Today is Anna Markham’s wedding day. But her body has just been found, dumped in the grounds of the very house in which she was supposed to tie the knot. It’s down to DI Steven Marr – a man playing fast and loose with his own marriage – to find out who murdered her. And there’s no telling how far the killer will go to protect themselves… About the Author Shaun Edwards has always had an interest in the darker side of human nature. As a result, he spent most of his late teens nicking UK crime thriller books from his mum's bookcase. Have devoured pretty much everything by Peter Robinson, Ian Rankin, John Harvey and John Connolly, he decided to start writing his own stuff. Ten years later, he pulled his finger out and actually did it. 'Til Death is the combination of coffee, and a deep love for Banks, Rebus, Resnick, Thorne and Charlie Parker. Besides writing and reading whodunnit mysteries, crime fiction and thrillers, Shaun’s other loves include noodling around on the guitar, going for long walks, eating too much pizza and laughing at pictures of pugs. He lives with his partner and a really sneaky gerbil in deepest, darkest Suffolk, UK.

    A government minister is found dead at the foot of a Lake District mountain, adding to a sudden increase in the accident statistics. A lonely Scotsman leaves his isolated croft and travels to steamy Manila. These apparently unconnected events are the first sketches on a large canvas, soon to be smeared blood red by a brutal killer. Who is he? What is driving him? And why are his hideous crimes being ignored by the police? A small town journalist, Ben Foxley, starts to investigate. In the process, he is drawn into a world of technology and politics, love and obsession, and finally to a living nightmare - a terrifyingly personal race against time. Before beginning "The Fell Walker", allow yourself some quality reading time, for once you've picked it up, you'll not want to put it down.

    Their victim is quickly identified as a migrant worker and a man several people might have had good reason to see dead. A convicted arsonist and member of a far-right movement has just been released from prison, while witnesses claim to have seen the dead man fighting with one of the town's most prominent slum landlords.Zigic and Ferreira know all too well the problems that come with dealing with a community that has more reason than most not to trust the police, but when another migrant worker is attacked, tensions rapidly begin to rise as they search for their killer.

    She’s nice. Too nice to be a police officer, if she’s honest.She is also one of the most respected criminal analysts in the country, and finds herself in a cold northern town assigned to Donald Murphy’s team, investigating the kidnap-murders of two young women—both strikingly similar in appearance. Now a third has been taken, and they have less than a week to chip away the secrets of a high-society family, and uncover the killer’s objective.But Richard—the father of the latest victim—believes the police are not moving quickly enough, so launches a parallel investigation, utilising skills honed in a dark past that is about to catch up with him. As Richard’s secret actions hinder the police, Alicia remains in contact with him, and even starts to fall for his charms, forcing her into choices that will impact the rest of her life.

    Cool and efficient as always, Wyatt bypasses the alarm system, snatches the cash and eludes the cops. But can he make it safely back to his bolthole in Hobart?Port Vila Blues is Wyatt's fifth heist, this time leading him to a reckoning far from home. The Fallout finds Wyatt on a boat with policewoman Liz Redding and a fortune in stolen gems. He escapes, triggering a manhunt, but who exactly is hunting him? In this sixth Wyatt novel, Wyatt joins forces with his nephew to pull off one of his trickiest robberies-and his most dangerous task yet.'Disher's writing is as lean and relentless as his hero. No one does dryly poetic evocations of paranoia and human folly more seductively.' Australian

    An abandoned asylum. Will a mysterious former patient help untangle the dark truth?The body of an elderly woman has been found in the bowels of a derelict asylum on the banks of the Thames. As Detective Lew Kirby and his partner begin their investigation, another body is discovered in the river nearby. How are the two murders connected?Before long, the secrets of Blackwater Asylum begin to reveal themselves. There are rumours about underground bunkers and secret rooms, unspeakable psychological experimentation, and a dark force that haunts the ruins, trying to pull back in all those who attempt to escape. Urban explorer Connie Darke, whose sister died in a freak accident at the asylum, is determined to help Lew expose its grisly past. Meanwhile Lew discovers a devastating family secret that threatens to turn his life upside down.As his world crumbles around him, Lew must put the pieces of the puzzle together to keep the killer from striking again. Only an eccentric former patient really knows the truth—but will he reveal it to Lew before it’s too late?

    Detective Sergeant Kate Linton is called on Glastonbury Tor where a young woman has been strangled. Twelve holes are found at the scene, surrounded by wax, evidence of garden flares - the only connection to two other unsolved cases. When another young woman and a TV celebrity go missing, Linton is in a race against time to find the serial killer before he strikes again. But, when her journalist ex-boyfriend is singled out as a chief suspect, Linton feels that events are heading a bit too close to home. A Means of Escape presents an intricate, gripping mystery plot, combined with a focus on the heroine's personal life as she juggles an unwelcome attraction for her good-looking and charismatic superior with her efforts to become closer to her estranged family. A Means of Escape is the first in a series of psychologically driven crime novels.

    When a body is found in a locked house, Detective Sergeant Jessica Daniel is left to not only find the killer but discover how they got in and out.With little in the way of leads and a journalist that seems to know more about the case than she does, Jessica is already feeling the pressure—and that’s before a second body shows up in identical circumstances to the first.How can a murderer get to victims in seemingly impossible situations and what, if anything, links the bodies?

    Her murder shocked the nation. Her husband never pressed charges and moved abroad under a cloud of suspicion. Her son, just four years old, grew up in a loveless boarding school. And Detective Inspector Darnell, vowing to leave no stone unturned in the search for her killer, began to lose his only daughter. The young Stella Darnell grew to resent the dead Kate Rokesmith for capturing her father's attention in a way she never could.Thirty years later, Stella is dutifully sorting through her father's attic after his sudden death. The Rokesmith case papers are in a corner gathering dust: the case was never solved. Stella knows she should destroy them. Instead, she opens the box, and starts to read...

    When a second student, also out drinking, is murdered and left grotesquely posed, the case becomes headline news.Someone is leaking disturbing details to a tabloid crime reporter. Is it the killer? Or a detective close to the case?With another victim, and under siege by the media, the murder enquiry hits a dead end. The review team brought in to shake things up is headed by Grace’s old DCI. Who is going to listen to her now?

    . . . At first, the murder scene appears sad, but not unusual: a young woman undone by drugs and prostitution, her six-year-old daughter dead alongside her. But then detectives find a strange piece of evidence in the squalid house: the platinum credit card of a very wealthy--and long dead--steel tycoon. What is a heroin-addicted hooker doing with the credit card of a well-known and powerful man who died months ago? This is the question that the most junior member of the investigative team, Detective Constable Fiona Griffiths, is assigned to answer.But D.C. Griffiths is no ordinary cop. She's earned a reputation at police headquarters in Cardiff, Wales, for being odd, for not picking up on social cues, for being a little overintense. And there's that gap in her past, the two-year hiatus that everyone assumes was a breakdown. But Fiona is a crack investigator, quick and intuitive. She is immediately drawn to the crime scene, and to the tragic face of the six-year-old girl, who she is certain has something to tell her . . . something that will break the case wide open.Ignoring orders and protocol, Fiona begins to explore far beyond the rich man's credit card and into the secrets of her seaside city. And when she uncovers another dead prostitute, Fiona knows that she's only begun to scratch the surface of a dark world of crime and murder. But the deeper she digs, the more danger she risks--not just from criminals and killers but from her own past . . . and the abyss that threatens to pull her back at any time.

    He's waiting... Who's next? Buried in a woodland grave are a mother and her child. One is alive. One is dead.DC ‘Charlie’ Stafford is assigned by her boss, DI Geoffrey Hunter to assist with the missing persons investigation.As more pairs go missing, the pressure mounts. Leads are going cold. Suspects are identified but have they got the right person? Can Charlie stop the sadistic killer whose only wish is to punish those he deems to have committed a wrong. Or will she herself unwittingly become a victim.A gripping, heart-stopping crime thriller, introducing new series character DC Charlotte 'Charlie' Stafford of London Metropolitan Police.

    Detective Inspector Lorne Simpkins and her partner, DS Pete Childs are assigned to the case. A few days later another victim, this time a young girl, is discovered. Who could the killer be and what's the connection between the two victims?Then after a third murder, the killer contacts Lorne with a grisly surprise. It looks like Lorne has a serial killer on her hands - and one that has become fixated on her. As she tries to solve the crimes, Lorne is also coping with a failing marriage and new, unsympathetic boss with whom she has a secret past. Then, as she begins to despair at the lack of clues, help arrives from an unlikely source.

    A young woman is found naked and strangled in an alley in well-to-do St John’s Wood.The African. The neighbours would love to pin it on the enigmatic black stranger who has just moved in.The Pariah. Detective Sergeant Cathal Breen is convinced there’s more to the case than anyone wants to admit; no-one’s listening.The Outsider. In walks WPC Helen Tozer – awkward chatterbox, farmgirl, and the first woman to enter the murder unit – and gives Breen a breakthrough.A Song from Dead Lips is a crime thriller that shows the glorified sixties close-up, as it really was – comfortably sexist, racially prejudiced, class-bound and crawling with corruption.

    No ID on her, just hard-earned cash. But there is no doubting the ferocity of the attack.DI Simon Fenchurch takes charge but, as his team tries to identify her and piece together her murder, they’re faced with cruel indifference at every turn - nobody cares about yet another dead prostitute. To Fenchurch, however, she could just as easily be Chloe, his daughter still missing after ten years, whose memory still haunts his days and nights, his burning obsession having killed his marriage.When a second body is discovered, Fenchurch must peel back the grimy layers shrouding the London sex trade, confronting his own traumatic past while racing to undo a scheme larger, more complex and more evil than anything he could possibly have imagined.