One unforgettable July.Britta is the bubbly drama queen. She needs to get away—and a peaceful cabin in the woods sounds like the perfect escape.Meredith is the overachiever. She’s spent her entire life preparing for college, but at what cost? Now she’s wondering if that’s all there is.Kate is the reluctant socialite. She’s searching for a reason to begin again after fleeing her small Georgia town—and a shameful family secret.Spider is the quiet intellectual. She’s struggling with pain that has isolated her from her peers for much of her life.When these four very different young women stay together for a month in the mountains, they discover that sometimes getting away from it all can only bring you back to who you really are.

    Rose, the oldest, feels like she has the most responsibility when her father dies, and yearns to be true to herself. Daisy wants to break free from her family, but trouble arises when she falls for a bad boy. Laurel struggles with the loss of a close relative and finds herself drawn to a boy who may actually understand. And Lily, the youngest sister, feels like nothing could be more difficult than actually being herself. These four books in one special bind-up make for a great value—and an even better read.

    . . as written by V. C. Andrews.Angela's parents think she's on the road to ruin because she's dating a "bad boy." After her behavior gets too much for them, they ship her off to Hidden Oak. Isolated and isolating, Hidden Oak promises to rehabilitate "dangerous girls." But as Angela gets drawn in further and further, she discovers that recovery is only on the agenda for the "better" girls. The other girls -- designated as "the purple thread" -- will instead be manipulated to become more and more dangerous . . . and more and more reliant on Hidden Oak's care.

    She has diehard fans across the globe, flashy tours, and steep advances. And now she's finally started to date her best friend and next-door-neighbor, Liam, the only one who knows her deep dark secret: she's not the real author of the Lemonade Skies books.Thistle's guilt about lying intensifies after she meets the surprisingly charming Oliver, who introduces her to his super-fan little sister--but how can she have friendships based on deception? All she wants is for this last book to be written so she can be done with the ruse for good.Then with just two weeks left to deliver the manuscript to her agent and editor, a dramatic turn of events puts everything in jeopardy, and Thistle must grapple with her own identity. Is she a victim, a fraudster, or both? On top of that, Liam is increasingly jealous of Thistle's budding friendship with Oliver--a friendship that leaves Thistle more than a little confused about her own heart.As the book deadline looms closer, the stakes ever higher, a startling family truth comes to light, and it's only a matter of time before something gives--and Thistle's world becomes undone.For fans of Rainbow Rowell and E. Lockhart, this YA is the perfect summer read for teen bookworms everywhere, with a love triangle, an insider's depiction of the publishing world, and nonstop, page-turning action.

    With a best friend who hates her and a dad who’s marrying a yogi she can’t stand, Analee spends most of her time avoiding reality and role-playing as Kiri, the night elf hunter at the center of her favorite online game.Through Kiri, Analee is able to express everything real-life Analee cannot: her bravery, her strength, her inner warrior. The one thing both Kiri and Analee can’t do, though, is work up the nerve to confess her romantic feelings for Kiri’s partner-in-crime, Xolkar—aka a teen boy named Harris whom Analee has never actually met in person.So when high school heartthrob Seb Matias asks Analee to pose as his girlfriend in an attempt to make his ex jealous, Analee agrees. Sure, Seb seems kind of obnoxious, but Analee could use some practice connecting with people in real life. In fact, it’d maybe even help her with Harris.But the more Seb tries to coax Analee out of her comfort zone, the more she starts to wonder if her anxious, invisible self is even ready for the real world. Can Analee figure it all out without losing herself in the process?

    Printz Award winner John Corey Whaley calls it “not just a love story, but one with a ferocious pulse.”After Quinn’s boyfriend, Trent, dies in an accident their junior year, she reaches out to the recipients of his donated organs in hopes of picking up the fragments of her now-unrecognizable life. But whoever received Trent’s heart has chosen to remain silent. The essence of a person, Quinn has always believed, is in the heart. If she finds Trent’s, then in a way, she will still have a piece of him.Risking everything to get closure once and for all, Quinn goes outside the system to track down nineteen-year-old Colton Thomas, whose life has been forever changed by this priceless gift. But what starts as an accidental run-in quickly develops into something more, sparking an undeniable attraction. She doesn’t want to give in to it—especially since he has no idea how they’re connected—but the time Quinn spends with Colton makes her feel alive again. No matter how hard she’s falling for Colton, though, each beat of his heart reminds her of all she’s lost . . . and all that remains at stake.Perfect for fans of Sarah Dessen, this unique and emotional story about an unexpected bond between two strangers will leave no heart untouched.

    Forced to move to Boston from sunny California for the rest of their senior year, each girl struggles with secrets their parents’ death has brought to light, and with their uncertainty about the future. Instead of bringing them closer, it feels like the wave has torn the sisters apart. Hannah is a secret poet who wants to be seen, but only knows how to hide. The pain pills she stole from her dead father hurl her onto the shores of an addiction she can’t shake and a dealer who turns her heart upside down. When it’s clear Hannah’s drowning, Mae, a budding astronaut suddenly launched into an existential crisis—and unexpected love—must choose between herself and the only family she has left.

    To Hendrix and Corrina, both seventeen but otherwise alike only in their loneliness, that sounds like another line from a pop song that tries to promise kids that life doesn’t actually suck. Okay, so: love. Sure.The thing about Corrina—her adoptive parents are suffocating, trying to mold her into someone acceptable, predictable, like them. She’s a musician, itching for any chance to escape, become the person she really wants to be. Whoever that is.And Hendrix, he’s cool. Kind of a poet. But also kind of lost. His dad is dead and his mom is married to her job. Gpa is his only real family, but he’s fading fast from Alzheimer’s. Looking for any way to help the man who raised him, Hendrix has made Gpa an impossible promise—that he’ll get him back east to the hill where he first kissed his wife, before his illness wipes away all memory of her.One hot July night, Hendrix and Corrina decide to risk everything. They steal a car, spring Gpa from his assisted living facility, stuff Old Humper the dog into the back seat, and take off on a cross-country odyssey from LA to NY. With their parents, Gpa’s doctors, and the police all hot on their heels, Hendrix and Corrina set off to discover for themselves if what Gpa says is true—that the only stories that last are love stories.

    So when their school’s art budget faces cutbacks, of course Natalie finds herself up against her nemesis once more. She’s fighting to direct the school’s first ever student-written play, but for her small production to get funding, the school’s award-winning band will have to lose it. Reid’s band. And he’s got no intention of letting the show go on.But when their rivalry turns into an all-out prank war that goes too far, Natalie and Reid have to face the music, resulting in the worst compromise: writing and directing a musical. Together. At least if they deliver a sold-out show, the school board will reconsider next year’s band and theater budget. Everyone could win.Except Natalie and Reid.Because after spending their entire lives in competition, they have absolutely no idea how to be co-anything. And they certainly don’t know how to deal with the feelings that are inexplicably, weirdly, definitely developing between them…

    Her way of dealing with death equates to daily bouts of coffin yoga and fake-tattooing Patti Smith quotes onto her arms. Once a talented writer, Anna no longer believes words matter, until shocking discoveries– in the form of origami cranes– force her to redefine family and love.As Anna goes in search of the truth, she discovers that while every story, every human being, has a last line, it might still be possible to find the words for a new beginning.

    Life isn’t any saner with her dad, but a cute guy and a mysterious book might just be the crazy Jessie needs.

    Not her lovable but super-introverted dad, who after raising Millie alone, doesn’t want to watch her leave home to pursue her dream. Not her pesky and ongoing drama club rival, Oliver, who is the very definition of Simmering Romantic Tension. And not the “Millie Moods,” the feelings of intense emotion that threaten to overwhelm, always at maddeningly inconvenient times. Millie needs an ally. And when a left-open browser brings Millie to her dad’s embarrassingly moody LiveJournal from 2003, Millie knows just what to do. She’s going to find her mom.There’s Steph, a still-aspiring stage actress and receptionist at a talent agency. There’s Farrah, ethereal dance teacher who clearly doesn’t have the two left feet Millie has. And Beth, the chipper and sweet stage enthusiast with an equally exuberant fifteen-year-old daughter (A possible sister?! This is getting out of hand). But how can you find a new part of your life and expect it to fit into your old one, without leaving any marks? And why is it that when you go looking for the past, it somehow keeps bringing you back to what you’ve had all along?

    She's always been driven to make a difference in the world, and what better way than to vote in her first election? Duke Crenshaw is so done with this election. He just wants to get voting over with so he can prepare for his band's first paying gig tonight. Only problem? Duke can't vote.When Marva sees Duke turned away from their polling place, she takes it upon herself to make sure his vote is counted. She hasn't spent months doorbelling and registering voters just to see someone denied their right. And that's how their whirlwind day begins, rushing from precinct to precinct, cutting school, waiting in endless lines, turned away time and again, trying to do one simple thing: vote. They may have started out as strangers, but as Duke and Marva team up to beat a rigged system (and find Marva's missing cat), it's clear that there's more to their connection than a shared mission for democracy. Romantic and triumphant, The Voting Booth is proof that you can't sit around waiting for the world to change, but some things are just meant to be.

    It’s the first time her family has been there since her grandmother died, and she can’t break out of her funk. But her summer takes a turn for the better when she meets a boy who works in the bookstore. Josh is cute, sweet, funny…and best of all, seems to like her as much as she likes him. As the days pass by in a blur of boat rides, picnics, and stolen kisses, she can’t believe how lucky she is. No one has ever made her feel so special, or so beautiful.But Chelsea knows her days with Josh are numbered. She’ll be heading home at the end of the summer—and he’ll be staying behind. Will this be Chelsea’s summer of love? Or will it be the summer of her broken heart?

    Then Emilie’s mom enrolls her in public school, and Emilie goes from studying at home in her pj’s to halls full of strangers. To make matters worse, Emilie is paired with starting point guard Chatham York for a major research project on Emily Dickinson. She should be ecstatic when Chatham shows interest, but she has a problem. She hasn’t told anyone about her epilepsy. Emilie lives in fear her recently adjusted meds will fail and she’ll seize at school. Eventually, the worst happens, and she must decide whether to withdraw to safety or follow a dead poet’s advice and “dwell in possibility.”