Her parents are still uptight and disinterested, her bedroom is exactly the way she left it, and the outcast Gavin Timothy still looks like he’s crawled out of one of her dark, twisted drawings.Delilah is instantly smitten.Gavin has always lived in the strange house: an odd building isolated in a stand of trees where the town gives in to mild wilderness. The house is an irresistible lure for Delilah, but the tall fence surrounding it exists for good reason, and Gavin urges Delilah to be careful. Whatever lives with him there isn’t human, and isn’t afraid of hurting her to keep her away.

    One night in Waterloo, Iowa, with young policeman Virgil Holt watching from the audience, she swaps her trademark saw for a fire ax. Is it a new version of the illusion, or an all-too-real murder? When Arden’s husband is found lifeless beneath the stage later that night, the answer seems clear.But when Virgil happens upon the fleeing magician and takes her into custody, she has a very different story to tell. Even handcuffed and alone, Arden is far from powerless—and what she reveals is as unbelievable as it is spellbinding. Over the course of one eerie night, Virgil must decide whether to turn Arden in or set her free… and it will take all he has to see through the smoke and mirrors.

    None of us knew it was coming."So says Wes Holloway, a young presidential aide, about the day he put Ron Boyle, the chief executive's oldest friend, into the president's limousine. By the trip's end, a crazed assassin would permanently disfigure Wes and kill Boyle. Now, eight years later, Boyle has been spotted alive. Trying to figure out what really happened takes Wes back into disturbing secrets buried in Freemason history, a decade-old presidential crossword puzzle, and a two-hundred-year-old code invented by Thomas Jefferson that conceals secrets worth dying for.

    When seventeen-year-old Andrew Taylor is transplanted from his American high school to a British boarding school—a high-profile academy for the sons of England’s finest—his father hopes that the boy’s dark past will not follow him from across the Atlantic. But blood, suspense, and intrigue quickly surround Andrew once again as he finds himself struggling with a deadly mystery left unsolved by a student from Harrow School’s past—the enigmatic poet Lord Byron.

    In medieval Cambridge, England, four children have been murdered. The crimes are immediately blamed on the town's Jewish community, taken as evidence that Jews sacrifice Christian children in blasphemous ceremonies. To save them from the rioting mob, the king places the Cambridge Jews under his protection and hides them in a castle fortress. King Henry II is no friend of the Jews-or anyone, really-but he is invested in their fate. Without the taxes received from Jewish merchants, his treasuries would go bankrupt. Hoping scientific investigation will exonerate the Jews, Henry calls on his cousin the King of Sicily-whose subjects include the best medical experts in Europe-and asks for his finest "master of the art of death," an early version of the medical examiner. The Italian doctor chosen for the task is a young prodigy from the University of Salerno. But her name is Adelia-the king has been sent a "mistress" of the art of death. Adelia and her companions-Simon, a Jew, and Mansur, a Moor-travel to England to unravel the mystery of the Cambridge murders, which turn out to be the work of a serial killer, most likely one who has been on Crusade with the king. In a backward and superstitious country like England, Adelia must conceal her true identity as a doctor in order to avoid accusations of witchcraft. Along the way, she is assisted by Sir Rowley Picot, one of the king's tax collectors, a man with a personal stake in the investigation. Rowley may be a needed friend, or the fiend for whom they are searching. As Adelia's investigation takes her into Cambridge's shadowy river paths and behind the closed doors of its churches and nunneries, the hunt intensifies and the killer prepares to strike again . .

    Twenty-five years ago, she and her parents, Ewan and Jess, moved into Baneberry Hall, a rambling Victorian estate in the Vermont woods. They spent three weeks there before fleeing in the dead of night, an ordeal Ewan later recounted in a nonfiction book called House of Horrors. His tale of ghostly happenings and encounters with malevolent spirits became a worldwide phenomenon, rivaling The Amityville Horror in popularity—and skepticism.Today, Maggie is a restorer of old homes and too young to remember any of the events mentioned in her father’s book. But she also doesn’t believe a word of it. Ghosts, after all, don’t exist. When Maggie inherits Baneberry Hall after her father’s death, she returns to renovate the place to prepare it for sale. But her homecoming is anything but warm. People from the past, chronicled in House of Horrors, lurk in the shadows. And locals aren’t thrilled that their small town has been made infamous thanks to Maggie’s father. Even more unnerving is Baneberry Hall itself—a place filled with relics from another era that hint at a history of dark deeds. As Maggie experiences strange occurrences straight out of her father’s book, she starts to believe that what he wrote was more fact than fiction.In the latest thriller from New York Times bestseller Riley Sager, a woman returns to the house made famous by her father’s bestselling horror memoir. Is the place really haunted by evil forces, as her father claimed? Or are there more earthbound—and dangerous—secrets hidden within its walls?

    But he is wrong. Uncle Jonathan and his next-door neighbor, Mrs. Zimmermann, are both magicians! Lewis is thrilled. At first, watching magic is enough. Then Lewis experiments with magic himself and unknowingly resurrects the former owner of the house: a woman named Selenna Izard. It seems that Selenna and her husband built a timepiece into the walls—a clock that could obliterate humankind. And only the Barnavelts can stop it!

    Paul's and makes a mystifying mention of murder and an oddly familiar comment about her grandmother, Kate Murray is intrigued. But she never gets to hear the rest of Andrew Deacon's tale. Shocked by his unexpected death, she wonders who this strange, old man is, and what the odd reference to her grandmother could mean. Interest piqued by the story never told, Kate becomes drawn into an investigation, uncovering secrets about the grandmother she thought she knew and a man she never did. Soon she is caught up in a dangerous whirlwind of events that takes her back into her grandmother's mysterious wartime past and across the Atlantic as she tries to retrace Deacon's footsteps. Finding out the truth is not so simple, however, as only a few people are still alive who know the story...and Kate soon realizes that her questions are putting their lives in danger. Stalked by an unknown and sinister enemy, and facing death every step of the way, Kate must use her tough journalistic instinct to find the answers from the past in order to have a future.

    The woman, he gradually comes to realise, was his family's beloved servant many years ago, in his native town of Ruffano. He returns to his birthplace, and once there, finds it is haunted by the phantom of his brother, Aldo, shot down in flames in '43.Over five hundred years before, the sinister Duke Claudio, known as The Falcon, lived his twisted, brutal life, preying on the people of Ruffano. But now it is the twentieth century, and the town seems to have forgotten its violent history. But have things really changed? The parallels between the past and present become ever more evident.

    Tortured by the unsolved slayings of his wife and young daughter, he is a man consumed by guilt, regret, and the desire for revenge. When his former partner asks him to track down a missing girl, Parker finds himself drawn into a world beyond his imagining: a world where thirty-year-old killings remain shrouded in fear and lies, a world where the ghosts of the dead torment the living, a world haunted by the murderer responsible for the deaths in his family—a serial killer who uses the human body to create works of art and takes faces as his prize. But the search awakens buried instincts in Parker: instincts for survival, for compassion, for love, and, ultimately, for killing.Aided by a beautiful young psychologist and a pair of bickering career criminals, Parker becomes the bait in a trap set in the humid bayous of Louisiana, a trap that threatens the lives of everyone in its reach. Driven by visions of the dead and the voice of an old black psychic who met a terrible end, Parker must seek a final, brutal confrontation with a murderer who has moved beyond all notions of humanity, who has set out to create a hell on earth: the serial killer known only as the Traveling Man.In the tradition of classic American detective fiction, Every Dead Thing is a tense, richly plotted thriller, filled with memorable characters and gripping action. It is also a profoundly moving novel, concerned with the nature of loyalty, love, and forgiveness. Lyrical and terrifying, it is an ambitious debut, triumphantly realized.

    But the women of Knolls are not safe. And as Nickie gets swept up in a string of brutally violent crimes, she must take matters of justice into her own hands.

    Presiding over the trial is traveling magistrate Issac Woodward, aided by his astute young clerk, Matthew Corbett. Believing in Rachel's innocence, Matthew will soon confront the true evil at work in Fount Royal.After hearing damning testimony, magistrate Woodward sentences the accused witch to death by burning. Desperate to exonerate the woman he has come to love, Matthew begins his own investigation among the townspeople. Piecing together the truth, he has no choice but to vanquish a force more malevolent than witchcraft in order to save his beloved Rachel and free Fount Royal from the menace claiming innocent lives.

    Power. Passion. New York Times bestselling novelist M. J. Rose creates her most provocative and magical spellbinder yet in this gothic novel set against the lavish spectacle of 1890s Belle Époque Paris.Sandrine Salome flees New York for her grandmother’s Paris mansion to escape her dangerous husband, but what she finds there is even more menacing. The house, famous for its lavish art collection and elegant salons, is mysteriously closed up. Although her grandmother insists it’s dangerous for Sandrine to visit, she defies her and meets Julien Duplessi, a mesmerizing young architect. Together they explore the hidden night world of Paris, the forbidden occult underground and Sandrine’s deepest desires.Among the bohemians and the demi-monde, Sandrine discovers her erotic nature as a lover and painter. Then darker influences threaten—her cold and cruel husband is tracking her down and something sinister is taking hold, changing Sandrine, altering her. She’s become possessed by La Lune: A witch, a legend, and a sixteenth-century courtesan, who opens up her life to a darkness that may become a gift or a curse.This is Sandrine’s “wild night of the soul,” her odyssey in the magnificent city of Paris, of art, love, and witchery.

    It’s been seventeen years, and though desperate to start a new life with her fiancé, Hannah is compelled to question the events of her last summer at Brackenhill.When a human bone is found near the estate, Hannah is convinced it belongs to her long-lost sister. She launches her own investigation into that magical summer that ended in a nightmare. As strange happenings plague the castle, Hannah uncovers disturbing details about the past and startling realizations about her own repressed childhood memories.Fueled by guilt over her sister’s vanishing, Hannah becomes obsessed with discovering what happened all those years ago, but by the time Hannah realizes some mysteries are best left buried, it’s too late to stop digging. Overwhelmed by what she has exposed, Hannah isn’t sure her new life can survive her old ghosts.

    He wakes without a scratch. The building is in ruins. His team is gone. Outside, Chicago is dark. Cars lie abandoned. No planes cross the sky. He’s relieved to spot other people — until he sees they’re carrying machetes.Welcome to the afterlife.Claire McCoy stands over the body of Will Brody. As head of an FBI task force, she hasn’t had a decent night’s sleep in weeks. A terrorist has claimed eighteen lives and thrown the nation into panic. Against this horror, something reckless and beautiful happened. She fell in love… with Will Brody. But the line between life and death is narrower than any of us suspect — and all that matters to Will and Claire is getting back to each other.From the author of the million-copy bestselling Brilliance Trilogy comes a mind-bending thriller that explores our most haunting and fundamental question: What if death is just the beginning?