It had to happen to someone, and it was me. Think about it. Of all the men in the world, of all the doctors in the world, of all the fathers in the whole world, I happened to be the one present in that place at that time. Someone or the other had to do it. It just so happens that someone was your dad.’Where does one draw the line between empathy and sacrifice? Between integrity and survival? Between prosperity and love?In an unnamed city, a young Indian doctor arrives to make his home and career. It isn’t long before money and success find him, but the price is steep and often unbearable, especially to a wife and daughter who must watch him walk the perilous path of lifelong ambition.A heartbreaking novel about human ethics, filial love and the corrosive nature of complicity.

    

    More than forty years passed before Devi read Bengal Nights, the novel Eliade had fashioned out of their encounter, only to find small details and phrases, even her given name, bringing back episodes and feelings she had spent decades trying to forget. It Does Not Die is Devi's response. In part a counter to Eliade's fantasies, the book is also a moving account of a first love fraught with cultural tensions, of false starts and lasting regrets.Proud of her intelligence, Maitreyi Devi's father had provided her with a fine and, for that time, remarkably liberal education — and encouraged his brilliant foreign student, Eliade, to study with her. "We were two good exhibits in his museum," Devi writes. They were also, as it turned out, deeply taken with each other. When their secret romance was discovered, Devi's father banished the young Eliade from their home. Against a rich backdrop of life in an upper-caste Hindu household, Devi powerfully recreates the confusion of an over-educated child simultaneously confronting sex and the differences, not only between European and Indian cultures, but also between her mother's and father's view of what was right. Amid a tangle of misunderstandings, between a European man and an Indian girl, between student and teacher, husband and wife, father and daughter, she describes a romance unfolding in the face of cultural differences but finally succumbing to cultural constraints. On its own, It Does Not Die is a fascinating story of cultural conflict and thwarted love. Read together with Eliade's Bengal Nights, Devi's "romance" is a powerful study of what happens when the oppositions between innocence and experience, enchantment and disillusion, and cultural difference and colonial arrogance collide. "In two novels written forty years apart, a man and a woman tell stories of their love. . . . Taken together they provide an unusually touching story of young love unable to prevail against an opposition whose strength was tragically buttressed by the uncertainties of a cultural divide."—Isabel Colegate, New York Times Book Review"Recreates, with extraordinary vividness, the 16-year-old in love that she had been. . . . Maitreyi is entirely, disarmingly open about her emotions. . . . An impassioned plea for truth."—Anita Desai, New Republic"Something between a reunion and a duel. Together they detonate the classic bipolarities: East-West, life-art, woman-man."—Richard Eder, New York Newsday"One good confession deserves another. . . . Both books gracefully trace the authors' doomed love affair and its emotional aftermath."—Nina Mehta, Chicago Tribune

    If you think you can escape me, you're already doomed.Rahul, an intelligence officer on a secret mission, is undercover at a major's house. In the process, he falls in love with the major's daughter, Akriti, unknowingly putting her in danger. To protect her, Rahul decides to hide her at his parents' house. However, estranged from his family for years, he must first make amends with them.Just when he thinks he has found a haven for Akriti, she goes missing. That's when a research wing officer is put on the job, and Rahul realizes she is someone who seems all too familiar. Or is she really?As Rahul comes closer to the truth, he is faced with the biggest shock of his life.

    These are just some of the poignant and eye-opening stories about people from all over the country that Sudha Murty recounts in this book. From incredible examples of generosity to the meanest acts one can expect from men and women, she records everything with wry humour and a directness that touches the heart.First published in 2002, Wise and Otherwise has sold over 30,000 copies in English and has been translated into all the major Indian languages. This revised new edition is sure to charm many more readers and encourage them to explore their inner selves and the world around us with new eyes.

    Chronicling the Indian struggle for freedom and independence from Great Britain, Tharoor directs his hilarious satire as much against Indian foibles as the bumbling of the British rulers.

    And yet, have we never wondered why his young wife, Yashodhara, still recovering from the birth of their son nine days ago, sleeps soundly as her husband, the over-protected prince departs, leaving behind his family and wealth and kingdom? In Yashodhara, the gaps of history are imagined with fullness and fierceness: Who was the young girl and what shaped her worldview? When she married Siddhartha at the age of sixteen, did she know her conjugal life would soon change drastically? The Yashodhara we meet in Volga's feminist novel is quick-witted, compassionate and wants to pave a way for women to partake in spiritual learning as equals of men.

    He established the style of the modern short story and influenced many great writers, including George Bernard Shaw, James Joyce, Ernest Hemingway, Katherine Mansfield, and Virginia Woolf.

    It is this changing world of Mysore which Mahesh Rao's novel speaks about. In this story, Mysore is gearing for an international remake with the construction of HeritageLand, Asia's largest theme park. Citizens and government officials alike prepare themselves for a complete makeover, one that not everybody welcomes. An elderly widow finds herself forced into a secretive new life, and another woman is succumbing to the cancerous power of gossip as she tries to escape her past. Another woman must come to terms with reality as her husband's troubling behaviour steeps out of hand. In Mysore, where the modern and the eclectic fuse to become something else entirely, everyone must hang on to their own escapes or find themselves swept under the carpet of the sublime change called development.

    Jayant Kaikini’s gaze takes in the people in the corners of Mumbai—a bus driver who, denied vacation time, steals the bus to travel home; a slum dweller who catches cats and sells them for pharmaceutical testing; a father at his wit’s end who takes his mischievous son to a reform institution. In this metropolis, those who seek find epiphanies in dark movie theaters, the jostle of local trains, and even in roadside keychains and lost thermos flasks. Here, in the shade of an unfinished overpass, a factory worker and her boyfriend browse wedding invitations bearing wealthy couples’ affectations—“no presents please”—and look once more at what they own. Translated from the Kannada by Tejaswini Niranjana, these resonant stories, recently awarded the DSC Prize for South Asian Literature, take us to photo framers, flower markets, and Irani cafes, revealing a city trading in fantasies while its strivers, eating once a day and sleeping ten to a room, hold secret ambitions close.

    A few short weeks before, Aasha’s grandmother Paati passed away under mysterious circumstances and her older sister, Uma, departed for Columbia University--leaving Aasha alone to cope with her mostly absent father, her bitter mother, and her imperturbable older brother.Beginning with Aasha’s grandfather’s ascension from Indian coolie to illustrious resident of the Big House on Kingfisher Lane, and going on to tell the story of how Appa, the family’s Oxford-educated patriarch, courted Amma, the humble girl next door, Evening Is the Whole Day moves gracefully backward and forward in time to answer the many questions that haunt the family: What was Chellam’s unforgivable crime? Why was Uma so intent on leaving? How and why did Paati die? What did Aasha see? And, underscoring all of these mysteries: What ultimately became of Appa’s once-grand dreams for his family and his country? Sweeping in scope, sumptuously lyrical, and masterfully constructed, Evening Is the Whole Day offers an unflinching look at relationships between parents and children, brothers and sisters, the wealthy and the poor, a country and its citizens--and the ways in which each sometimes fails the other. Illuminating in heartbreaking detail one Indian immigrant family’s secrets and lies while exposing the complex underbelly of Malaysia itself, Preeta Samarasan’s debut is a mesmerizing and vital achievement sure to earn her a place alongside Arundhati Roy, Kiran Desai, and Zadie Smith.

    Tower A is a relic from a co-operative housing society established in the 1950s. When a property developer offers to buy out the residents for eye-watering sums, the principled yet arrogant teacher is the only one to refuse the offer, determined not to surrender his sentimental attachment to his home and his right to live in it, in the name of greed. His neighbours gradually relinquish any similar qualms they might have and, in a typically blunt satirical premise take matters into their own hands, determined to seize their slice of the new Mumbai as it transforms from stinky slum to silvery skyscrapers at dizzying, almost gravity-defying speed.

    Their honeymoon plans go puff as India announces a nationwide lockdown.Months after living under the pressures of joint family, social distancing rules, and work-from-home stress, they get an opportunity to venture out. Viraj plans a trip to the inviting Green Villa for an intimate weekend getaway. But something is lurking beneath the surface.Will it pan out to be the exciting honeymoon that Viraj thinks they desperately need?What is Jhanak scared about?Who is the girl in the Green Villa?Key highlights of the story:• Fast-paced narration• Non-linear storytelling• Interesting twists and turns• Flavours of the supernatural• Imminent dread, doom, and deceit

    Set in a middle-class housing colony, this is the story of stay-at-home mum Monalisa, who cannot clean the kitchen counter enough times; Meera, who is bullied constantly by her traditional mother-in-law; college-going Abeer, who isnt sure how to impress the glamorous Mandy; academic Aparajita, who has no takers on the marriage mart; philosopher Ananda, whom no one takes seriously; and Treeza, a former school secretary now sunk in gloom. Into their midst arrives Oxford-returned Sandhya: half hippie, half saadhvi, full spiritual guru. Under her aegis is formed The Weight Loss Club, throwing the lives of our heroes and heroines into utter and delightful disarray. But while chemistry brews and equations change, one question remains: who is Brahmacharini Sandhya, and why on earth has she moved into Nancy Housing Cooperative?

    Shuttled from one residence to another after the drowning of his father, he yearns for a place he can call home. He marries into the Tulsi family, on whom he becomes dependent, but rebels and takes on a succession of occupations in a struggle to weaken their hold over him.