio producer Dave Isay selects some of the most remarkable stories from the already vast collection and arranges them thematically into a moving portrait of American life. The voices here connect us to real people and their lives-to their experiences of profound joy, sadness, courage and despair, to good times and hard times, to good deeds and misdeeds. To read this book is to be reminded of how rich and varied the American storybook truly is, how resistant to easy categorization or caricature. Above all, this book honors the gift each StoryCorps participant has made, from the raw material of his or her life, to the Americans who will come after. We are our history, individually and collectively, and Listening Is an Act of Love touchingly reminds us of this powerful truth.

    Collected here for the first time in paperback, the essays, articles, observations—and even some untypical country-music lyrics—offer a rare overview of the eclectic sensibility of an American original. Whether rocking with the Doors, depoliticizing Picasso’s Guernica, lamenting the angst-ridden state of contemporary literature, or drooling over tomato sandwiches and a species of womanhood he calls “the genius waitress,” Tom Robbins’s briefer writings exhibit the five traits that perhaps best characterize his novels: an imaginative wit, a cheerfully brash disregard for convention, a sweetly nasty eroticism, a mystical but keenly observant eye, and an irrepressible love of language. Embedded in this primarily journalistic compilation are brand-new short stories, a sheaf of largely unpublished poems, and an offbeat assessment of our divided nation. Wherever you open Wild Ducks Flying Backward, you’ll encounter the serious playfulness that percolates from the mind of a self-described “romantic Zen hedonist” and “stray dog in the banquet halls of culture.”