It was on his travels that he found his own very real gift for healing—a gift that urged him on to become a doctor. So all consuming was his dream, that he made the perilous, unheard-of journey to Persia, to its Arab universities where he would undertake a transformation that would shape his destiny forever.

    Written in 1906, it is a fore-runner to Doyle's earlier novel The White Company, and describes the early life of that book's hero Sir Nigel Loring in the service of King Edward III at the start of the Hundred Years' War.Dame History is so austere a lady that if one has been so ill-advised as to take a liberty with her one should hasten to make amends by repentance and confession. Events have been transposed to the extent of some few months in this narrative in order to preserve the continuity and evenness of the story. . . . -- Arthur Conan Doyle"Undershaw," November 30, 1905

    Christopher Newman, a 'self-made' American millionaire in France, falls in love with the beautiful aristocratic Claire de Bellegarde. Her family, however, taken aback by his brash American manner, rejects his proposal of marriage. When Newman discovers a guilty secret in the Bellegardes' past, he confronts a moral dilemma: Should he expose them and thus gain his revenge? James's masterly early work is at once a social comedy, a melodramatic romance and a realistic novel of manners.

    Then on her day off, she links up with two hiking companions who have inadvertently stumbledupon a scene of blood vengeance. And suddenly the life Nicola adores is in danger of coming to an abrupt, brutal, and terrifying end . .

    After the war, the couple settles in Morocco to start a farm. While Amine tries to cultivate the rocky and unforgiving terrain, Mathilde feels suffocated by the harsh climate. Alone and isolated with her two children, she struggles with assimilation and classism. The ten years of the novel are also those of a rise in tensions and violence that will lead in 1956 to Morocco's independence. All the characters in this novel live "in the country of others": settlers vs. natives, soldiers vs. peasants, and exiles. Women, especially, live in the country of men, and must constantly fight for their emancipation.

    R. Martin’s magnificent cycle of novels that includes A Clash of Kings and A Storm of Swords. As a whole, this series comprises a genuine masterpiece of modern fantasy, bringing together the best the genre has to offer. Magic, mystery, intrigue, romance, and adventure fill these pages and transport us to a world unlike any we have ever experienced. Already hailed as a classic, George R. R. Martin’s stunning series is destined to stand as one of the great achievements of imaginative fiction.A GAME OF THRONESLong ago, in a time forgotten, a preternatural event threw the seasons out of balance. In a land where summers can last decades and winters a lifetime, trouble is brewing. The cold is returning, and in the frozen wastes to the north of Winterfell, sinister and supernatural forces are massing beyond the kingdom’s protective Wall. At the center of the conflict lie the Starks of Winterfell, a family as harsh and unyielding as the land they were born to. Sweeping from a land of brutal cold to a distant summertime kingdom of epicurean plenty, here is a tale of lords and ladies, soldiers and sorcerers, assassins and bastards, who come together in a time of grim omens.Here an enigmatic band of warriors bear swords of no human metal; a tribe of fierce wildlings carry men off into madness; a cruel young dragon prince barters his sister to win back his throne; and a determined woman undertakes the most treacherous of journeys. Amid plots and counterplots, tragedy and betrayal, victory and terror, the fate of the Starks, their allies, and their enemies hangs perilously in the balance, as each endeavors to win that deadliest of conflicts: the game of thrones.source: georgerrmartin.com

    

    Just after Great War, there are few jobs available and the couple are desperately short of money. Restless for excitement, they decide to embark on a daring business scheme: Young Adventurers Ltd.—"willing to do anything, go anywhere." Hiring themselves out proves to be a smart move for the couple. In their first assignment for the mysterious Mr. Whittingtont, all Tuppence has to do in their first job is take an all-expense paid trip to Paris and pose as an American named Jane Finn. But with the assignment comes a bribe to keep quiet, a threat to her life, and the disappearance of her new employer. Now their newest job are playing detective.Where is the real Jane Finn? The mere mention of her name produces a very strange reaction all over London. So strange, in fact, that they decided to find this mysterious missing lady. She has been missing for five years. And neither her body nor the secret documents she was carrying have ever been found. Now post-war England's economic recovery depends on finding her and getting the papers back. But he two young working undercover for the British ministry know only that her name and the only photo of her is in the hands of her rich American cousin. It isn’t long before they find themselves plunged into more danger than they ever could have imagined—a danger that could put an abrupt end to their business… and their lives.

    In it, Marguerite Yourcenar reimagines the Emperor Hadrian's arduous boyhood, his triumphs and reversals, and finally, as emperor, his gradual reordering of a war-torn world, writing with the imaginative insight of a great writer of the twentieth century while crafting a prose style as elegant and precise as those of the Latin stylists of Hadrian's own era.

    Society believes the worst of Justin, who is clearly proud of his sobriquet, 'Satanas'. In a dark Parisian back alley, he is accosted by Leon, a young person dressed in ragged boy's clothing running away from a brutal rustic guardian. The Duke buys Leon, a redheaded urchin with strangely familiar looks, who is in fact Leonie, and she serves him with deep devotion. The Duke suspected the truth about his page--she was really none other than the wicked Comte de Saint Vire's legitimate daughter, deprived of her heritage by the comte's dastardly desire for a male heir.Among the splendours of Versailles and the dignified mansions of England, Justin begins to unfold his sinister plans, and Leonie shoulds play a fine part in Duke's long-over-due schemes to avenge himslef on the Comte de St Vire. The duke's plan was simple: parade delicately handsome Leonie in front of his enemy and transforming her into the toast of the town, before his innocent ward reclaim her birthright, destroying her true father in the process. But the duke hadn't expected Leonie's breathtaking transformation or the tender emotions she awoke--and he'd already set his dangerous scheme in motion....While, titian-haired Leonie, ward of the dashing Duke of Avon, has all Paris at her feet. Yet her true origins remained shrouded in mystery. And neither the glittering soirees nor the young aristocrats who so ardently courted her could still the question that plagued her young heart. Just one man held the secret, the one she feared most in the world--the iron-willed Comte de Saint-Vire, deadly enemy of the Duke. He would give her the answer--for a price. But could she betray the man she secretly, helplessly loved? And could this proud young beauty hear to face the truth when it came?

    It also dares to introduce an asthmatic middle-aged Proust into its masterfully manipulated plot and invents a series of deeply felt letters written by him to the novel's young protagonist, Vincent de l'Etoile. In the summer of 1916, the emotionally precocious Vincent, who is the same age as the century, awakens to the possibilities of both erotic and platonic love. In the course of one week-at literary salons, at the Ritz, in cork-lined rooms-Vincent launches an intense friendship with the celebrated Proust, while at his parents' house in Paris he embarks on a sensual journey with Arthur Vales, the soldier son of a family servant, on leave from the front. Unknowingly, Vincent is also beginning a passage into a manhood that will be haunted by the secret he uncovers behind the love he bears for a doomed French infantryman and a famous middle-aged Jewish writer.

    Blandings has impostors like other houses have mice. Now there are two of them – both intent on a dangerous enterprise. Lord Emsworth’s secretary, the efficient Baxter, is on the alert and determined to discover what is afoot – despite the distractions caused by the Honorable Freddie Threepwood’s hapless affair of the heart.

    The test is severe—sexual in method, psychological in substance… The artistic interest here has precisely to do with the use not only of erotic materials but also erotic methods, the deliberate stimulation of the reader as a part of and means to a total, authentic literary experience.—Eliot Fremont-Smith, The New York Times

    This is a novelization by Edgar Jepson based on the play by Maurice Leblanc and Francis de Croisset.Chapters:1. The Millionaire's Daughter2. The Coming of the Charolais3. Lupin's Way4. The Duke Intervenes5. A Letter from Lupin6. Again the Charolais7. The Theft of the Motor-Cars8. The Duke Arrives9. M. Formery Opens the Inquiry10. Guerchard Assist11. The Family Arrives12. The Theft of the Pendant13. Lupin Wires14. Guerchard Picks up the True Scent15. The Examination of Sonia16. Victoire's Slip17. Sonia's Escape18. The Duke Stays19. The Duke Goes20. Lupin Comes Home21. The Cutting of the Telephone Wires22. The Bargain23. The End of the Duel

    Based on Nin’s dreams, the novel is a surrealistic look within the narrator’s subconscious as she attempts to distance herself from a series of all-consuming and often taboo desires she cannot bear to let go. The incest Nin depicts is a metaphor—a selfish love wherein a woman can appreciate only qualities in a lover that are similar to her own. Through a descriptive exploration of romances and attractions between women, between a sister and her beloved brother, and with a Christ-like man, Nin’s narrator discovers what she thinks is truth: that a woman’s most perfect love is of herself. At first, this self-love seems ideal because it is attainable without fear and risk of heartbreak. But in time, the narrator’s chosen isolation and self-possessed anguish give way to a visceral nightmare from which she is unable to wake.