The author puts Cobb into the context of his times, describing the very different game on the field then, and successfully probes Cobb's complex personality.

    After being voted the 1977 American League Cy Young Award winner, Sparky Lyle was rewarded for his efforts by being benched. The Yankees, a leader of free agency, signed Goose Gossage as their closer. Things only went downhill from there and the 1978 season turned out to be one of controversy, firings, fights and acrimony. In short, it was a zoo.

    Now in paperback, the biography that baseball fans all across the country have been talking about. Al Stump redefined America's perception of one of its most famous sports heroes with this gripping look at a man who walked the line between greatness and psychosis. Based on Stump's interviews with Ty Cobb while ghostwriting the Hall-of-Famer's 1961 autobiography, this award-winning new account of Cobb's life and times reveals both the darkness and the brilliance of the "Georgia Peach." "The most powerful baseball biography I have read."--Roger Kahn, author of THE BOYS OF SUMMER

    I hit big or I miss big. I like to live as big as I can." -- Babe Ruth Babe Ruth is without a doubt the most famous character ever produced by the sport of baseball. A legendary player, world-famous for his hitting prowess, he transcended the sport to enter the mainstream of American life as an authentic folk hero. In this extraordinary biography, noted sportswriter Robert W. Creamer reveals the complex man behind the sports legend. From Ruth's early days in a Baltimore orphanage, to the glory days with the Yankees, to his later years, Creamer has drawn a classic portrait of an American original.

    and remarkable powers of concentration, Bobby memorized hundreds of chess books in several languages, and he was only 13 when he became the youngest chess master in U.S. history.   But his strange behavior started early.  In 1972, at the historic Cold War showdown in Reykjavik, Iceland, where he faced Soviet champion Boris Spassky, Fischer made headlines with hundreds of petty demands that nearly ended the competition.  It was merely a prelude to what was to come. Arriving back in the United States to a hero’s welcome, Bobby was mobbed wherever he went—a figure as exotic and improbable as any American pop culture had yet produced.  No player of a mere “board game” had ever ascended to such heights.  Commercial sponsorship offers poured in, ultimately topping $10 million—but Bobby demurred.  Instead, he began tithing his limited money to an apocalyptic religion and devouring anti-Semitic literature.   After years of poverty and a stint living on Los Angeles’ Skid Row, Bobby remerged in 1992 to play Spassky in a multi-million dollar rematch—but the experience only deepened a paranoia that had formed years earlier when he came to believe that the Soviets wanted him dead for taking away “their” title.  When the dust settled, Bobby was a wanted man—transformed into an international fugitive because of his decision to play in Montenegro despite U.S. sanctions.  Fearing for his life, traveling with bodyguards, and wearing a long leather coat to ward off knife attacks, Bobby lived the life of a celebrity fugitive – one drawn increasingly to the bizarre.  Mafiosi, Nazis, odd attempts to breed an heir who could perpetuate his chess-genius DNA—all are woven into his late-life tapestry.  And yet, as Brady shows, the most notable irony of Bobby Fischer’s strange descent – which had reached full plummet by 2005 when he turned down yet another multi-million dollar payday—is that despite his incomprehensible behavior, there were many who remained fiercely loyal to him.  Why that was so is at least partly the subject of this book—one that at last answers the question: “Who was Bobby Fischer?”

    Born to a father of Italian descent and an African- American mother, Campanella wanted to be a ballplayer from childhood but was barred by color from the major leagues. He dropped out of school to play professional ball with the Negro Leagues’ Washington (later Baltimore) Elite Giants, where he honed his skills under Hall of Fame catcher Biz Mackey. Campy played eight years in the Negro Leagues until the major leagues integrated. Ironically, he and not Jackie Robinson might have been the player to integrate baseball, as Lanctot reveals. An early recruit to Branch Rickey’s “Great Experiment” with the Brooklyn Dodgers, Campy became the first African-American catcher in the twentieth century in the major leagues. As Lanctot discloses, Campanella and Robinson, pioneers of integration, had a contentious relationship, largely as a result of a dispute over postseason barnstorming.Campanella was a mainstay of the great Dodger teams that consistently contended for pennants in the late 1940s and 1950s. He was a three-time MVP, an outstanding defensive catcher, and a powerful offensive threat. But on a rainy January night in 1958, all that changed. On his way home from his liquor store in Harlem, Campy lost control of his car, hit a utility pole, and was paralyzed below the neck. Lanctot reveals how Campanella’s complicated personal life (he would marry three times) played a role in the accident. Campanella would now become another sort of pioneer, learning new techniques of physical therapy under the celebrated Dr. Howard Rusk at his Institute of Physical Medicine and Rehabilitation. As he gradually recovered some limited motion, Campanella inspired other athletes and physically handicapped people everywhere.Based on interviews with dozens of people who knew Roy Campanella and diligent research into contemporary sources, Campy offers a three-dimensional portrait of this gifted athlete and remarkable man whose second life after baseball would prove as illustrious and courageous as his first.

     An acclaimed best-seller, My Turn at Bat now features new photographs and, for the first time, Ted's reflections on his managing career and the state of baseball as it is played in the 1980s. It's all here in this brilliant, honest and sometimes angry autobiography -- Williams' childhood days in San Diego, his military service, his unforgettable major league baseball debut and ensuing Hall of Fame career that included two Triple Crowns, two Most Valuable Player awards, six batting championships, five Sporting News awards as Major League Player of the Year, 521 lifetime homeruns and a .344 career batting average. And Williams tells his side of the controversies, from his battles with sportswriters and Boston fans to his single World Series performance and his career with the declining Red Sox of the 1950s. My Turn at Bat belongs in the library of everyone who loves Ted Williams, baseball, or great life stories well-told. Red Barber proclaimed My Turn at Bat to be: "One of the best baseball books I've ever read." John Leonard of The New York Times said My Turn at Bat was "unbuttoned and wholly engaging...the portrait of an original who is unrepentant about being better than anyone else."

    Ted Williams was the best hitter in baseball history. This Red Sox legend's batting average of .406 in 1941 has not been topped since, and no player who has hit over 500 home runs has a higher career batting average. Those totals would have been even higher if Williams had not left baseball for nearly five years in the prime of his career to serve as a Marine pilot in World War II and Korea. He hit home runs as far as or farther than any player before him – and traveled a long way himself, as Ben Bradlee, Jr.'s, grand biography reveals. Born in 1918 in San Diego, Ted would spend most of his life disguising his Mexican heritage. During his 22 years with the Boston Red Sox, Williams electrified crowds across American–and shocked them, too: His notorious clashes with the press and fans threatened his reputation. Yet while he was a God in the batter's box, he was profoundly human once he stepped away from the plate. His ferocity came to define his troubled domestic life. While baseball might have been straightforward for Ted Williams, life was not. "The Kid" is biography of the highest literary order, a thrilling and honest account of a legend in all his glory and human complexity. In his final at-bat, Williams hit a home run. Bradlee's marvelous book clears the fences, too.

    This glaring omission—later rectified by a panel of experts—raised an important question: How could a first-ballot Hall of Famer, widely considered one of the greatest hitters in baseball history, still rank as the most underrated athlete of all time?In Stan Musial, veteran sports journalist George Vecsey finally gives this twenty-time All-Star and St. Louis Cardinals icon the kind of prestigious biographical treatment previously afforded to his more celebrated contemporaries Ted Williams and Joe DiMaggio. More than just a chronological recounting of the events of Musial’s life, this is the definitive portrait of one of the game’s best-loved but most unappreciated legends, told through the remembrances of those who played beside, worked with, and covered “Stan the Man” over the course of his nearly seventy years in the national spotlight.Stan Musial never married a starlet. He didn’t die young, live too hard, or squander his talent. There were no legendary displays of temper or moodiness. He was merely the most consistent superstar of his era, a scarily gifted batsman who compiled 3,630 career hits (1,815 at home and 1,815 on the road), won three World Series titles, and retired in 1963 in possession of seventeen major-league records. Away from the diamond, he proved a savvy businessman and a model of humility and graciousness toward his many fans in St. Louis and around the world. From Keith Hernandez’s boyhood memories of Musial leaving tickets for him when the Cardinals were in San Francisco to the little-known story of Musial’s friendship with novelist James Michener—and their mutual association with Pope John Paul II—Vecsey weaves an intimate oral history around one of the great gentlemen of baseball’s Greatest Generation. There may never be another Stan the Man, a fact that future Hall of Famer Albert Pujols—reluctantly nicknamed “El Hombre” in Musial’s honor—is quick to acknowledge. But thanks to this long-overdue reappraisal, even those who took his greatness for granted will learn to appreciate him all over again.

    In the hard-knuckled thirties, he was the immigrant boy who made it big—and spurred the New York Yankees to a new era of dynasty. He was the Yankee Clipper, the icon of elegance, the man who wooed and won Marilyn Monroe—the most beautiful girl America could dream up. Joe DiMaggio was a mirror of our best self. And he was also the loneliest hero we ever had.In this groundbreaking biography, Pulitzer Prize-winning journalist Richard Ben Cramer presents a shocking portrait of a complicated, enigmatic life. The story that DiMaggio never wanted told, tells of his grace—and greed; his dignity, pride—and hidden shame. It is a story that sweeps through the twentieth century, bringing to light not just America's national game, but the birth (and the price) of modern national celebrity.

    That's what Ben Lindbergh and Sam Miller got to do when the Sonoma Stompers, an independent minor-league team in California, offered them the chance to run the team's baseball operations according to the most advanced statistics. The Only Rule Is It Has to Work is unlike any other baseball tale you've ever read.We tag along as Lindbergh and Miller apply their number-crunching insights to all aspects of assembling and running a team. We meet colorful figures like general manager Theo Fightmaster and boundary-breakers like the first openly gay professional player and the first Japanese manager in American professional baseball. Even José Canseco makes a cameo appearance.Will sabermetrics bring the Stompers a championship, or will they fall on their face? Will the team have a competitive advantage or is the old folk wisdom really true after all? Will the players be able to maximize their talents and attract the attention of big-league scouts, or will this be a fast track to oblivion?It's a wild ride, as the authors' infectious enthusiasm and feel for the absurd make the Stompers' story one that will speak to numbers geeks and traditionalists alike. And it proves that you don't need a bat or a glove to make a genuine contribution to the game.

    It's the stuff of classic novels: the story of a boy transformed by his father's dream -- and the cost of that dream. Even as Pete Maravich became Pistol Pete -- a basketball icon for baby boomers -- all the Maraviches paid a price. Now acclaimed author Mark Kriegel has brilliantly captured the saga of an American family: its rise, its apparent ruin, and, finally, its redemption. Almost four decades have passed since Maravich entered the national consciousness as basketball's boy wizard. No one had ever played the game like the kid with the floppy socks and shaggy hair. And all these years later, no one else ever has. The idea of Pistol Pete continues to resonate with young people today just as powerfully as it did with their fathers.In averaging 44.2 points a game at Louisiana State University, he established records that will never be broken. But even more enduring than the numbers was the sense of ecstasy and artistry with which he played. With the ball in his hands, Maravich had a singular power to inspire awe, inflict embarrassment, or even tell a joke.But he wasn't merely a mesmerizing showman. He was basketball's answer to Elvis, a white Southerner who sold Middle America on a black man's game. Like Elvis, he paid a terrible price, becoming a prisoner of his own fame.Set largely in the South, Kriegel's "Pistol," a tale of obsession and basketball, fathers and sons, merges several archetypal characters. Maravich was a child prodigy, a prodigal son, his father's ransom in a Faustian bargain, and a Great White Hope. But he was also a creature of contradictions: always the outsider but a virtuoso in a team sport, anexuberant showman who wouldn't look you in the eye, a vegetarian boozer, an athlete who lived like a rock star, a suicidal genius saved by Jesus Christ.A renowned biographer -- "People" magazine called him "a master" -- Kriegel renders his subject with a style that is, by turns, heartbreaking, lyrical, and electric.The narrative begins in 1929, the year a missionary gave Pete's father a basketball. Press Maravich had been a neglected child trapped in a hellish industrial town, but the game enabled him to blossom. It also caused him to confuse basketball with salvation. The intensity of Press's obsession initiates a journey across three generations of Maraviches. Pistol Pete, a ballplayer unlike any other, was a product of his father's vanity and vision. But that dream continues to exact a price on Pete's own sons. Now in their twenties -- and fatherless for most of their lives -- they have waged their own struggles with the game and its ghosts."Pistol" is an unforgettable biography. By telling one family's history, Kriegel has traced the history of the game and a large slice of the American narrative.

    Over six feet tall, clean cut, and college educated, he didn't pitch on the Sabbath and rarely spoke an ill word about anyone. He also had one of the most devastating arms in all of baseball. New York Giants manager John McGraw, by contrast, was ferocious. The pugnacious tough guy was already a star infielder who, with the Baltimore Orioles, helped develop a new, scrappy style of baseball, with plays like the hit-and-run, the Baltimore chop, and the squeeze play. When McGraw joined the Giants in 1902, the Giants were coming off their worst season ever. Yet within three years, Mathewson clinched New York City's first World Series for McGraw's team by throwing three straight shutouts in only six days, an incredible feat that is invariably called the greatest World Series performance ever. Because of their wonderful odd-couple association, baseball had its first superstar, the Giants ascended into legend, and baseball as a national pastime bloomed.

    As the St. Louis Cardinals battle their archrival Chicago Cubs, we watch from the dugout through the eyes of legendary manager Tony La Russa, considered by many to be the shrewdest mind in the game today. In his twenty-seven years of managing, La Russa has been named Manager of the Year a record-making five times and now stands as the third-winningest baseball manager of all time. A great leader, he's built his success on the conviction that ball games are won not only by the numbers but also by the hearts and minds of those who play.Drawing on unprecedented access to a major league manager and his team, Buzz Bissinger brings a revelatory intimacy to baseball and offers some surprising observations. Bissinger also furthers the debate on major league managerial style and strategy in his provocative new afterword.

     We meet the people who most influenced Goodwin’s early life: her mother, who taught her the joy of books but whose debilitating illness left her housebound: and her father, who taught her the joy of baseball and to root for the Dodgers of Jackie Robinson, Roy Campanella, Pee Wee Reese, Duke Snider, and Gil Hodges. Most important, Goodwin describes with eloquence how the Dodgers’ leaving Brooklyn in 1957, and the death of her mother soon after, marked both the end of an era and, for her, the end of childhood.